Mesmerizing Mewar: A Dream Trip

Introducing: Mesmerising Mewar—A Journey Through Time, Valour, and Heritage

If you’ve ever been enchanted by the echoes of medieval legends, Rajputana is nothing short of a pilgrimage for history lovers. For me, returning to Rajasthan, after wandering through the golden sandscapes of Amer, Jodhpur, Bikaner, and Jaisalmer, meant something different this time. This was the heartland. This was Mewar, Mesmerising Mewar, to be precise.

Why Mewar, Why Now?

My lifelong fascination with India’s storied past, fueled by riveting historical dramas, and especially by my admiration for “Bharat Ka Veer Putra Maharana Pratap" meant that this journey was more than just travel. It was a dream come true, a chance to walk the same soil that Maharana Pratap once called home, to experience the land he cherished and defended. I wanted to see the mosaic of history, culture, and resilience that is Mewar.

First Impressions: Time Travel in the Villages of Mewar

Arriving in Bundi and crossing into Mewar, I felt I’d slipped into a time machine. The roads named Kuthariyon ki Gali and Rani ki Bagh are plucked straight from centuries-old chronicles. Locals still refer to their royals as “Baisa,” and scenes of rural life remain anchored in tradition. Children play, women draw water, temples and lakes pulse with activity, and the forests are still alive with leopards, bears, and wild cats just as they would have been 600 years ago.

A drive through Mewar is a lesson in living history; the names, the customs, and the landscape itself echo the legends of valour and sacrifice for which this region is known.

What to Expect in the "Mesmerising Mewar" Series

This blog series, Mesmerising Mewar, will transport you through the very heart of Rajputana’s legacy, following my travels, my photographs, and personal experiences from each historical marvel. Here’s a sneak peek at the journey ahead:

Bundi: The Invincible Fort
Bijolia: The Nature and the History of a Small Town
Chittorgarh: The Dream Destination (with in-depth sub-stories on...)
- The Story of Sacrifices (Kumbha Palace, Sringaar Chauri, tales of Rana Kumbha, Rani Karnavati, Panna Dai, and Kunwar Pratap)
- The Towers of Faith and Victory (Vijay Stambh, Kirti Stambh)
- The Devoted Fort (Meera Bai, ancient talabs and temples)
- The First Jauhar (Padmini Palace, Jauhar Sthal, Padmavati’s legend)
- The Final Siege (Mohor Magri, historic battlegrounds)
Udaipur: The Modern Heritage
Eklingji, Nagda, Nathdwara, Ranakpur, Delwara: The Religious History
Kumbhalgarh and Gogonda: Witnesses of Turmoil
Haldighati: The First War of Independence
Chavand: The Maharana's Capital
Mewar: Food, Culture, and Dreams

The Journey Begins: An Itinerary Carved by History

Our expedition starts in Bundi, the neighbouring city to what was once the princely state of Mewar (now split among Udaipur and Bhilwara districts). From Bundi, a scenic three-hour drive brings you through Menal and Bijolia, famous for their temples and the tranquil Bhimlat Mahadev waterfalls, toward the fabled ramparts of Chittorgarh. After exploring Chittorgarh, we journey onward to Udaipur by cab, a four-hour drive laced with stories and ever-changing countryside.

From the lakeside haven of Udaipur, history stretches in all directions: you’ll be within an hour or two’s drive of Kumbhalgarh, Gogunda, Eklingji, Chavand, Kakroli, Rajsamand, Mt. Abu, Jaisamand, Ranakpur, Nagda, Nathdwara, and Haldighati. Each is brimming with tales, traditions, and visual splendour.

An Invitation to Explore

Through this series, I’ll reveal the living, breathing tapestry of Mewar. I’ll share my favourite photographs, the local scenes, and personal moments so you can feel the goosebumps I did as history sprang to life.

I invite you to travel with me, step by step, as we unlock the fortresses, unravel legendary sacrifices, uncover divine temples, and savour the cuisine and customs that keep Mewar’s heart beating strong. Patience will be your companion, as each part is a deep dive into the soul of this unforgettable land.

Welcome to Mesmerising Mewar. The story begins…

Moti Magri: Udaipur

Chittorgarh View From Guard House at Ram Pol

Marked here are the places I saw, and the arrow indicates my journey direction. One thing is wrong with this Map. Bijolia is situated between Bundi and Chittorgarh, 55 km from Bundi, and not near Udaipur as it is marked here.

Etched In Stone

This historical short story is a fictitious account of Ashoka, the Mauryan Emperor and his first wife Devi, who finds no place in Magadhan History. There is another fiction about her in the blog as well. This story stemmed from a merge of two ideas, one was to mention the cave inscription found in Saru Maru that mentions Asoka spending some days there with his lover (presumed to be Devi), the other idea of how if words did not immortalise a lot of battles and achievements, the names of many great men would be lost in time. The prince stood on the edge of the cliff, looking at the horizon. Dawn arrived as the birds started leaving their nests, wings fluttering, eager to discover the world. He looked up at them, the thought of once again going back to exploring the length and breadth of his state making him feel a little restless as he eyed his healing wounds. He was left to die; his enemies wished so. Yet by some miracle of fate, as if his purposes were yet to be fulfilled, here he was ...

The Idea of Independence

Independence is not merely about a free country, a flag, a democracy or a monarchy as the power seat of a region. It is a feeling and a choice. Entitlement to one’s own opinion and rights. Often, a reason to reform. Independence is about individuality and mass. As we grow up, we often write essays on “My Inspiration.” The word inspiration is, in reality, deeper than we understand at that young age and is more often than not merged with our childhood ideas of an ideal man, an idol, or someone who helps us, namely, our own teachers or parents. Some of the students even mug up essays that tell the tales of the lives of Swami Vivekananda or Mahatma Gandhi. But it takes us years, or even perhaps a lifetime, to be mature enough to know and understand the true meaning of inspiration and idol. When we do, it is then that we choose ones that appeal to our morals, thoughts and souls. I remember Independence Day as a child. Every 15 th of August used to be about our locality dressed up in a ...

Bijolia: Her Home

Journey to Bijolia: Lost Kingdoms and Timeless Temples of Mewar Bijoliya translates to a stop between two cities. Nestled in Rajasthan’s Bhilwara district, Bijolia sits 55km from Bundi and 105km from Chittorgarh on the well-travelled Bundi-Chittorgarh road. Once part of Mewar, this seemingly sleepy town guards a rich and layered past: it was ruled from the 11th to the 13th century by the Punwars (or Parmar Rajputs) before falling under the Chauhan dynasty, who shifted the region’s capital to Bhilwara and constructed the imposing fort there. After a brief Chauhan rule, Bijolia was reclaimed by Rana Kumbha and became an integral part of the Mewar kingdom, with the Parmars serving as local Raos, representatives and stewards of the royal house. Despite its history and the famed Bijolia inscriptions (a treasure for historians), Bijolia has never found a seat on Rajasthan’s primary tourist circuit, especially if you’re venturing out by public transport or private car. While a handful of...

Sisodiya: Kings, Queens and Princes (1538 - 1597)

I am back with another History post, this time it is on the wives and sons of Rana Udai Singh II of Mewar, his son and heir Maharana Pratap and Rana Amar Singh. This is a continuation of the Sisodia Family History I posted some time back. The information has been taken from Annals of Mewar by James Todd, Maharana Pratap by B.N. Rana, and Maharana Pratap by Rima Hooja. Udai Singh II was the son of Ranisa Karnawati and Rana Sangram Singh. He was born on 4th August 1 522, at Chittorgarh and died on 28th February 1 572 at Gogunda . He was the Ruler of the Sisodia Dynasty. He is believed to have 56 sons and 2 5 wives, apart from the many insignificant queens in his Rani Mahal. Here is a list of his main queens and their sons. Maharani Jaivanta Bai Songara of Jalore was his chief queen and consort. Her son is Maharana Pratap. He was married to her before he went to war with Banbir, as her father, Akshayraj Rao, was a friend and ally of his father, Rana Sanga. Saj...

Nawab E Bengal

Background: Nawab Alivardi Khan was ruling Bengal at the peak of Nawabi rule, expanding his strong empire. He had successfully suppressed the Marathas and had given a strong message to the British East India Company’s rising influence at Calcutta. Highly aware of the British Colonial policies across the globe, Nawab Alivardi Khan was strict with his policies and stronghold over Murshidabad, the then capital of Bengal (including present-day Bihar, Jharkhand, West Bengal, Orissa, and Bangladesh). He had two daughters and no sons. Amina Begum was the elder one, followed by Ghaseti Begum. Amina had three sons with her husband and courtier, Ahmed Khan. The second son, Mirza Mohammad, fondly called Siraj-Ud-Daulah (light of the country)by his grandfather, was born in 1733C.E. He was his grandfather’s favourite because he was born while he won over the Marathas. Alivardi Khan never let the “fortune child” of the family out of his sight. Siraj grew up accompanying...

The Kaali Effect

The shopping mall echoed with a noise. The buzz grew silent. Fear crept in. Until somebody shouted, " It's just a Balloon!" The buzz grew again, the shopping continued, the romantic couples continued their walks, and the food court filled up with the aroma of the orders... A few decades back, people used to laugh carefree at a balloon bursting or a tyre booming in the streets or in various crowded areas. Now, in the back of everyone's head, a loud noise always brings the same thoughts... Another year, another city, another crowded place, Several innocent lives. They don't spare religious places either. For the sake of mankind? Religion? Politics? Power? They only know. Who are they? Nobody knows. It is said that the demon Kaali, who ushered in KaliYug, decided to reside in a few things. Addiction, Wealth, Desire, and Anger are some such things he resides in. This is KaliYug, where an innocent child's balloon makes adults fear the extremes. What is dharma here?...

Rakhi Tales

A Rakhi to the Enemy: The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long, and time was of the essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even R...

The Garuda Cannon of Krishna Chandra

Maharaja Krishna Chandra was an influential king in Nadia, Bengal, who formed his capital at Krishnanagar. During the preparation of the Battle of Plassey that sealed the deal for British Colonisation in Bengal in 1757, Krishna Chandra was under the Mughals of Delhi, who did not support Bengal Subah Nawab Siraj Ud Daulah in his attack against the British in Calcutta. As a result, he too was vocal against Siraj and supported the British. Siraj ordered for him to be imprisoned for not paying his due taxes to the Nawab, and he found freedom only after Robert Clive and Mir Jafar ousted Siraj by betraying him. Once Krishna Chandra was back in his state, the Mughal emperor, who was now reduced to a puppet of the British, by suggestion of Robert Clive, gifted the king a token of appreciation for his support, a cannon, which the Raja named the Garuda Cannon. What was so special about the cannon? This is the only cannon found in any museum with an inscription in Bengali scripture. Most cannons ...

Asuras are not Demons

Demons in the Abrahamic religion are not the same as Asuras of Hinduism. Originally deities of Iranian origin, they were seen in the tribal context as no different from Devas but as counterparts to maintain balance. In early epics and Puranas, asura meant a chosen leader of great capacity. Only later, perhaps due to the Iranian link, their image declined. It was with the Brahmanas that the sharp divide appeared: devas as divine, asuras as evil. Puranic myths demonised them mainly to assert the superiority and immortality of devas, while asuras were cast as symbols of the "other." Since Tribes still worshipped them and embraced their power of negativity, being important to balance, they soon became synonymous with tribes, which was not the case mythologically. There are instances of Bali or Ravana being Kshatriya or Brahmin Asuras and competent kings. Indian demonology itself is vast and layered, shaped by surviving tribes, each with unique myths. Celestial, aerial, and terres...

Bharat Ka Veer Putra Maharana Pratap

“Bharat Ka Veer Putra Maharana Pratap jald hi Sony Entertainment Television par” “Maa, see here, another Historical!” I smiled, waving at the TV. “About whom?” She frowned, knowing it would mean one more 30-minute slot to take over the TV. As if Mahabharat was not enough! “Rana Pratap Singh!” I said gleefully. “They are not showing who will play it, though.” The last Historical I truly loved was Veer Shivaji, which ended suddenly. Two days later…. “Bharat ka veer putra Maharana Pratap Sattais May se Sony Entertainment Television par” 27 th May 2013: “Dhola maru Dharti ro… laal ayo re….” His brown eyes, that red tika, that run through the sands of Jaisalmer … I was already in love with Kunwar Pratap. Having read the history, I knew Dheerbai’s sweet talks were purposeful, but so what? One needs talent to make the enemy dance to your tunes. And Jaivanta Bai ji. Wow! That aura of grace, I was always a fan of Rajsree ji. And one episode gave me three favourites together, F...

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