Skip to main content

Mystic Murshidabad

Discovering Murshidabad: A Weekend in Bengal’s Royal Past

A mere 200km from the heart of Kolkata, nestled in the historical district of Murshidabad, West Bengal, I set off for a weekend steeped in stories and grandeur. Before sharing the trip’s highlights, let me give you a quick primer on this fascinating place.



Murshidabad: Where Bengal’s Destiny Changed

Murshidabad, once an obscure village called Maksudabad, was transformed in 1704 when Murshid Quli Khan, Aurangzeb’s formidable general, shifted the capital of Subah Bangla from Dhaka to this very spot. The move not only brought prestige but also changed the fate of the Bengal province, stretching across present-day West Bengal, Odisha, Bihar, Jharkhand, and Bangladesh. The town was renamed after its patron, and by 1716, Murshid Quli Khan was crowned Nawab of Bengal by the Mughal Emperor. The region’s influence soon encompassed what are now the districts of Nadia and Murshidabad.



Berhampore: The Modern Gateway

Today, the district revolves around Berhampore (Baharampur), connected seamlessly to Kolkata by both train and road. Trains make the journey comfortable, 3 to 4 hours with both reserved and general coaches, while buses offer a six-hour, non-AC trip (not for the faint-hearted in summer!). My pick: visit between November and February, or during the green flush of the monsoon. Avoid the oppressive heat at all costs! Two to three days is perfect for a relaxed, thorough tour, no rushing needed.

Where to Stay and What to Eat

Accommodations are best chosen in Berhampore rather than Murshidabad town (10km away); after the sites close for the evening, Murshidabad offers little in the way of food or entertainment. Some reliable options: Hotel Samrat, Hotel Sagnik, and Moti Jheel Resort all offer comfort after long days of sightseeing. For culinary adventurers, roadside dhabas serve rustic Bengali thalis: ₹70 for veg, ₹90 for fish, ₹110 for chicken/egg, and ₹120 for mutton, each complete with rice, dal, sabzi, and bhuji. Hotel restaurants are your best bet for Chinese, continental, or tandoori fare.

Interestingly, the Nawabs once elevated Bengal’s cuisine by introducing delicacy fishes, hilsa, bhetki, pomfret, into biryanis, kebabs, and other Mughal-inspired dishes. While Murshidabad today doesn’t market this heritage much, the fish preparations I sampled were superior to most meat options.

The Journey Begins: Kassim Bazar's Chota Rajbari



We boarded the Hazarduari Express from Kolkata at 6:50 am, reaching Berhampore Court station by 10:30 am, an easy, scenic ride. Our stay was at the Chota Rajbari of Kassim Bazar, a mansion built in 1903 by a British-era Dewan, later titled “Raja.” Booking rooms is simple via their website or phone. The palace provides classic Bengali meals and a homey sense of hospitality. An added bonus: the adjacent museum (₹30 entry for visitors; free for overnight guests) is a trove of local history.

Stepping out, the first things that caught my eye were the vast, shady mango orchards lining rural roads, their presence as iconic to the region as the imposing palaces. The soil, with its bright yellow hue, felt familiar, strikingly reminiscent of the golden rocks of Haldighati.

Katra Masjid: The Soldier's Fort

Among the many architectural treasures here, the Katra Masjid (1723 CE) left me awestruck. More than just a mosque, it was a centre of learning, a stronghold for the Nawab’s army, and today, it is also the Nawab’s final resting place. The sprawling tunnels, echoing corridors, magnificent arches, and timeless domes all make the site a true history lover’s paradise.

Walking through the ruins, I felt as though the walls still whispered stories of medieval Bengal’s grandeur. The Katra Masjid was undoubtedly the highlight of my trip, an unforgettable glimpse into the Nawabi era. The legend behind the Katra Masjid is an interesting one. They say the roof of this mosque, once built by Murshid Quli Khan, was broken after a curse. It is said that after the battle of Plassey and the killing of Siraj-Ud-Daulah, the son of the new Nawab Mir Jafar, Mir Miran, had killed the mother and aunt of the old Nawab by drowning them in the Ganges with a boat. Begum Ghaseti, the aunt of Shiraj, cursed Miran to be killed by thunder. Almost within a year, a thunderbolt killed Miran. He used to pray in the Katra Mosque every day. It is said that after his death, another thunderbolt hit the mosque, and the grief-stricken father Mir Jafar believed the place to be ill-fated and shifted his army away from Katra. The Nawab's army shifted base from the Katra first time since the time of Murshid Quli Khan during that time.

Begum's Mosque: A Haunting Tale

In the quiet town of Murshidabad lies the tomb of the 'cursed queen' Azimunnissa Begum, daughter of Murshid Quli Khan. Surrounding her existence is a tale wrapped in mystery, tragedy & whispers of the supernatural. I chanced upon it during a trip in 2017.
History says she was a beloved princess, but after her father’s death, the throne passed to her husband, Shuja Ud Daulah, the second Nawab of Bengal. Power made him greedy. He married other queens, favouring them over her. Childless and alone, Azimunnissa’s sorrow deepened.
One chilling legend claims a fakir told her that to bear a child, she must drink the blood from children’s hearts. Perhaps an absurd rumour… or a cruel ploy by her husband to label her a witch & lunatic, erasing her dignity forever. Nevertheless, it earned her tomb the name "Zinda Kabr" because the end was as haunting as her life. She was reportedly buried alive beneath the staircase of the mosque she once built during her father’s reign. The steps still pass right over her tomb. Locals whisper that each time someone walks over her, she blesses them… perhaps seeking love she never received.
Standing there, I felt a wave of melancholy, from royal majesty to a forgotten grave; her story is a reminder of how easily history can silence women’s voices. Azimunnissa Begum remains one of those lost souls wandering between fact & folklore.

Gate of the Mosque

Jagat Seth's House: The centre of conspiracy

The House of Jagat Seth in Murshidabad is now a museum that displays his belongings as an example of the household of a rich trader in medieval Bengal. Jagat Seth and his fellow trader Omichand were natives of Surat, Gujarat, who had settled in Bengal during the Mughal rule to use the port of Calcutta and Haldia for their trades. After coming to power, the young and inexperienced Shiraj Ud Daulah lacked proper guidance and diplomacy. In his impulse, he had imposed heavy taxes on the merchant class as he suspected them of holding too much wealth for their positions. He felt that such wealth for one person could lead to a potential threat to the monarchy. He also suspected them of helping rebellions and aiding the British. Jagat Seth, on getting caught, openly joined hands with Mir Jafar and met Robert Clive at what is today known as Sang E Dalan or Courtyard (of the old palace belonging to Shiraz's aunt) to offer help. He not only helped monetarily but also in kind, with animals and armoury, as well as information about the Nawab to the British. He is suspected of warning the British against Shiraj's popular and successful siege of Calcutta in 1856 as well. After the battle of Plassey, he enjoyed a good position with various trading aides from the East India Company as well. Some stories suggest that he, too, fell from the English favour along with Mir Jafar, as they believed that spies who sold their own motherland couldn't be trusted. True or not, he played an important role in the results of the Plassey that led to the fall of Subah Bangla.

Khosbagh: The final resting place

The tomb of Shiraj Ud Daulah and his grandfather Alivardi Khan is situated in a secluded garden across the river Bhagirathi (distributary of the Ganges). It is said that Khos Bagh, or Khush Bagh as it is called, meaning "Garden of Happiness", was originally a garden of Alivardi Khan where he wished to be buried. After Shiraj was killed, his wife, Luft Un Nissa, requested Mir Jafar to let him lie beside his grandfather. Luft Un Nissa was deported to Dhaka (Janjira Fort) with her child and offered marriage by both Mir Jafar and Mir Miran. She refused both of them. Her daughter died young after having four daughters of her own. She returned to live in this garden after her granddaughters were married. She spent her last days tending to the roses in this garden and was buried beside her husband. (One with the headrest is Shiraj, and beside him lies Luft Un Nisa) The Khos Bagh now lies in a very simple, deserted look and can be reached by boats from the Hazar Duari Palace.


Namak Haram Deori: The murderous gate

The Namak Haram Deorhi, literally meaning the doorway of the traitor, is the entrance to the palace of Mir Jafar. It is where his son Miran had ordered the public killing of Nawab Shiraj Ud Daulah naked in front of the commoners. Such cruelty was very common in those days, especially from one power-hungry ruler to another. Mir Jafar was the general to Alivardi Khan, whose sister he had married. Eventually, when Shiraj came to rule at the age of 23, the young and inexperienced ruler trusted his general too much and lacked foresight. After the battle of Plassey, Shiraj was caught along with his newborn daughter and his wife, Luft Un Nissa, on the Ganges to Dhaka. After killing him brutally, this gate locally came to be known as Namak Harem Deori to remind Mir Jafar's kins of the betrayal. His palace ruins or house cannot be visited as his descendants still live there, and it is private property.


Moti Jheel Masjid:

Moti Jheel Jama Masjid, also called Kala Jama Masjid, was built in 1749 by Nawab Nawaei Muhammad Khan, who was the son-in-law of Nawab Alivardi Khan and husband of his first daughter Ghasetti Begum. It was used by the royals living in the Moti Jheel royal premises till the time of Nawab Siraj Ud Daulah in 1757. The Jama Masjid is used by locals today. In the premises are the graves of some Mughal Generals as well as that of Nawaei Muhammad and his adopted son.

Hazar Duari: The Palace with a thousand doors

The most iconic landmark in the Murshidabad district is the Hazar Duari Palace. Originally, the palace of Murshid Quli Khan, known as Kila Nizaamat it was rebuilt as the Bada Kothi by Nawab Nazim Humayun Jah under the British to act as an official and administrative building with a Durbar Hall. Popularly called a palace with 1000 doors, legend says that the palace has about 200 real doors and nearly 800 false ones to deceive an enemy if attacked. The complex consists of a clock tower, the Bada Imambara (largest, not allowed inside), Madina Mosque, Bacchowali Tope, two more Masjids and the Wasif Manzil, the house of the last Nawab of Bengal. The palace is now a museum maintained by the ASI that houses British artefacts and paintings along with Bengali Silk, Muslin and Paintings.

Kat Gola Palace: A grand testimony of past glory

The Kathgola Palace, also known as the Kathgola temple complex, was built by Lakshmipat Singh Dugar as his summer residence. Apart from the private aquarium and zoo of the owners, this palace houses artefacts, and the pond side is the most interesting. There are tombs attributed to the owner's pets in the garden. Along with that, the domes on four sides of the pond are built in a Mughal fashion, and the most magnificent art in the complex is the archway to a tunnel that looks like a step well. The tunnel leads out to the Bhagirathi and was used as an escape route in case dacoits attacked. The archway is a magnificent wooden area that is built exactly like Shah Jahan's designed marble roofs at Agra. This palace is an example of the kind of grand life and power the merchant class enjoyed in Bengal in the British era.

Nashipur Raj Bari: Ruins speak a thousand words

The Nashipur Raj Bari was originally built by Raja Debi Singha near the Hazar Duari Palace. The latter palace was built by Raja Kirti Chandra Singha Bahadur in 1865. These traders from Bengal established their stronghold in the British Era by supporting the East India Company during the rebellions of 1857. The house, mostly in ruins with its Bengal style of architecture, European pillars, Mughal style arches and large windows, is a classic example of Medieval Bengali Architecture. The palace consists of a Natmancha, a Thakur Dalan (temple complex), a servants' quarter, Andar mahal, court yards, ponds, garden and orchard, as well as a room to hang thieves (chain in picture). The palace now houses rare idols of the Navagraha, saptarshi, idols of Ganesha, Shiva, Vishnu, etc.

Jahan Kosh Cannon: 

The Jahan Kosh cannon was a gift from Shah Jahan to his Subedar in Bengal after he had successfully saved Prince Shuja in a battle. This cannon was ignorantly tied to a tree over the years before a lightning hit the tree, prompting the ASI to notice it and hence keep it for public display. The inscription on the cannon is in Persian and says that the Emperor Shah Jahan, in gratitude, built this by Jahan (after whose name it is named) and gifted it to Bengal. 


Murshidabad is more than a cluster of palaces and faded grandeur; it’s where echoes of Bengal’s glory linger in mango groves, Mughal-era architecture, and the aroma of home-cooked fish curry. Perfect for a leisurely 2–3 day trip from Kolkata, this is Bengal at its most authentic, unpolished, unhurried, and unforgettable. You will find the pictures of where we travelled to in detail on my Facebook Page.



Popular posts from this blog

The Prince of Mewar

Born on 16 March 1559 in the Kumbha Palace of Chittorgarh Fort, Bhanwar Amar Singh was the eldest son of Kunwar Pratap Singh (later Maharana Pratap) and Kunwarani Ajabdeh Punwar. As the first grandson of Udai Singh I, his birth prompted the Maharana's celebratory hunting expedition, during which a sage forewarned of impending danger. Heeding this, Udai Singh established a new palace by Lake Pichola, founding Udaipur as Mewar's capital. Amar Singh exhibited extraordinary valour from a young age, inheriting his father's martial skills and his mother's reputed compassion. His training commenced early; according to James Tod's Annals and Antiquities of Rajasthan, he participated in his first battle alongside Pratap at age eight. By ten, amid Chittorgarh's fall and familial divisions, he assumed responsibility for his siblings. Historical accounts recount his defence of the queens' entourage against enemy soldiers en route to Kumbhalgarh fortress. He shared a clo...

Neel Kanth

In the vast tapestry of Hindu mythology, Neelkanth Sasti holds a significant place, as it honours Lord Shiva’s act of supreme compassion and courage. According to the Puranas, this day commemorates the pivotal moment during the Samudra Manthan, the cosmic churning of the ocean, when the deadly poison Halahal emerged. Halahal, described as the collective essence of all the universe’s negativity and toxicity, began to spread destruction among both Devas and Asuras. Its effects were so perilous that even the gods could not approach it, symbolising the universal truth that adversity and suffering make no distinction between divine or mortal beings. With the balance of creation at risk and the churning brought to a standstill, Mahadev Lord Shiva, the Destroyer and Transformer within the Hindu Trinity, was invoked for help. In an act of unparalleled self-sacrifice, he consumed the Halahal to protect all existence from annihilation. However, the potency of the poison was such that it threaten...

Bijolia: Her Home

Journey to Bijolia: Lost Kingdoms and Timeless Temples of Mewar Bijoliya translates to a stop between two cities. Nestled in Rajasthan’s Bhilwara district, Bijolia sits 55km from Bundi and 105km from Chittorgarh on the well-travelled Bundi-Chittorgarh road. Once part of Mewar, this seemingly sleepy town guards a rich and layered past: it was ruled from the 11th to the 13th century by the Punwars (or Parmar Rajputs) before falling under the Chauhan dynasty, who shifted the region’s capital to Bhilwara and constructed the imposing fort there. After a brief Chauhan rule, Bijolia was reclaimed by Rana Kumbha and became an integral part of the Mewar kingdom, with the Parmars serving as local Raos, representatives and stewards of the royal house. Despite its history and the famed Bijolia inscriptions (a treasure for historians), Bijolia has never found a seat on Rajasthan’s primary tourist circuit, especially if you’re venturing out by public transport or private car. While a handful of...

The Annals of Rajputana

Col. James Todd’s Annals and Antiquities of Rajasthan describes Rajputana through History, Geography, Mythology, Folklore, Veer Gathas, Traditions, Cultures, Heritage, Rules, Valour and its people. However, one must remember that he was commissioned to write the narrative and his resources are not based on historical evidence. However, it is worth a read and very interesting. The following excerpts are from his book. Please take note that Todd's accounts are based on hearsay, stories, and commissioned by royals and hence aren't treated as historically accurate. However, his book is important as it is the first English-language book to have extensive work done on Rajputana. Rajputs are commonly believed to be people from Rajasthan; however, their branches have spread far and wide into Punjab, Gujarat, Madhya Pradesh, Bihar, Maharashtra and even parts of Bengal. The initial origination-based clans/tribes had been subdivided first in the book Prithvirajraso by Chand Bardai; howev...

The Cortege That Shook The Raj: Kanailal Dutta

10th November, 1908 Around late morning, a procession of lacs made their way through the streets of Calcutta (Kolkata), India. Some were chanting “Vande Mataram”, others blew conch shells, and Ululation filled the air. Flowers were being showered from all directions, and garlands made their way through the crowd, being thrown at the procession in the middle. Bhagwat Gita and Ananda Math (Novel by Bamkim Chandra) were offered. No, this was no “ Sobha Jatra ” or celebration. There were no religious festivities either. That dawn, the Alipore Jail, which opened only two years back, witnessed the hanging of Kanailal Dutta, a twenty-year-old member of the “Jugantar Dol”, an anarchist group that was set up primarily by Aurobindo Ghosh (Later Rishi Aurobindo), his brother Barindra and their associates. Kanailal hailed from Chandannagore, and although he was not present in most of their meetings in Kolkata, he was still one of their early members from Chandannagore, then a French province. ...

History: A Political Storytelling

History, as we know, is the study of the past. The primary sources of such study include coins, scriptures, seals, weaponry, architecture, things of daily use, palaces, forts, etc. However, when we talk of wars, events, and characters of people in the past, it is very difficult to be accurate about what we are reading hundreds of years later. Nowadays, History has become a hot political topic, changing narratives of what we have known for so long as history and challenging the past. In reality, all versions are somehow biased, and all in their entirety untrue. The art of storytelling plays a major part in the narration of history.  We grow up hearing moral stories all our lives, right and wrong, heroes and villains. Our belief system starts functioning like that, as we believe that in every story there has to be a good and a bad. However, the reality is far from that. In reality, we don’t really have people who are pure evil or pure good like stories often suggest. Herein, the art ...

Asuras are not Demons

Demons in the Abrahamic religion are not the same as Asuras of Hinduism. Originally deities of Iranian origin, they were seen in the tribal context as no different from Devas but as counterparts to maintain balance. In early epics and Puranas, asura meant a chosen leader of great capacity. Only later, perhaps due to the Iranian link, their image declined. It was with the Brahmanas that the sharp divide appeared: devas as divine, asuras as evil. Puranic myths demonised them mainly to assert the superiority and immortality of devas, while asuras were cast as symbols of the "other." Since Tribes still worshipped them and embraced their power of negativity, being important to balance, they soon became synonymous with tribes, which was not the case mythologically. There are instances of Bali or Ravana being Kshatriya or Brahmin Asuras and competent kings. Indian demonology itself is vast and layered, shaped by surviving tribes, each with unique myths. Celestial, aerial, and terres...

Maharana Pratap: The Evolution of an Icon

On the occasion of Maharana Pratap's 486th Birth Anniversary, here is an article I have been meaning to write for a long time. While some of it is personal, other parts are researched. Some parts of this article (art subsection) are reproduced from another article written by me for UPAJ India's magazine Manthan in 2022. Ideally, this was supposed to be two parts, but I did not wish to make it so. Cenotaph at Chawand Veer Shiromoni Hinduja Suraj Maharana Pratap Singh Sisodiya, as he is officially called, the thirteenth Custodian of the royal house of Mewar, a land that now lies in the south-western fringes of the Aravallis of Rajasthan, has been, for the longest time in Indian History, regarded as the first freedom fighter. Resisting invasion into his state, holding his post as king, his life and career had been scrutinised time and again, narratives changed according to popularity rather than evidence. His idea of independence inspired many; his strategy of guerrilla warfare wa...

Battle of Haldighati

There have been a lot of talks going on regarding  who won the Battle of Haldighati.  While some want to change what we read and say that the Maharana won it, many oppose the point with a Mughal victory. Here, I compile every account I found of the Battle and its Aftermath and make my unbiased conclusion on the topic. PS. The dates vary from book to book; I gave the ones I found in most sources. The Background: Relation with Mughals Mewar was one of Rajputana's strongest individual kingdoms, along with the likes of Marwar and Kacchawar (Jaipur). Long before the Mughals under Akbar, Mewar under Rana Sangram Singh had successfully managed to keep the "Turk Invaders" under Babar at bay, fighting 17 wars, big and small. The relationship was further questioned when, during the invasion from Saurashtra, Sanga's widow, Rani Karnavati, had written to Mughal Emperor Humayun for help, sending him a rakhi. Contrary to popular belief, Humayun had rested on his way from Gaur (Beng...

DAMODAR GANGADHAR RAO : The Ill Fated Heir

In the shadowed halls of Jhansi's royal palace, a nine-year-old boy named Ananda Rao stepped into a destiny of struggle he was not born into. Born in 1848 to Vasudeo Rao and his wife, Ananda Rao was surrendered to the childless King Gangadhar Rao and his fierce young queen, Manikarnika (Manu), better known as Rani Laxmi Bai. It was November 19, 1853, on the king's deathbed, amid whispers of adoption rites that bound the boy to a throne teetering on the edge of empire. Queen Laxmi Bai was just nine when she married the 29-year-old widower Gangadhar. She had already endured heartbreak. Her biological son, Damodar Rao, arrived in 1851 but slipped away after three short months. With Gangadhar's death in 1853, Vasudeo, a distant royal relative, was instructed to hand over Ananda's adoption papers. Renamed Damodar Rao, the boy became Jhansi's last hope. But hope was fragile under British eyes. Enter the Doctrine of Lapse, Lord Dalhousie’s ruthless policy that devoured pri...