The Hidden One

In the grand fort of Daulatabad, a princess was born in 1638 to Emperor Aurangzeb and his cherished consort, Dilras Banu Begum. She was christened Zeb Un Nisa, her very name meaning “ornament of womankind.” The youngest of her sisters, Zeb Un Nisa, grew up surrounded by the opulence of the Mughal harem at the Red Fort, under the spiritual guidance of her Sufi uncle Dara Shikoh and her wise aunt Jahanara Begum.

From her earliest days, she was captivated by poetry, spending hours immersed in literature, her mind dancing among the verses of Persian and Urdu poets. As she blossomed into adulthood, Zeb Un Nisa cultivated her own literary voice and gathered the greatest poets of the Mughal Empire in her private council. Adopting the pen name Makhfi, the Concealed One, she wove magic with her words, always returning to one intoxicating theme: Love.

Her father, Emperor Aurangzeb, was the most powerful man in India, unyielding in his faith and rule, yet also deeply affectionate towards his daughter. He could grant her nearly anything… but not the freedom to love. In his regal mind, a king’s greatest ornament was not compassion but ego, and this, above all, he wore with pride.

One fateful journey led Zeb Un Nisa to Lahore alongside her father and his court. Lahore, with its timeless gardens and palaces, enchanted the princess. Among the nobles in the city was Aqil Khan, a valiant chief, skilled with both sword and verse. He fell hopelessly in love with the princess who sang of love itself. Zeb Un Nisa, ethereal and enigmatic, bewitched the warrior-poet.

Under the blossoming Chinar trees, the two exchanged poems, soaring verses that soon bubbled through the Mughal court and whispered their secret to Emperor Aurangzeb. Enraged by their rebellion, Aurangzeb decreed the end of this forbidden affair. Zeb Un Nisa refused to surrender: her poetry became even more impassioned, a clandestine testament to her love.

The emperor sought to marry her to another, but she, steadfast and spirited, resisted, her aunt Jahanara pleading in her defence. The jealous rivals, thwarted by the princess’s resolve, ensnared Aqil Khan in a plot: a poisoned message from Delhi warned him that grave punishment awaited if he pursued the princess. Terrified, Aqil Khan exiled himself, and the heartbreaking silence between the lovers followed. Makhfi, the princess poet, poured her anguish into her verses, her agony veiled by the elegance of her words.

Years later, the truth surfaced. Aqil Khan learned that he had been deceived, and, with hope rekindled, rushed to Delhi. There, the lovers’ misunderstanding dissolved in the safety of the poets’ council. But Aurangzeb, humiliated by the chief’s audacity, exacted the ultimate revenge: he ensured that Aqil Khan would pay with his life. Zeb Un Nisa stood helpless as her beloved was slain by her father’s orders.

Grief-stricken yet unyielding, Zeb Un Nisa aided her rebellious brother, Akbar, in opposition to the emperor. When her father discovered her subversive acts, he imprisoned her in Salimgarh Fort. Stripped of all worldly comforts and cut off from those she loved, she spent the next twenty years in confinement, her pain sublimated into poetry. She found solace in Sufism, echoing the spiritual legacy of her aunt Jahanara.

Zeb Un Nisa never again saw open skies or fragrant gardens. Her verses, full of aching love, loss, and longing, are all that remain of her remarkable spirit. When she passed away in 1702 at the age of 64, the precise location of her grave slipped away into myth; some say she rests in Agra’s Sikandra, others in Lahore.

Hidden in history, yet alive in her poetry, Zeb Un Nisa remains Makhfi: the concealed one. Not simply an emperor’s daughter, but a Sufi mystic, a poet of love, and a woman who defied the limits of her world.

Her tomb lies in Lahore, Pakistan and was moved from its original resting place so that the British could build a railway line.

The Warrior and Princess

Dasharatha was very protective of his sons. He had got them after almost a lifetime of waiting and yajnas, so they were his lifeline. Ram, the eldest, won hearts with his humble, generous ways. Bharata, the second, was his favourite queen's brave son, and Laxman and Shatrughan were the twins to the lesser queen, who followed their brothers like shadows. They were a peaceful, happy family. Sage Vasistha was their Kulaguru, teaching them the Vedic hymns and the righteous ways of life. The Princes grew up in the luxurious, protected premises of the palace. The King of Mithila, too, was childless. Mother Earth granted him a daughter. Sita grew up learning and curious, followed by the king's second daughter, Urmila and their cousins Mandavi and Shrutakirti. They grew up knowing the natural ways of life, and their father took them to learn from men to know more about man and his natural instincts. The princesses were curious and always questioning the traditions, and the Princes lear...

The Festival of Bengal: Days and Rituals

This article is partly featured in The Statesman Festival 2024 Magazine. In Bengal, Durga Puja is not only a religious tradition, but it is also a festival. It is called “ Bangalir Shreshto Utsab ” or the greatest festival of Bengalis. It is because, although it started as a religious festival, as we have discussed in the previous blogs, it turned out to be a representation of cultural unity and the freedom movement, as well as seeing her as the daughter returning home with her children. It is called a " Sarbojonin " Utsab or a festival meant for all and sundry. Durga Puja is inclusive of caste, creed, religion, as well as gender identities and professions. Thus, it is more than just a Puja . The traditions, rituals and ways of Durga Puja are hence very different from Navratri, which are observed in individual homes. Let's find out how. The Pandals and idol: As per Hindu tradition, four things are important when the idol of Maa Durga is prepared. These include clay fro...

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love. ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon t...

Chawand: The Maharana's Capital

The road from Udaipur quickly fades into quiet countryside as you head toward Jaisamand Lake and Chavand, a journey that few package tours offer, but one that is forever imprinted on my memory. Just shy of an hour and 59km from the city bustle, you reach Jaisamand (Dhebar Lake), the “Ocean of Victory,” sprawling as Asia’s once-largest man-made lake . Built in 1685 by Maharana Jai Singh, who followed his father’s legendary tradition of dam-building, this vast sheet of water shimmers in the sunlight. I watched local ferries pass, and marble stairs dip into blue shallows, imagining bygone queens slipping into cooling water beneath the massive embankment. Even today, friendly boatmen linger, eager to usher you onto the lake for a breezy ride. They tell you stories of how once a Maharana roamed these dense forests in search of freedom. Do pause here and soak in the peaceful air before venturing further southwest, toward the forgotten echoes of Mewar’s pride. The drive to Chavand, ...

The Kaali Effect

The shopping mall echoed with a noise. The buzz grew silent. Fear crept in. Until somebody shouted, " It's just a Balloon!" The buzz grew again, the shopping continued, the romantic couples continued their walks, and the food court filled up with the aroma of the orders... A few decades back, people used to laugh carefree at a balloon bursting or a tyre booming in the streets or in various crowded areas. Now, in the back of everyone's head, a loud noise always brings the same thoughts... Another year, another city, another crowded place, Several innocent lives. They don't spare religious places either. For the sake of mankind? Religion? Politics? Power? They only know. Who are they? Nobody knows. It is said that the demon Kaali, who ushered in KaliYug, decided to reside in a few things. Addiction, Wealth, Desire, and Anger are some such things he resides in. This is KaliYug, where an innocent child's balloon makes adults fear the extremes. What is dharma here?...

Rakhi Tales

A Rakhi to the Enemy: The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long, and time was of the essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even R...

Sisodiya: Kings, Queens and Princes (1538 - 1597)

I am back with another History post, this time it is on the wives and sons of Rana Udai Singh II of Mewar, his son and heir Maharana Pratap and Rana Amar Singh. This is a continuation of the Sisodia Family History I posted some time back. The information has been taken from Annals of Mewar by James Todd, Maharana Pratap by B.N. Rana, and Maharana Pratap by Rima Hooja. Udai Singh II was the son of Ranisa Karnawati and Rana Sangram Singh. He was born on 4th August 1 522, at Chittorgarh and died on 28th February 1 572 at Gogunda . He was the Ruler of the Sisodia Dynasty. He is believed to have 56 sons and 2 5 wives, apart from the many insignificant queens in his Rani Mahal. Here is a list of his main queens and their sons. Maharani Jaivanta Bai Songara of Jalore was his chief queen and consort. Her son is Maharana Pratap. He was married to her before he went to war with Banbir, as her father, Akshayraj Rao, was a friend and ally of his father, Rana Sanga. Saj...

The Cortege That Shook The Raj: Kanailal Dutta

10th November, 1908 Around late morning, a procession of lacs made their way through the streets of Calcutta (Kolkata), India. Some were chanting “Vande Mataram”, others blew conch shells, and Ululation filled the air. Flowers were being showered from all directions, and garlands made their way through the crowd, being thrown at the procession in the middle. Bhagwat Gita and Ananda Math (Novel by Bamkim Chandra) were offered. No, this was no “ Sobha Jatra ” or celebration. There were no religious festivities either. That dawn, the Alipore Jail, which opened only two years back, witnessed the hanging of Kanailal Dutta, a twenty-year-old member of the “Jugantar Dol”, an anarchist group that was set up primarily by Aurobindo Ghosh (Later Rishi Aurobindo), his brother Barindra and their associates. Kanailal hailed from Chandannagore, and although he was not present in most of their meetings in Kolkata, he was still one of their early members from Chandannagore, then a French province. ...

Maa Durga: Weapons and Iconography

Mythology: Origin story & Chandi Path The Srimat Devi Bhagawatam , also known as the Devi Puran, a sub-Purana attributed to Shiva Mahapurana, depicts the story of the “birth” and achievement of Devi Durga. The word Durga and related terms appear in the Vedic literature, such as in the Rigveda hymns 4.28, 5.34, 8.27, 8.47, 8.93 and 10.127, and in sections 10.1 and 12.4 of the Atharvaveda. A deity named Durge appears in section 10.1. 7 of the Taittiriya Aranyaka . But the most famous depiction detailed in mythology about the goddess comes from thirteen chapters of the Devi Mahatmya of the Markandeya Purana . It is also famously known as the Chandi Path, which is mainly referred to by the Bengalis for Durga Pujo. Though the Chandi Path starts from Madhu and Kaitava’s birth from Vishnu’s sleeping body and finally being slain, we will focus on the story of Durga. Parvati’s association with this particular form of iconography comes from the story of Shumbha and Nishumbha, t...

Chandra's Choice: The Story of Dhruvasvamini

More often than not, the private lives of kings and the existence of their queens remain in the words of bards rather than those of chroniclers. Dhruvasvamini is no different, even after being the queen of the golden age of the Indian Subcontinent. She appears in the Basarh Clay Seal as the mother of Govinda Gupta (attributed as a sibling of Kumara Gupta I) and the queen wife of Chandra Gupta II or Vikramaditya. Except for one mention of Dhruva Devi, as she is popularly known, she remains a mysterious character in the Gupta lineage, with a side mention in the dynasty’s history. Visakhadatta, a famous poet and playwright, who later wrote DeviChandraGuptam as the play capturing the life of Chandra Gupta II, captured Dhruva Devi as one of the protagonists of his story. Although some scholars attribute Visakhadatta to be under the patronage of Chandra Gupta II himself when he wrote this story, many historians debate the literary work as a historical fiction written much after his time. Tru...

A Journey To Discover Life

Search This Blog