Skip to main content

Chawand: The Maharana's Capital







The road from Udaipur quickly fades into quiet countryside as you head toward Jaisamand Lake and Chavand, a journey that few package tours offer, but one that is forever imprinted on my memory. Just shy of an hour and 59km from the city bustle, you reach Jaisamand (Dhebar Lake), the “Ocean of Victory,” sprawling as Asia’s once-largest man-made lake. Built in 1685 by Maharana Jai Singh, who followed his father’s legendary tradition of dam-building, this vast sheet of water shimmers in the sunlight. I watched local ferries pass, and marble stairs dip into blue shallows, imagining bygone queens slipping into cooling water beneath the massive embankment. Even today, friendly boatmen linger, eager to usher you onto the lake for a breezy ride. They tell you stories of how once a Maharana roamed these dense forests in search of freedom. Do pause here and soak in the peaceful air before venturing further southwest, toward the forgotten echoes of Mewar’s pride.

The drive to Chavand, just beyond Jaisamand near the Gujarat border, narrows into forest and fields, passing village scenes that seem untouched by time. It was here that Maharana Pratap, Mewar’s greatest hero, found solace and strategy after the fateful Haldighati battle. The hills and dense greenery offered clever camouflage, and it’s easy to see why Pratap, forever a rebel, chose this wild margin as his capital. Our car eventually stopped at an old signboard, the kind that makes heart and history skip together: it bore the names of Pratap’s family, wife Ranisa Ajabdeh, and even a line showing his kinship with Shivaji; a shiver ran down my spine.

Right across the path, a simple gate led to the lake at Chavand. Here stands Pratap’s cenotaph, built by his son, Amar Singh, on a small peninsula of Khejad Lake, which they locally call Badi Tilla, 2km from the palace of Chawand. The site radiates a solemn peace; a single lamp is always lit at the Samadhi, pigeons fluttering quietly as if nature itself keeps watch. Few travellers make it here, and I was struck by the absence of crowds, just silence and a ripple of wind, as if the land is still mourning an unfinished story. Amar Singh performed his father’s last rites in the winter of 1597, and Ranisa Ajabdeh, too, is said to have passed her last days in these forests, her story quietly woven into the soil. If only there were a memorial for her bravery as well.

Walking around, I offered wildflowers at the Samadhi, reflecting on why Pratap seemed to love this rugged land more than Udaipur’s marble palaces. The grandeur of the city never appealed to him. It was here, amid untamed nature and loyal subjects, that he found a sense of home. The feeling is bittersweet: standing where a legend found peace, longing that he could have seen Mewar free once again.

A short drive farther up, we stopped at Pratap’s memorial statue. Cast in stone, he seems to gaze fiercely over his ruined but free capital, a reminder of his indomitable will and the years spent rallying his people for Mewar’s honour. In the foothill, stretch the remains of his humble palace: not lavish, but determined, standing resilient among scrub and boulders. Locals warned of snakes in the brush, so I admired the fort from afar; still, you can make out walls, an arched gateway, and traces of the two-storeyed retreat where Pratap spent the last 17 years of his life.

Chavand is often described as sad, a place where heroes died. But to me, it brims with spirit. Exploring those sunlit hills, I felt the powerful presence of history, the same wind that once carried Pratap’s hopes through the trees. This is still Mewar: proud, wild, and free.

As you leave, let the silence sink in; a living testament to those who loved this land with all their might. Chavand, often unsung and rarely visited, is a place not merely of endings but of enduring courage. I left quietly, heart full, certain that Pratap’s legacy will keep stirring here long after every visitor is gone.


Lake at Chavand

The life of Maharana Pratap.

Opposite this board was a gate that led across the lake via a bridge. It said Cenotaph of Maharana Pratap. 


The Samadhi

The lake view from the Cenotaph

The Cenotaph

I wished Amar Singh could build a memorial for his mother, too. I would have loved to go there and tell her, "Thank you, Virangana, for being with him."
The place where Amar Singh dispersed his Ashes


From his Samadhi in Chavand.




Hindu Surya Raghuvanshi Maharana Pratap Singh Sisodia


The walls and the stone visible are the remains of his palace


Ever since I read about Maharana Pratap, I had always imagined Chawand in my mind. He built this capital. He chose the place. Something had to be special about it that he wished that his ashes would be scattered here. Before my trip, I scrambled through every possible archive on the internet as well as vlogs. None mentioned Chawand. Nobody went there. So I reached Udaipur, unsure of whether I could at all go there. The man at the tourism desk was surprised at my request for a car to Chawand. "Nobody goes there. There are no tourist spots." He had said. I insisted. I did not know what awaited me there. I was very disappointed at Gogunda, where I expected the remains of a township. But when the car stopped after entering a newly made gateway, the first thing I noticed was a signboard in Hindi. The life and lineage of Maharana Pratap were on the board. On it was the name of his queen consort. The first time I came across her name was beyond the folklore and stories. Opposite that was this huge Lake that looked like a river at first glance. The black iron gates were shut but unlocked. I pushed the gate and noticed the writing on the stone. The bridge from the mainland to the cenotaph gave a spectacular 360-degree view. The wind was fierce. It stormed right into your face. It was autumn, so the leaves were rustling, making music. The Bougainville, maintained by the locals, showered flower petals on the white domes. And there in the centre was the small replica of Eklingji and a lamp that fought through the wind and stayed lit. There, with teary eyes, I found what I was looking for. The answer to why this place. The serenity and silence where he finally found peace after a lifetime of battle. The palace and Statue is a five-minute drive away. But somehow his soul remains at this very place, where he rests.

Up next is the final part, a parting thought on this wonderful Journey!!



Popular posts from this blog

Chandra's Choice: The Story of Dhruvasvamini

More often than not, the private lives of kings and the existence of their queens remain in the words of bards rather than those of chroniclers. Dhruvasvamini is no different, even after being the queen of the golden age of the Indian Subcontinent. She appears in the Basarh Clay Seal as the mother of Govinda Gupta (attributed as a sibling of Kumara Gupta I) and the queen wife of Chandra Gupta II or Vikramaditya. Except for one mention of Dhruva Devi, as she is popularly known, she remains a mysterious character in the Gupta lineage, with a side mention in the dynasty’s history. Visakhadatta, a famous poet and playwright, who later wrote DeviChandraGuptam as the play capturing the life of Chandra Gupta II, captured Dhruva Devi as one of the protagonists of his story. Although some scholars attribute Visakhadatta to be under the patronage of Chandra Gupta II himself when he wrote this story, many historians debate the literary work as a historical fiction written much after his time. Tru...

Battle of Haldighati

There have been a lot of talks going on regarding  who won the Battle of Haldighati.  While some want to change what we read and say that the Maharana won it, many oppose the point with a Mughal victory. Here, I compile every account I found of the Battle and its Aftermath and make my unbiased conclusion on the topic. PS. The dates vary from book to book; I gave the ones I found in most sources. The Background: Relation with Mughals Mewar was one of Rajputana's strongest individual kingdoms, along with the likes of Marwar and Kacchawar (Jaipur). Long before the Mughals under Akbar, Mewar under Rana Sangram Singh had successfully managed to keep the "Turk Invaders" under Babar at bay, fighting 17 wars, big and small. The relationship was further questioned when, during the invasion from Saurashtra, Sanga's widow, Rani Karnavati, had written to Mughal Emperor Humayun for help, sending him a rakhi. Contrary to popular belief, Humayun had rested on his way from Gaur (Beng...

Etched In Stone

This historical short story is a fictitious account of Ashoka, the Mauryan Emperor and his first wife Devi, who finds no place in Magadhan History. There is another fiction about her in the blog as well. This story stemmed from a merge of two ideas, one was to mention the cave inscription found in Saru Maru that mentions Asoka spending some days there with his lover (presumed to be Devi), the other idea of how if words did not immortalise a lot of battles and achievements, the names of many great men would be lost in time. The prince stood on the edge of the cliff, looking at the horizon. Dawn arrived as the birds started leaving their nests, wings fluttering, eager to discover the world. He looked up at them, the thought of once again going back to exploring the length and breadth of his state making him feel a little restless as he eyed his healing wounds. He was left to die; his enemies wished so. Yet by some miracle of fate, as if his purposes were yet to be fulfilled, here he was ...

Rakhi Tales

A Rakhi to the Enemy: The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long, and time was of the essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even R...

The Cortege That Shook The Raj: Kanailal Dutta

10th November, 1908 Around late morning, a procession of lacs made their way through the streets of Calcutta (Kolkata), India. Some were chanting “Vande Mataram”, others blew conch shells, and Ululation filled the air. Flowers were being showered from all directions, and garlands made their way through the crowd, being thrown at the procession in the middle. Bhagwat Gita and Ananda Math (Novel by Bamkim Chandra) were offered. No, this was no “ Sobha Jatra ” or celebration. There were no religious festivities either. That dawn, the Alipore Jail, which opened only two years back, witnessed the hanging of Kanailal Dutta, a twenty-year-old member of the “Jugantar Dol”, an anarchist group that was set up primarily by Aurobindo Ghosh (Later Rishi Aurobindo), his brother Barindra and their associates. Kanailal hailed from Chandannagore, and although he was not present in most of their meetings in Kolkata, he was still one of their early members from Chandannagore, then a French province. ...

Shikhandi: A Tale of Identity and Revenge

Hastinapur was the most powerful empire in the north of the Vindyas, in the subcontinent once ruled by King Bharata. When its long-reigning and prosperous king Shantanu passed away in old age, he left behind his ambitious wife Satyabati, her two sons, Chitrangad and Bichitravirjaya and his first surviving son from his first wife Ganga, Devabrata, who took the lifelong oath of not being king nor marrying or having any progeny and hence earned the name Bhishma. When Chitrangad was about to ascend the throne, he died in an unfortunate accident, leaving the minor Bichitravirjaya as the only contender on the throne. Bhishma almost outspokenly took over the role of guardian to the throne of Hastinapur upon this event. However, the rules suggested that the young prince must marry before he could be crowned. Upon hearing of this, Bhishma sent his spies around the subcontinent to find eligible princesses who would not only marry the heir apparent but also be the future queen and queen mother of...

The Reva Cries

Roopmati had watched the troops leave. She had stood behind the chief queen as she traditionally bid goodbye to her sons. She had waited for the Sultan to come to her. He did. He was confident that the sudden advancement of Akbar’s foster brother, Adham Khan, could be curbed. It was not war, just precaution. He reassured her. Malwa would never bow to the Timurids. And he would not let anything happen to her. To Her. Roopmati felt suffocated by her husband’s affectionate hug. She felt trapped in the scrutinising eyes of all the people in the palace. Angry, blaming eyes. She tried to pace herself and sing, but her voice cracked in fear. Her melody was drowned in tears. Every evening, a messenger would come to the chief queen with the news of war. Roopmati was kept in the darkness. She was not told about anything. She knew the rumours. She was a witch. A temptress who caused doom to the Sultan of Malwa. She was a spy of the enemy planted in his life to destroy him. She wondered if he came...

The Timurid Empress

Ruqaiya Sultana Begum  was born to Babur's second surviving son, Hindal Mirza, and his wife, Sultanam Begum, in 1542 C.E., merely a few months after Hamida Banu gave birth to the heir Jalaluddin Mohammad Akbar. She was well-versed in Persian, Urdu and Arabic and was attracted to poetry and music. Being a proud descendant of the Timurid clan, most of Rukaiya's childhood was spent in Kabul, near the Bagh E Babur, built by Babur himself. From early childhood, she had seen the struggle of her family to regain their lost power in Hind. Miniature of Rukaiya Begum as Empress In 1551 C.E., just after her father died young at a battle for Humayun, leaving her and her mother in the harem of the emperor, it was Hamida Banu who wanted the marriage of Rukaiya to her first cousin, Akbar. Theirs was the first in-house marriage of the Mughals, soon to be followed by many more in the generations to come. At the mere age of nine, she had married the crown prince, and when Humayun won back Lahore...

Brothers and Sisters of Mahabharata

The Mahabharata, one of the greatest epics of Hindu mythology, not only recounts tales of valour, destiny, and dharma but also reveals intricate relationships between siblings whose lives shaped the moral and political fabric of the narrative. The bonds between brothers and sisters in the epic are diverse: marked by affection, rivalry, loyalty, and sacrifice. These relationships, though complex, embody the human emotions that transcend divine lineage and royal blood. Satyavati and Her Lineage Satyavati and her brother Matsya were born from a miraculous union between a Cursed Nymph in the form of a fish, Adrika and the King Uparichara Vasu, whose semen the fish had consumed when it fell in the river. They were discovered by their adoptive father, King Dusharaj, the ruler of the fishermen, and thus came to be known as  Matsya Santan , meaning “children of the fish.” When the king found out about the twins, he claimed the male child as his heir and gave the girl, Satyavati, to the fis...

Kumbhalgarh Gogunda: Witness to Turmoil

Okay, so picture this: you’re winding your way up into the Aravallis, just 6km from Kelwara, and suddenly, perched on a cliff, there is a long, invincible wall in sight, that of Kumbhalgarh. I don’t just mean “oh, that’s an old fort, I mean, this is huge. Built by Rana Kumbha (that’s short for Kumbhakarna Singh of Mewar), you can actually see why it’s the second most important fort in all of Mewar. It’s got drama, secrets, heartbreak… basically, if these ancient stones could talk, they’d have more stories than your grandma. Let’s start from the beginning. After his father, Mokal, was killed, young Kumbha and his mother hid out on this very hill, plotting their comeback. But every time they tried to build here, the walls just wouldn’t stand. The king was stressed, "Do I need a new architect?!" he wondered. Cue the local priests, who sent him off to a saint in Ranakpur. The advice? Not what Kumbha wanted to hear. “You need a human sacrifice to build your fort. I’ll do it. But ...