Skip to main content

Chawand: The Maharana's Capital







The road from Udaipur quickly fades into quiet countryside as you head toward Jaisamand Lake and Chavand, a journey that few package tours offer, but one that is forever imprinted on my memory. Just shy of an hour and 59km from the city bustle, you reach Jaisamand (Dhebar Lake), the “Ocean of Victory,” sprawling as Asia’s once-largest man-made lake. Built in 1685 by Maharana Jai Singh, who followed his father’s legendary tradition of dam-building, this vast sheet of water shimmers in the sunlight. I watched local ferries pass, and marble stairs dip into blue shallows, imagining bygone queens slipping into cooling water beneath the massive embankment. Even today, friendly boatmen linger, eager to usher you onto the lake for a breezy ride. They tell you stories of how once a Maharana roamed these dense forests in search of freedom. Do pause here and soak in the peaceful air before venturing further southwest, toward the forgotten echoes of Mewar’s pride.

The drive to Chavand, just beyond Jaisamand near the Gujarat border, narrows into forest and fields, passing village scenes that seem untouched by time. It was here that Maharana Pratap, Mewar’s greatest hero, found solace and strategy after the fateful Haldighati battle. The hills and dense greenery offered clever camouflage, and it’s easy to see why Pratap, forever a rebel, chose this wild margin as his capital. Our car eventually stopped at an old signboard, the kind that makes heart and history skip together: it bore the names of Pratap’s family, wife Ranisa Ajabdeh, and even a line showing his kinship with Shivaji; a shiver ran down my spine.

Right across the path, a simple gate led to the lake at Chavand. Here stands Pratap’s cenotaph, built by his son, Amar Singh, on a small peninsula of Khejad Lake, which they locally call Badi Tilla, 2km from the palace of Chawand. The site radiates a solemn peace; a single lamp is always lit at the Samadhi, pigeons fluttering quietly as if nature itself keeps watch. Few travellers make it here, and I was struck by the absence of crowds, just silence and a ripple of wind, as if the land is still mourning an unfinished story. Amar Singh performed his father’s last rites in the winter of 1597, and Ranisa Ajabdeh, too, is said to have passed her last days in these forests, her story quietly woven into the soil. If only there were a memorial for her bravery as well.

Walking around, I offered wildflowers at the Samadhi, reflecting on why Pratap seemed to love this rugged land more than Udaipur’s marble palaces. The grandeur of the city never appealed to him. It was here, amid untamed nature and loyal subjects, that he found a sense of home. The feeling is bittersweet: standing where a legend found peace, longing that he could have seen Mewar free once again.

A short drive farther up, we stopped at Pratap’s memorial statue. Cast in stone, he seems to gaze fiercely over his ruined but free capital, a reminder of his indomitable will and the years spent rallying his people for Mewar’s honour. In the foothill, stretch the remains of his humble palace: not lavish, but determined, standing resilient among scrub and boulders. Locals warned of snakes in the brush, so I admired the fort from afar; still, you can make out walls, an arched gateway, and traces of the two-storeyed retreat where Pratap spent the last 17 years of his life.

Chavand is often described as sad, a place where heroes died. But to me, it brims with spirit. Exploring those sunlit hills, I felt the powerful presence of history, the same wind that once carried Pratap’s hopes through the trees. This is still Mewar: proud, wild, and free.

As you leave, let the silence sink in; a living testament to those who loved this land with all their might. Chavand, often unsung and rarely visited, is a place not merely of endings but of enduring courage. I left quietly, heart full, certain that Pratap’s legacy will keep stirring here long after every visitor is gone.


Lake at Chavand

The life of Maharana Pratap.

Opposite this board was a gate that led across the lake via a bridge. It said Cenotaph of Maharana Pratap. 


The Samadhi

The lake view from the Cenotaph

The Cenotaph

I wished Amar Singh could build a memorial for his mother, too. I would have loved to go there and tell her, "Thank you, Virangana, for being with him."
The place where Amar Singh dispersed his Ashes


From his Samadhi in Chavand.




Hindu Surya Raghuvanshi Maharana Pratap Singh Sisodia


The walls and the stone visible are the remains of his palace


Ever since I read about Maharana Pratap, I had always imagined Chawand in my mind. He built this capital. He chose the place. Something had to be special about it that he wished that his ashes would be scattered here. Before my trip, I scrambled through every possible archive on the internet as well as vlogs. None mentioned Chawand. Nobody went there. So I reached Udaipur, unsure of whether I could at all go there. The man at the tourism desk was surprised at my request for a car to Chawand. "Nobody goes there. There are no tourist spots." He had said. I insisted. I did not know what awaited me there. I was very disappointed at Gogunda, where I expected the remains of a township. But when the car stopped after entering a newly made gateway, the first thing I noticed was a signboard in Hindi. The life and lineage of Maharana Pratap were on the board. On it was the name of his queen consort. The first time I came across her name was beyond the folklore and stories. Opposite that was this huge Lake that looked like a river at first glance. The black iron gates were shut but unlocked. I pushed the gate and noticed the writing on the stone. The bridge from the mainland to the cenotaph gave a spectacular 360-degree view. The wind was fierce. It stormed right into your face. It was autumn, so the leaves were rustling, making music. The Bougainville, maintained by the locals, showered flower petals on the white domes. And there in the centre was the small replica of Eklingji and a lamp that fought through the wind and stayed lit. There, with teary eyes, I found what I was looking for. The answer to why this place. The serenity and silence where he finally found peace after a lifetime of battle. The palace and Statue is a five-minute drive away. But somehow his soul remains at this very place, where he rests.

Up next is the final part, a parting thought on this wonderful Journey!!



Popular posts from this blog

Rakhi Tales

A Rakhi to the Enemy: The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long, and time was of the essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even R...

The Thirteenth Night

This is part of the "Uttara Series" You will find under the Mahabharata. The series is also available on Wattpad. The night of the Bhadra Amavasya saw a funeral pyre in the Pandavas' camp. Wails of the ladies filled the air as the young brave heart was turning into ashes. The ashes lit up a celebration in the Kauravas' camp. Duryodhan, Dushyasan, Shakuni, and Jayadrata all succeeded in their mission. Breaking the Pandavas' backbone, killing their favourite son. Karna joined in the celebrations reluctantly; he had released the boy from the pain. The face kept coming back to him. After all, he was his nephew. He shut his eyes in pain. The air tonight seemed cursed. The pyre burning made the teenage widow run towards it. She had no hope of living without him. Life was already tough; each day, he went to war with a smile on his face. She had already lost her brother. Now she had none to return home to her. "Stop!" His mother pleaded between the wails. "...

The Emperor's First Wife

Rukaiya Begum   Ruqaiya Sultana Begum  was born to Babur's second surviving son, Hindal Mirza, and his wife, Sultanam Begum, in 1542 C.E., merely a few months after Hamida Banu gave birth to the heir Jalaluddin Mohammad Akbar. She was well-versed in Persian, Urdu and Arabic and was attracted to poetry and music. Being a proud descendant of the Timurid clan, most of Rukaiya's childhood was spent in Kabul, near the Bagh E Babur, built by Babur himself. From early childhood, she had seen the struggle of her family to regain their lost power in Hind. In 1551 C.E., just after her father died young at a battle for Humayun, leaving her and her mother in the harem of the emperor, it was Hamida Banu who wanted the marriage of Rukaiya to her first cousin, Akbar. Theirs was the first in-house marriage of the Mughals, soon to be followed by many more in the generations to come. At the mere age of nine, she had married the crown prince, and when Humayun won back Lahore, she was fifteen. At...

Etched In Stone

This historical short story is a fictitious account of Ashoka, the Mauryan Emperor and his first wife Devi, who finds no place in Magadhan History. There is another fiction about her in the blog as well. This story stemmed from a merge of two ideas, one was to mention the cave inscription found in Saru Maru that mentions Asoka spending some days there with his lover (presumed to be Devi), the other idea of how if words did not immortalise a lot of battles and achievements, the names of many great men would be lost in time. The prince stood on the edge of the cliff, looking at the horizon. Dawn arrived as the birds started leaving their nests, wings fluttering, eager to discover the world. He looked up at them, the thought of once again going back to exploring the length and breadth of his state making him feel a little restless as he eyed his healing wounds. He was left to die; his enemies wished so. Yet by some miracle of fate, as if his purposes were yet to be fulfilled, here he was ...

Nawab E Bengal

  Background: Nawab Alivardi Khan was ruling Bengal at the peak of Nawabi rule, expanding his strong empire. He had successfully suppressed the Marathas and had given a strong message to the British East India Company’s rising influence at Calcutta. Highly aware of the British Colonial policies across the globe, Nawab Alivardi Khan was strict with his policies and stronghold over Murshidabad, the then capital of Bengal (including present-day Bihar, Jharkhand, West Bengal, Orissa, and Bangladesh).  He had two daughters and no sons. Amina Begum was the elder one, followed by Ghaseti Begum.  Amina had three sons with her husband and courtier, Ahmed Khan. The second son, Mirza Mohammad, fondly called Siraj-Ud-Daulah (light of the country)by his grandfather, was born in 1733C.E. He was his grandfather’s  favourite  because he was born while he won over the Marathas. Alivardi Khan never let the “fortune child” of the family out of his sight. Siraj grew up accompanying...

Roopmati's Renewal

The entourage was too large and extravagant for a musician. Roopmati remembered that as a child, during festivities, she would ride on her father’s shoulder to see the entourages pass by the main streets of the town nearby. She had seen many a musician. None had such a huge entourage. Roopmati frowned a little, unsurely as she took her father’s leave. His warning rang in her ears. “Remember what you do, how you behave will all come back to me.” She nodded.  The chief queen was at a loss for words. She had never seen the Sultan himself step into the Mahal to check the chambers to be allotted to one of the girls who were coming in. She was not one of the girls. She was a musician. The queens were curious. What would her position be then? She could not be a concubine, and she was not a queen. A musician in the royal palace of the ladies? Had the Sultan lost his senses? Or did he have some other agenda? If he wanted someone, he had them. He was the Sultan. There was no way he was tryin...

The Naga Princess

The Nagas (symbolically snakes) were a tribe who were well acquainted with life in forests and on rivers. They were said to be the ones who ruled the waters. Historically speaking, the Nagas lived in the northeastern parts of Aryavarta, close to Manipur, and extended their villages up to the land of Burma. The Naga tribe staying in the current state of Nagaland are proof of this. Now, this brings us to the story. The Naga Chief was Kauravya, who ruled the waters of the Ganges. His daughter was Ulupi. Some say she was a widow at a tender age, and some say she was unmarried. The Pandava prince Arjun was roaming around Aryavarta in exile, for he had broken a promise and entered his elder brother's intimate room with their Shared wife. The punishment was this. He roamed all the way from Indraprastha to the mystic lands of Manipur and Nagaland. Ulupi, like any other princess of that time, desired the handsome and brave prince of Hastinapur. On hearing of his arrival in their land, she w...

The Idea of Independence

Independence is not merely about a free country, a flag, a democracy or a monarchy as the power seat of a region. It is a feeling and a choice. Entitlement to one’s own opinion and rights. Often, a reason to reform. Independence is about individuality and mass. As we grow up, we often write essays on “My Inspiration.” The word inspiration is, in reality, deeper than we understand at that young age and is more often than not merged with our childhood ideas of an ideal man, an idol, or someone who helps us, namely, our own teachers or parents. Some of the students even mug up essays that tell the tales of the lives of Swami Vivekananda or Mahatma Gandhi. But it takes us years, or even perhaps a lifetime, to be mature enough to know and understand the true meaning of inspiration and idol. When we do, it is then that we choose ones that appeal to our morals, thoughts and souls. I remember Independence Day as a child. Every 15 th  of August used to be about our locality dressed up in a ...

Neel Kanth

In the vast tapestry of Hindu mythology, Neelkanth Sasti holds a significant place as a day that honours Lord Shiva’s act of supreme compassion and courage. According to the Puranas, this day commemorates the pivotal moment during the Samudra Manthan, the cosmic churning of the ocean, when the deadly poison Halahal emerged. Halahal, described as the collective essence of all the universe’s negativity and toxicity, began to spread destruction among both Devas and Asuras. Its effects were so perilous that even the gods could not approach it, symbolising the universal truth that adversity and suffering make no distinction between divine or mortal beings. With the balance of creation at risk and the churning brought to a standstill, Mahadev Lord Shiva, the Destroyer and Transformer within the Hindu Trinity, was invoked for help. In an act of unparalleled self-sacrifice, he consumed the Halahal to protect all existence from annihilation. However, the potency of the poison was such that it t...

The Garuda Cannon of Krishna Chandra

Maharaja Krishna Chandra was an influential king in Nadia, Bengal, who formed his capital at Krishnanagar. During the preparation of the Battle of Plassey that sealed the deal for British Colonisation in Bengal in 1757, Krishna Chandra was under the Mughals of Delhi, who did not support Bengal Subah Nawab Siraj Ud Daulah in his attack against the British in Calcutta. As a result, he too was vocal against Siraj and supported the British. Siraj ordered for him to be imprisoned for not paying his due taxes to the Nawab, and he found freedom only after Robert Clive and Mir Jafar ousted Siraj by betraying him. Once Krishna Chandra was back in his state, the Mughal emperor, who was now reduced to a puppet of the British, by suggestion of Robert Clive, gifted the king a token of appreciation for his support, a cannon, which the Raja named the Garuda Cannon. What was so special about the cannon? This is the only cannon found in any museum with an inscription in Bengali scripture. Most cannons ...