Asuras are not Demons

Demons in the Abrahamic religion are not the same as Asuras of Hinduism. Originally deities of Iranian origin, they were seen in the tribal context as no different from Devas but as counterparts to maintain balance. In early epics and Puranas, asura meant a chosen leader of great capacity. Only later, perhaps due to the Iranian link, their image declined. It was with the Brahmanas that the sharp divide appeared: devas as divine, asuras as evil. Puranic myths demonised them mainly to assert the superiority and immortality of devas, while asuras were cast as symbols of the "other." Since Tribes still worshipped them and embraced their power of negativity, being important to balance, they soon became synonymous with tribes, which was not the case mythologically. There are instances of Bali or Ravana being Kshatriya or Brahmin Asuras and competent kings.

Indian demonology itself is vast and layered, shaped by surviving tribes, each with unique myths. Celestial, aerial, and terrestrial beings, asuras, danavas, daityas, rakshasas, all qualify as demons. Yet these beings shared superhuman powers and moral complexity with the gods.

The Puranas even show gods using deception and having sins of greed, ego or arousal that lead to unholy deeds on their parts, actions once branded “demonic” in Vedic thought. Meanwhile, many asuras, both danava and daitya, were pious, practising austerities, gaining boons, and even rivalling gods as Shiva’s devotees. What they all desired was immortality, never granted, though destiny allowed them to die only under extraordinary conditions.

The mysteries and curiosity behind almost undefeatable Asura and a clan of Rakshasas led to war against gods, remain in Hinduism, a reminder of the need for balance, the key factor to neutralize Devas and stop them from being invincible or vain and a reason for reincarnation of Vishnu in avatars as the protector of the balance and that of the appearance of Adi Shakti as Ma Kali or Ma Durga in her different forms as the warrior goddess.

The Reva Cries

Roopmati had watched the troops leave. She had stood behind the chief queen as she traditionally bid goodbye to her sons. She had waited for the Sultan to come to her. He did. He was confident that the sudden advancement of Akbar’s foster brother Adham Khan could be curbed. It was not war, just precaution. He reassured her. Malwa would never bow to the Timurids. And he would not let anything happen to her. To Her. Roopmati felt suffocated by her husband’s affectionate hug. She felt trapped in the scrutinising eyes of all the people in the palace. Angry, blaming eyes. She tried to pace herself and sing, but her voice cracked in fear. Her melody was drowned in tears. Every evening, a messenger would come to the chief queen with the news of war. Roopmati was kept in the darkness. She was not told about anything. She knew the rumours. She was a witch. A temptress who caused doom to the Sultan of Malwa. She was a spy of the enemy planted in his life to destroy him. She wondered if he came b...

Rani Padmini: The Valiant Queen

This story is a retelling of some parts of Malik Mohammad Jayasi's Padmavat, which was a historical fiction poem written in 1540, an odd 200 years after the siege of Chittorgarh by Allauddin Khilji. Historically, the Rajputs of Mewar didn't keep accounts of their queens, even by name, so the name Padmini or Padmavati was made up by Jayasi to represent the women of Chittor who chose the Jauhar. Historically speaking, Allauddin Khilji wanted the trade route to Surat for himself, which went through Mewar and Rana Ratan Singh, a patron of art, was not known for his military skills. So when Khilji surrounded the fort, the only way out was the Saka and Jauhar. Rani Padmini's Jauhar, as it is now popularly called, is also not the first Jauhar Khilji witnessed. The Jauhars of Ranthambore and Jaisalmer happened before he attacked Chittorgarh. Also, the act of Jauhar happened as early as the Greek invasions of Porus's state, when it is described as the "Mass immolation of Sa...

The Emperor's First Wife

Ruqaiya Sultana Begum was born to Babur's second surviving son, Hindal Mirza, and his wife, Sultanam Begum, in 1542 C.E., merely a few months after Hamida Banu gave birth to the heir Jalaluddin Mohammad Akbar. She was well-versed in Persian, Urdu and Arabic and was attracted to poetry and music. Being a proud descendant of the Timurid clan, most of Rukaiya's childhood was spent in Kabul, near the Bagh E Babur, built by Babur himself. From early childhood, she had seen the struggle of her family to regain their lost power in Hind. In 1551 C.E., just after her father died young at a battle for Humayun, leaving her and her mother in the harem of the emperor, it was Hamida Banu who wanted the marriage of Rukaiya to her first cousin, Akbar. Theirs was the first in-house marriage of the Mughals, soon to be followed by many more in the generations to come. At the mere age of nine, she had married the crown prince, and when Humayun won back Lahore, she was fifteen. At the mere age ...

Charumati's Love

T his is written based on folklore. This is a representative work of fiction and does not claim any historical happening in the conversations. This is to show the spirit of the women of Rajputana. The year 1657. Shah Jahan had taken ill and was rumoured to be dying in Agra Fort. He was about eighty, and the pressure of having an empire had taken a toll on his body. The seat of power was slowly shifting from Agra to Delhi since the prominence of the Laal Quila had increased, and if the news spread was to be believed, his sons were in a battle for the throne already. It was time each king chose sides once again. Dara Sikhoh was the eldest and the righteous Heir to the throne. He was believed to be a man who held high morals and was hence respected by both enemies and allies as well. Aurangzeb was his sibling and the youngest of the brothers. Short-tempered and cunning, he was always dreaded by the court. As Shah Jahan took ill, Aurangzeb took this as a golden opportunity to wa...

Prithviraj Chauhan: A Saga

Note: This piece is a work of fiction based on folklore and the Prithviraj Raso, an epic saga by Chand Bardai, who happened to be the court poet of Prithviraj Chauhan. The dates corresponding to wars, names of people and places are, however, historically fact-checked from various sources, including the works of Todd (semi-historical), The Amir Khusrau and contemporary sources like R.C.Majumder. The incidents are fictionally woven. Rai Pithora Around the year 1140 A.D., Ajmer was ruled by Anangpal of the Tomara Dynasty. Delhi was the seat of power of the Sultanate, which was a constant power struggle for them. He managed to capture briefly most parts of west Rajputana, and present-day Haryana and Punjab were also part of his kingdom. The old king had a son and two daughters. His concern grew as his son Surya was not talented enough to rule Ajmer. His youngest daughter, Princess Karpuri Devi, was married to Someshwar Chauhan of the famous Chauhan clan. Their son, Rai Pithora, helped...

Nawab E Bengal

Background: Nawab Alivardi Khan was ruling Bengal at the peak of Nawabi rule, expanding his strong empire. He had successfully suppressed the Marathas and had given a strong message to the British East India Company’s rising influence at Calcutta. Highly aware of the British Colonial policies across the globe, Nawab Alivardi Khan was strict with his policies and stronghold over Murshidabad, the then capital of Bengal (including present-day Bihar, Jharkhand, West Bengal, Orissa, and Bangladesh). He had two daughters and no sons. Amina Begum was the elder one, followed by Ghaseti Begum. Amina had three sons with her husband and courtier, Ahmed Khan. The second son, Mirza Mohammad, fondly called Siraj-Ud-Daulah (light of the country)by his grandfather, was born in 1733C.E. He was his grandfather’s favourite because he was born while he won over the Marathas. Alivardi Khan never let the “fortune child” of the family out of his sight. Siraj grew up accompanying his g...

Teeja Saka Chittor Ra

23rd February 1568. The sun rose on the eastern horizon, not with the hope of a new day. But, with the horror of what was to follow. The first rays of the Sun God were met by the chants of “Jai Bhavani!” that echoed in the air of Chittorgarh. The Mewaris knew it was time. Four months back, when the Mughals camped at the base of the fort, a helpless Chittorgarh had watched. Rana Udai Singh had left with his closest aides to make the new city westwards, his capital. If rumours were to be believed, he had left behind a cavalry of 8000 soldiers, under Rao Jaimal of Merta and Rawat Patta of Kelwa, to look over the fort. He had also left behind some of his lesser queens and infant princes, as an assurance to the people that Chittorgarh was invincible. Their safety and hope had lived in Kunwar Pratap. Truth be said, they had already taken the Crown Prince as their King. Ever since Ranisa had left with him till he became the Senapati, he had time and again proved to be a better lea...

Sisodiya: Kings, Queens and Princes (1538 - 1597)

I am back with another History post, this time it is on the wives and sons of Rana Udai Singh II of Mewar, his son and heir Maharana Pratap and Rana Amar Singh. This is a continuation of the Sisodia Family History I posted some time back. The information has been taken from Annals of Mewar by James Todd, Maharana Pratap by B.N. Rana, and Maharana Pratap by Rima Hooja. Udai Singh II was the son of Ranisa Karnawati and Rana Sangram Singh. He was born on 4th August 1 522, at Chittorgarh and died on 28th February 1 572 at Gogunda . He was the Ruler of the Sisodia Dynasty. He is believed to have 56 sons and 2 5 wives, apart from the many insignificant queens in his Rani Mahal. Here is a list of his main queens and their sons. Maharani Jaivanta Bai Songara of Jalore was his chief queen and consort. Her son is Maharana Pratap. He was married to her before he went to war with Banbir, as her father, Akshayraj Rao, was a friend and ally of his father, Rana Sanga. Saj...

Indus Valley Civilisation: An Understanding

The River Of The Rig Veda: The mythical river Sarasvati is an unsolved mystery. Sarasvati means a river full of ponds or lakes. This indicated its course might have been through many such lakes or swamps. There are many references to this river in the Rig Vedas as the " Seventh River of the Aryavarta" and " The mother of floods", indicating it was an important river in the land, probably large and perennial and caused floods. Many excavated villages and cities along present-day parts of Haryana, Punjab, Rajasthan and Gujarat indicate the basin of the Sarasvati River. It is described in the Yajur Vedas as the one where the five rivers meet, and in the Brahmanas, there are indications of the disappearance of its lower course and how its large flow decreases. The Mahabharata describes the ultimate drying up of the river before the ushering in of the Kali Yuga . Many Puranas describe the civilisation lying between the Ganga and the Saraswati . ...

Chittorgarh: His Home

After a smooth 30-minute drive from Baasi down wide highways, a sharp turn led us through dense foliage, a narrow path seemingly swallowed by the trees. Our driver, playfully exasperated with my relentless questions, finally cheered, “ Madam Ji, aa Gaya Apka Chittorgarh .” For about five minutes, the fort itself was hidden from view, the thick foliage offering no clue to the legendary citadel’s whereabouts. Then, as the jungle slowly receded, I finally glimpsed a hill ahead. At first glance, it looked ordinary, but my driver leaned in and explained, “ Woh Raha Chittor Durg upar, aise Patthar se bana hai ke dikhta nahi jhat se .” I was surprised; for all my reading, no book prepared me for how well Chittorgarh blends into its rugged surroundings. Only by looking carefully could I spot the ruins and rooftops: a city on a plateau, veiled until the last moment. Goosebumps. I was, at last, so close to Pratap's Home. The Mystique of Chitrakut Locals believe the hill, Chitrakut , is the...

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