A Journey To Discover Life

More often than not, the private lives of kings and the existence of their queens remain in the words of bards rather than those of chroniclers. Dhruvasvamini is no different, even after being the queen of the golden age of the Indian Subcontinent. She appears in the Basarh Clay Seal as the mother of Govinda Gupta (attributed as a sibling of Kumara Gupta I) and the queen wife of Chandra Gupta II or Vikramaditya. Except for one mention of Dhruva Devi, as she is popularly known, she remains a mysterious character in the Gupta lineage, with a side mention in the dynasty’s history. Visakhadatta, a famous poet and playwright, who later wrote DeviChandraGuptam as the play capturing the life of Chandra Gupta II, captured Dhruva Devi as one of the protagonists of his story. Although some scholars attribute Visakhadatta to be under the patronage of Chandra Gupta II himself when he wrote this story, many historians debate the literary work as a historical fiction written much after his time. Tru...

The Indian Subcontinent is a diverse mix of cultures, religions and traditions that make up its value system. The moment we discuss the early Indian subcontinent and its religions, long before Buddhism or Jainism came into existence or the Abrahamic religions were introduced on the western coasts by travellers and traders, long before any invasion proved any sign of forced conversion, a layman’s idea of the Indian Subcontinent is that of a single unified culture. Historically speaking, that is far from the truth. The Indian Subcontinent, since the evidence of early civilisation has been found in its river banks, like that in Bhirrana or Mehrgarh, dating back to around 6000 BCE, has never had one unifying belief through its geographic boundaries. The terms Hindu, Hindustan and many others come originally from attributed to primary sources of the Ancient West Asian civilisation. But our history starts much earlier than that. And where there is society and civilisation, there is bound to ...

This historical short story is a fictitious account of Ashoka, the Mauryan Emperor and his first wife Devi, who finds no place in Magadhan History. There is another fiction about her in the blog as well. This story stemmed from a merge of two ideas, one was to mention the cave inscription found in Saru Maru that mentions Asoka spending some days there with his lover (presumed to be Devi), the other idea of how if words did not immortalise a lot of battles and achievements, the names of many great men would be lost in time. The prince stood on the edge of the cliff, looking at the horizon. Dawn arrived as the birds started leaving their nests, wings fluttering, eager to discover the world. He looked up at them, the thought of once again going back to exploring the length and breadth of his state making him feel a little restless as he eyed his healing wounds. He was left to die; his enemies wished so. Yet by some miracle of fate, as if his purposes were yet to be fulfilled, here he was ...