Chittorgarh: The Towers of Victory & Faith

Let’s get back to Chittorgarh! Our journey from the Kumbha Palace took us deeper into the fort. Spotting a signboard for “Jauhar Kund and Vijay Stambh,” we were tempted, but our driver insisted we see the Kirti Stambh first. So, we meandered for about half an hour along the fort’s old, narrow horse trail, its history palpable at every turn. At the far end, the Kirti Stambh and adjacent Jain temple awaited us. Built in the 12th century atop a hill loftier than the Vijay Stambh, the Kirti Stambh is a striking Jain structure, renowned for its exquisite architecture and offering truly spectacular views across the ancient fort and beyond.

Kirti Stambh and Jain Temple

Stepping up to the iconic Vijay Stambh is an experience that lingers long after you leave Chittorgarh. While the Kirti Stambh impressed us with its ancient charm, the Vijay Stambh truly stands out; its architecture is more intricate, and the tower itself was built later, taking inspiration from the Kirti Stambh as its model. Every level unveils exquisite detailing, and if you’re feeling adventurous, you can climb a narrow spiral staircase right up to the top floor. From here, the panoramic views are breathtaking: you can spot the temples dotting the landscape and look directly onto the solemn expanse of the Jauhar Sthal.

A word of caution, if, like me, you’re a bit uneasy in confined spaces, the climb can feel rather snug, so pace yourself!

There’s more to this monument than just its commanding presence. Vijay Stambh was crafted under the orders of Rana Kumbha, who dedicated it as a tribute to his victory over the combined armies of Malwa and Gujarat led by Mahmud Khilji. Interestingly, a Jain Guru at Rana Kumbha’s court advised him not to make the new tower taller or broader than the original Kirti Stambh. In a twist of history, the initial site chosen for the Vijay Stambh was scrapped after the foundation was already built (that base still survives today), and instead, the tower was constructed on a slightly lower ground just a few metres away.

The reason was that a King shouldn't be vain enough to make his achievements greater than his religion. He decided to dedicate the Vijay Stambh to his Aradhya Vishnu. And also built the Kumbha Shyaam Temple.

Vijay Stambh

The Base of the original site of Vijay Stambh

If you want to see Rajput architecture amongst the ruined, destroyed Chittorgarh, then look carefully at the figures and designs on the Vijay Stambh. There are stories from the Vishnu Purana that show the clear influence of Vaishnavism on the Shaivist Sisodiya ruler.

The Narrow roads with pillars indicated there was a wall

The next stop was the temples and Talabs, each telling its own story at Chittorgarh!

Etched In Stone

This historical short story is a fictitious account of Ashoka, the Mauryan Emperor and his first wife Devi, who finds no place in Magadhan History. There is another fiction about her in the blog as well. This story stemmed from a merge of two ideas, one was to mention the cave inscription found in Saru Maru that mentions Asoka spending some days there with his lover (presumed to be Devi), the other idea of how if words did not immortalise a lot of battles and achievements, the names of many great men would be lost in time. The prince stood on the edge of the cliff, looking at the horizon. Dawn arrived as the birds started leaving their nests, wings fluttering, eager to discover the world. He looked up at them, the thought of once again going back to exploring the length and breadth of his state making him feel a little restless as he eyed his healing wounds. He was left to die; his enemies wished so. Yet by some miracle of fate, as if his purposes were yet to be fulfilled, here he was ...

The Idea of Independence

Independence is not merely about a free country, a flag, a democracy or a monarchy as the power seat of a region. It is a feeling and a choice. Entitlement to one’s own opinion and rights. Often, a reason to reform. Independence is about individuality and mass. As we grow up, we often write essays on “My Inspiration.” The word inspiration is, in reality, deeper than we understand at that young age and is more often than not merged with our childhood ideas of an ideal man, an idol, or someone who helps us, namely, our own teachers or parents. Some of the students even mug up essays that tell the tales of the lives of Swami Vivekananda or Mahatma Gandhi. But it takes us years, or even perhaps a lifetime, to be mature enough to know and understand the true meaning of inspiration and idol. When we do, it is then that we choose ones that appeal to our morals, thoughts and souls. I remember Independence Day as a child. Every 15 th of August used to be about our locality dressed up in a ...

Bijolia: Her Home

Journey to Bijolia: Lost Kingdoms and Timeless Temples of Mewar Bijoliya translates to a stop between two cities. Nestled in Rajasthan’s Bhilwara district, Bijolia sits 55km from Bundi and 105km from Chittorgarh on the well-travelled Bundi-Chittorgarh road. Once part of Mewar, this seemingly sleepy town guards a rich and layered past: it was ruled from the 11th to the 13th century by the Punwars (or Parmar Rajputs) before falling under the Chauhan dynasty, who shifted the region’s capital to Bhilwara and constructed the imposing fort there. After a brief Chauhan rule, Bijolia was reclaimed by Rana Kumbha and became an integral part of the Mewar kingdom, with the Parmars serving as local Raos, representatives and stewards of the royal house. Despite its history and the famed Bijolia inscriptions (a treasure for historians), Bijolia has never found a seat on Rajasthan’s primary tourist circuit, especially if you’re venturing out by public transport or private car. While a handful of...

Sisodiya: Kings, Queens and Princes (1538 - 1597)

I am back with another History post, this time it is on the wives and sons of Rana Udai Singh II of Mewar, his son and heir Maharana Pratap and Rana Amar Singh. This is a continuation of the Sisodia Family History I posted some time back. The information has been taken from Annals of Mewar by James Todd, Maharana Pratap by B.N. Rana, and Maharana Pratap by Rima Hooja. Udai Singh II was the son of Ranisa Karnawati and Rana Sangram Singh. He was born on 4th August 1 522, at Chittorgarh and died on 28th February 1 572 at Gogunda . He was the Ruler of the Sisodia Dynasty. He is believed to have 56 sons and 2 5 wives, apart from the many insignificant queens in his Rani Mahal. Here is a list of his main queens and their sons. Maharani Jaivanta Bai Songara of Jalore was his chief queen and consort. Her son is Maharana Pratap. He was married to her before he went to war with Banbir, as her father, Akshayraj Rao, was a friend and ally of his father, Rana Sanga. Saj...

Nawab E Bengal

Background: Nawab Alivardi Khan was ruling Bengal at the peak of Nawabi rule, expanding his strong empire. He had successfully suppressed the Marathas and had given a strong message to the British East India Company’s rising influence at Calcutta. Highly aware of the British Colonial policies across the globe, Nawab Alivardi Khan was strict with his policies and stronghold over Murshidabad, the then capital of Bengal (including present-day Bihar, Jharkhand, West Bengal, Orissa, and Bangladesh). He had two daughters and no sons. Amina Begum was the elder one, followed by Ghaseti Begum. Amina had three sons with her husband and courtier, Ahmed Khan. The second son, Mirza Mohammad, fondly called Siraj-Ud-Daulah (light of the country)by his grandfather, was born in 1733C.E. He was his grandfather’s favourite because he was born while he won over the Marathas. Alivardi Khan never let the “fortune child” of the family out of his sight. Siraj grew up accompanying...

The Kaali Effect

The shopping mall echoed with a noise. The buzz grew silent. Fear crept in. Until somebody shouted, " It's just a Balloon!" The buzz grew again, the shopping continued, the romantic couples continued their walks, and the food court filled up with the aroma of the orders... A few decades back, people used to laugh carefree at a balloon bursting or a tyre booming in the streets or in various crowded areas. Now, in the back of everyone's head, a loud noise always brings the same thoughts... Another year, another city, another crowded place, Several innocent lives. They don't spare religious places either. For the sake of mankind? Religion? Politics? Power? They only know. Who are they? Nobody knows. It is said that the demon Kaali, who ushered in KaliYug, decided to reside in a few things. Addiction, Wealth, Desire, and Anger are some such things he resides in. This is KaliYug, where an innocent child's balloon makes adults fear the extremes. What is dharma here?...

Rakhi Tales

A Rakhi to the Enemy: The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long, and time was of the essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even R...

The Garuda Cannon of Krishna Chandra

Maharaja Krishna Chandra was an influential king in Nadia, Bengal, who formed his capital at Krishnanagar. During the preparation of the Battle of Plassey that sealed the deal for British Colonisation in Bengal in 1757, Krishna Chandra was under the Mughals of Delhi, who did not support Bengal Subah Nawab Siraj Ud Daulah in his attack against the British in Calcutta. As a result, he too was vocal against Siraj and supported the British. Siraj ordered for him to be imprisoned for not paying his due taxes to the Nawab, and he found freedom only after Robert Clive and Mir Jafar ousted Siraj by betraying him. Once Krishna Chandra was back in his state, the Mughal emperor, who was now reduced to a puppet of the British, by suggestion of Robert Clive, gifted the king a token of appreciation for his support, a cannon, which the Raja named the Garuda Cannon. What was so special about the cannon? This is the only cannon found in any museum with an inscription in Bengali scripture. Most cannons ...

Asuras are not Demons

Demons in the Abrahamic religion are not the same as Asuras of Hinduism. Originally deities of Iranian origin, they were seen in the tribal context as no different from Devas but as counterparts to maintain balance. In early epics and Puranas, asura meant a chosen leader of great capacity. Only later, perhaps due to the Iranian link, their image declined. It was with the Brahmanas that the sharp divide appeared: devas as divine, asuras as evil. Puranic myths demonised them mainly to assert the superiority and immortality of devas, while asuras were cast as symbols of the "other." Since Tribes still worshipped them and embraced their power of negativity, being important to balance, they soon became synonymous with tribes, which was not the case mythologically. There are instances of Bali or Ravana being Kshatriya or Brahmin Asuras and competent kings. Indian demonology itself is vast and layered, shaped by surviving tribes, each with unique myths. Celestial, aerial, and terres...

Bharat Ka Veer Putra Maharana Pratap

“Bharat Ka Veer Putra Maharana Pratap jald hi Sony Entertainment Television par” “Maa, see here, another Historical!” I smiled, waving at the TV. “About whom?” She frowned, knowing it would mean one more 30-minute slot to take over the TV. As if Mahabharat was not enough! “Rana Pratap Singh!” I said gleefully. “They are not showing who will play it, though.” The last Historical I truly loved was Veer Shivaji, which ended suddenly. Two days later…. “Bharat ka veer putra Maharana Pratap Sattais May se Sony Entertainment Television par” 27 th May 2013: “Dhola maru Dharti ro… laal ayo re….” His brown eyes, that red tika, that run through the sands of Jaisalmer … I was already in love with Kunwar Pratap. Having read the history, I knew Dheerbai’s sweet talks were purposeful, but so what? One needs talent to make the enemy dance to your tunes. And Jaivanta Bai ji. Wow! That aura of grace, I was always a fan of Rajsree ji. And one episode gave me three favourites together, F...

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