Skip to main content

The Lord in Love

High in the mountains of Tibet, among the stark Himalayan ranges, stands the sacred Mount Kailash. Around its dry slopes, the desolate terrain offers a sharp contrast to the lush valleys found elsewhere in the Himalayas. From its heights, one may glimpse Lake Manasarovar lying to the left, its pure waters shimmering with natural beauty amidst the barren surroundings. The atmosphere here feels untouched by the corruption of the world, still as spiritual and solemn as it must have been in ancient times.

Close by stands a Buddhist monastery. But long before the birth of Gautama Buddha, these mountains were home to primitive tribes. Life here was harsh; men and women fought the cold, scoured the forests for food, and built their shelters against the punishing winds. The mountains were richer then, their forests teeming with life, so different from the bare slopes seen today.

Among these tribes lived a man so extraordinary that his people called him the Lord of the Land. His bravery was equalled only by his deep spirituality. Word of his mastery spread far and wide, his skill in archery, his strength with the trident, and his profound wisdom in the science of yoga. Sages from every corner of Aryavarta came to seek his teachings in philosophy and the mysteries of existence. The Warriors travelled for days to learn from his unmatched practices. Yet, despite his power, he preferred peace over war, solitude over conquest, and wisdom over wealth.

In the cold mountains, luxury had no place. His only protection against the freezing air was a tiger skin, and his home lay among the caves and forests of the peaks, where he lived with his people. When winters grew unbearable, the tribe would journey southwards into other parts of Aryavarta, where kings welcomed Him with reverence. To rulers and sages alike, he was the embodiment of perfect knowledge, the knower of both life and death. To preserve his detachment from worldly desire, he chose the path of celibacy.

The Princess of Devagiri

Fate was strange. Destiny was unshackled. It tested even the revered gods. It did not escape them as well. Even his iron resolve would soon be tested. During one of his journeys to the banks of the Ganga, he sat in deep meditation beneath the skies, his body still as stone. It was then that a young princess happened to see him. She was the youngest daughter of the royal family of Devagiri Kankhal, near the Ganga. Her father had long harboured resentment toward the mountain tribes, and the princess, barely sixteen, had never even heard of the great sage.

Now, seeing him sitting upon a rock, dressed in tiger skin, his long hair bound into matted locks (jata), she was overcome by wonder. In that moment, the princess of Devagiri fell hopelessly in love. As she watched the man in awe, a small Rudraksha bead slipped from his hair and rolled into the river. The princess waded in and picked it up, holding the sacred bead as if it were a priceless jewel. Her heavy gold ornaments and glittering gems suddenly felt worthless beside that one fallen fruit of the forest. She took it home, clutching it to her bosom.

When she entered the inner palace, her twenty-seven sisters stopped their chatter to look at her. Her face looked flushed. Seeing the Rudraksha in her hand, they gasped in fear and warned her that it belonged to the “Lord of Lords”, their father’s sworn enemy. They told her to abandon it at once and forget the man she had seen. But the young princess could not. All night she twisted and turned in bed, wondering how her father could hate someone so radiant, so divine.

The next morning, she went to the riverbank once again. This time, he sat among his tribesmen, smoking a chillum in quiet contemplation. The faint sound of anklets reached his ears, and for the first time, he turned. Before him stood a girl, radiant in her silks and jewels, her skin glowing in the sun, her eyes deep with innocence.

He asked her what she wanted.

Without hesitation, she said, “I want you to marry me.”

A shocked murmur ran through the assembled tribesmen. How could a royal princess speak so boldly to a wandering ascetic, a vowed celibate? But she was fearless, driven by love. He looked upon her, struck by her courage, her purity. His heart stirred against his will.

For a moment, the Lord of the Land, whose vow could not be broken, felt desire and tenderness mingle in his soul. But he knew the path she wished for could only lead to destruction. No mortal woman could share his life, no innocent girl could bear the fire that burned within him. So, with quiet firmness, he refused her plea. Her brave eyes filled with tears, but she did not argue further.

When her father learned of her boldness, her audacity in proposing to his enemy, his fury knew no measure. To erase the shame, he announced a royal swayamvara, inviting princes from across Aryavarta to seek her hand. The land buzzed with news of the grand event, and word of it reached even His ears in the mountains.

He wandered down to the riverbank once more, gazing at the glittering waters under a dark sky. His heart, long untouched by emotion, felt the ache of loss. His friend and advisor approached quietly. Even in the dim light, he could see the storm behind those meditative eyes.

Then he heard it, the light tinkle of anklets. She had come to him one last time. Her voice trembled as she said, “If you do not come to save me, I will do what I must. You know my heart, and I know yours.”

Their bond was not a random act of emotion, a chaos that stirred without reason. Decades ago, a devotee Asura had asked the divine man for a boon. A boon of immortality. That which could not be granted. Tarak, the Asura, was cunning. He knew that the Lord vowed to be celibate. So he wished to die in the hands of his son. A boon which could not be denied. But the cycle of life, the rule of nature, could not be broken. Prakriti, the divine mother, had to intervene. She had to come and break the vow of celibacy of the Lord. The only way to do that was to tie the Lord in a life of attachment and attraction. This unveiled a series of events, like a domino effect.

On the day of the ceremony, the king ordered guards to keep out any “wild tribal vagabonds,” setting up even a mocking statue of her beloved in the hallway to ensure none would dare appear.

As the princess walked toward the altar, suitors fixed their lustful eyes upon her. Her heart, however, was elsewhere. Suddenly, turning away from the groom’s platform, she ran to the hallway. The guests gasped as she placed her garland upon the statue.

In stunned silence, the court watched the unimaginable: the princess of Devagiri had married a lifeless figure. Then a sound broke through the noise, the rhythmic beat of a damru, echoing through the hall. The crowd parted in awe as He appeared, radiant in his divine presence, holding the trident. His eyes met hers, and everything else faded away into nothingness around them.

Unable to find words for her overwhelming emotions at his silent promise, she lifted the garland from the statue and placed it around His neck. He took her hand, and amidst gasps and cries, led her away from the kingdom’s splendour to His abode among the snows of Mount Kailash.

In the mountains, their love blossomed beyond mortal measure. Her dance inspired his music; her laughter softened his silences. The god and his bride lived in joyous union. He planned to teach her the divine knowledge he possessed, but somehow felt she was too tender for it, not ready to understand the vastness of the Universe and the chaos that drove it yet. In his selfish desire to spend more time with her, he kept delaying her lessons. While she was deeply devoted to her husband, the princess struggled to find happiness in the nature devoid of luxury that she grew up in. Her heart longed to see the mother and sisters she had abandoned once.

But one day, news reached her that her father was conducting a mighty yajna, summoning all the gods, sages, and saints, yet pointedly excluding them. Naively, she resolved to attend.

He knew the dangers of showing up uninvited at the palace of someone as egoistic as her father and pleaded with her not to go, but her heart longed for her family. Yielding to her will, He sent His most trusted follower to escort her.

At Devagiri's Kankhal, the king met them with cold disdain. Before the gathered nobles, he insulted her divine husband and mocked her devotion. Unable to bear such humiliation, the princess threw herself into the sacred fire of the yajna.

The earth trembled, and the Lord’s grief erupted like thunder. In wrath and sorrow, He carried her burning body across the world, performing the terrible dance of Tandava. To save the world, the God of Preservation dismembered her body to stop his dance of wrath. Wherever parts of her body fell, those places became the fifty-one Shakti Peethas we venerate today. The story tells that he wandered for ages, mourning her, travelling personally to each place where her body parts fell and established temples in her name.

And thus, the story of Shiva and Sati, born of devotion, defiance, and divine union, echoes eternally in the chants of the mountains and the wind that circles Kailash. Until the next chapter of their eternal love was written again, by divine Fate.


Shiva Carrying Sati, Kalighat Style Painting.


Popular posts from this blog

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love.  ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon ...

Asuras are not Demons

Demons in the Abrahamic religion are not the same as Asuras of Hinduism. Originally deities of Iranian origin, they were seen in the tribal context as no different from Devas but as counterparts to maintain balance. In early epics and Puranas, asura meant a chosen leader of great capacity. Only later, perhaps due to the Iranian link, their image declined. It was with the Brahmanas that the sharp divide appeared: devas as divine, asuras as evil. Puranic myths demonised them mainly to assert the superiority and immortality of devas, while asuras were cast as symbols of the "other." Since Tribes still worshipped them and embraced their power of negativity, being important to balance, they soon became synonymous with tribes, which was not the case mythologically. There are instances of Bali or Ravana being Kshatriya or Brahmin Asuras and competent kings. Indian demonology itself is vast and layered, shaped by surviving tribes, each with unique myths. Celestial, aerial, and terres...

Bijolia: Her Home

Journey to Bijolia: Lost Kingdoms and Timeless Temples of Mewar Bijoliya translates to a stop between two cities. Nestled in Rajasthan’s Bhilwara district, Bijolia sits 55km from Bundi and 105km from Chittorgarh on the well-travelled Bundi-Chittorgarh road. Once part of Mewar, this seemingly sleepy town guards a rich and layered past: it was ruled from the 11th to the 13th century by the Punwars (or Parmar Rajputs) before falling under the Chauhan dynasty, who shifted the region’s capital to Bhilwara and constructed the imposing fort there. After a brief Chauhan rule, Bijolia was reclaimed by Rana Kumbha and became an integral part of the Mewar kingdom, with the Parmers serving as local Raos, representatives and stewards of the royal house. Despite its history and the famed Bijolia inscriptions (a treasure for historians), Bijolia has never found a seat on Rajasthan’s primary tourist circuit, especially if you’re venturing out by public transport or private car. While a handful of...

A Journey Called PrAja

Love is a relationship based on trust and understanding.  It is also a bond that is made up there. People often ask, "Why them?" I end up telling them some folklore. I end up telling them about how she actually was his shadow in the forests, in bad times. Because love passes all its tests in the worst times when you don't give up on each other. So, here's to My Pratap and His Ajabdeh! Ps. This is about the show Bharat Ka Veer Putra Maharana Pratap on Sony by Contilloe Starring Faisal Khan, Roshni Walia, Sharad Malhotra and Rachana Parulkar. This is NOT their real story. The show aired from 2013 to 2015. Ajabdeh, the simple, strong yet gentle samantputri, was starstruck seeing the down-to-earth Kunwar Pratap, the crown prince of Mewar. She was clueless that he held the key to her heart, her lost mala that destiny had chosen him for.  Na na na na na Chan Chan Chan Chan na na na na! A comedy of errors followed, as she threw the pail of water on him, fumbled at his presen...

Sisodiya: Kings, Queens and Princes (1538 - 1597)

I am back with another History post, this time it is on the wives and sons of Rana Udai Singh II of Mewar, his son and heir Maharana Pratap and Rana Amar Singh. This is a continuation of the Sisodia Family History I posted some time back. The information has been taken from Annals of Mewar by James Todd, Maharana Pratap by B.N. Rana, and Maharana Pratap by Rima Hooja.  Udai Singh II  was the son of Ranisa Karnawati and Rana Sangram Singh. He was born on 4th August 1 522, at Chittorgarh and died on 28th February 1 572 at Gogunda . He was the Ruler of the Sisodia Dynasty. He is believed to have  56 sons and 2 5 wives, apart from the many insignificant queens in his Rani Mahal. Here is a list of his main queens and their sons. Maharani Jaivanta Bai Songara of Jalore  was his chief queen and consort. Her son is Maharana Pratap. He was married to her before he went to war with Banbir, as her father, Akshayraj Rao, was a friend and ally of his father, Rana Sanga.  Saj...

Nawab E Bengal

  Background: Nawab Alivardi Khan was ruling Bengal at the peak of Nawabi rule, expanding his strong empire. He had successfully suppressed the Marathas and had given a strong message to the British East India Company’s rising influence at Calcutta. Highly aware of the British Colonial policies across the globe, Nawab Alivardi Khan was strict with his policies and stronghold over Murshidabad, the then capital of Bengal (including present-day Bihar, Jharkhand, West Bengal, Orissa, and Bangladesh).  He had two daughters and no sons. Amina Begum was the elder one, followed by Ghaseti Begum. Amina had three sons with her husband and courtier, Ahmed Khan. The second son, Mirza Mohammad, fondly called Siraj-Ud-Daulah (light of the country)by his grandfather, was born in 1733C.E. He was his grandfather’s  favourite  because he was born while he won over the Marathas. Alivardi Khan never let the “fortune child” of the family out of his sight. Siraj grew up accompanying his g...

Battle of Haldighati

There have been a lot of talks going on regarding  who won the Battle of Haldighati.  While some want to change what we read and say that the Maharana won it, many oppose the point with a Mughal victory. Here, I compile every account I found of the Battle and its Aftermath and make my unbiased conclusion on the topic. PS. The dates vary from book to book; I gave the ones I found in most sources. The Background: Relation with Mughals Mewar was one of Rajputana's strongest individual kingdoms, along with the likes of Marwar and Kacchawar (Jaipur). Long before the Mughals under Akbar, Mewar under Rana Sangram Singh had successfully managed to keep the "Turk Invaders" under Babar at bay, fighting 17 wars, big and small. The relationship was further questioned when, during the invasion from Saurashtra, Sanga's widow, Rani Karnavati, had written to Mughal Emperor Humayun for help, sending him a rakhi. Contrary to popular belief, Humayun had rested on his way from Gaur (Beng...

Chittorgarh: The First Jauhar

The concept of Jauhar holds a profound place in Rajputana history. It is a ritual where Rajput women willingly choose death by jumping into a fire altar, invoking the gods, and embracing honour rather than living under the humiliation of enemy conquest. Unlike Sati, Jauhar was never forced or compulsory; it was considered the most honourable death a Rajputani could choose when their men lost battles and the enemy laid siege. The Historical Setting: Jauhar Gate and Chittorgarh Fort Chittorgarh Fort once housed the palace of Rana Ratan Singh near the famed Vijay Stambh and his Jal Mahal at the fort’s main gate. When Alauddin Khilji invaded Chittor, much of this was destroyed. However, later ruler Rana Kumbha rebuilt the Jal Mahal and re-established the Jauhar Sthal to honour Queen Padmavati (also known as Padmini). Ratan Singh, who ruled Mewar during Khilji’s reign as Sultan of Delhi, was known to be a peace-loving monarch who enjoyed music and poetry. One of his court poets, Ragha...

The Rebel Saint: Retracing the Stories of Meera Bai

This is a folklore retelling of the life of Meera Bai. Little is known about her historically, except that she was a devotee of Lord Krishna and the granddaughter of Rao Dudha of Marwar. Since Rana Sanga was an ally of the king, she was married to the crown prince of Mewar, Bhoj Raj, who unfortunately died in one of the many battles Mewar fought with Babur. After that, her journey from Mewar to Merta to Vrindavan and Dwarka can be traced only with folklore. Historically, her mention is only found twice, once in the chronology of Merta, where her father Ratan Singh, the youngest son of the king, is mentioned as having a daughter married to Kunwar Bhoj Raj and another time when the temple for her Lord was commissioned by Rana Sanga, for the private use and worship of his firstborn's widow. The Palace at Merta The Palace at Merta The palace at Merta was alive with festive preparations. Rao Dudha, the fourth son of Jodha Rao, the founder of Jodhpur, was returning from war with his sons...

Maa Durga: Weapons and Iconography

  Mythology: Origin story & Chandi Path The Srimat Devi Bhagawatam , also known as the Devi Puran, a sub-Purana attributed to Shiva Mahapurana, depicts the story of the “birth” and achievement of Devi Durga. The word Durga and related terms appear in the Vedic literature, such as in the Rigveda hymns 4.28, 5.34, 8.27, 8.47, 8.93 and 10.127, and in sections 10.1 and 12.4 of the Atharvaveda. A deity named Durge appears in section 10.1. 7 of the Taittiriya Aranyaka . But the most famous depiction detailed in mythology about the goddess comes from thirteen chapters of the Devi Mahatmya of the Markandeya Purana . It is also famously known as the Chandi Path, which is mainly referred to by the Bengalis for Durga Pujo.  Though the Chandi Path starts from Madhu and Kaitava’s birth from Vishnu’s sleeping body and finally being slain, we will focus on the story of Durga. Parvati’s association with this particular form of iconography comes from the story of Shumbha and Nishumbha, t...