Wife And Queen

This is an excerpt from the Ramayana I retold in 2014 on my Facebook notes page, and hence I thought of resharing here with you all, an excerpt close to my heart!

Ram was known for following the rules. Sita, for questioning the age-old traditions. Ram followed Dharma above all, and Sita followed her Heart. They were different. Yet, they were two parts of one soul, destined to be together and apart, like a sea and its shores. It was an age-old tradition to practice polygamy in the Royal Families. Ayodhya was no different. Raja Dasaratha himself had three main queens. Most Kings had many. No one ever questioned it. It was never believed to be wrong for a man to have many wives if he could take responsibility. But Rajkumari Sita was not just anybody. She had questioned him.

The Valmiki Ramayana describes a scene where one morning, when they were sitting in the aangan of the Ranimahal of Ayodhya, feeding her favourite pigeons, Sita, the newly arrived teenage bride, Rama was discovering layer by layer, deeper into her soul, was filled with a lot of questions she sought the answer to as soon as she had entered Ayodhya. She had seen the younger queen Maata Kaikeyi's preferences in the King's life, both inside and outside the inner mahals, even in the political views of the state. She couldn't help but wonder why, while Maata Kausalya cooked and cared for the King, waited for him, and did all that a wife did, he had always preferred the younger one's advice on politics or praised her beauty. Sita, in her innocence, just before the news of his coronation arrived, asks Ram, “Why is Rani Kaikeyi your father’s favourite when Rani Kausalya is his first queen?” She saw him stop feeding the birds and be silent for a moment. Had she hurt him?

“ Maata Kausalya is his wife and Maata Kaikeyi his queen.” Sita stared cluelessly at her husband's answer. He smiled a faint smile, waiting for his wife's eager questions.

“What is the difference between a Wife and a Queen?”

“ A wife is one the King shares his life with, respects her, and gives her every right of an Ardhangini. She who shares the right to sit with him on every puja, be a part of every charity or Punya he does, be a part of his decisions for his personal life, and she who is dedicated to him from the soul. He, in turn, as a husband, may not shower her with materialistic importance but with spiritual and mental equality. A King has only one wife; he can have many Queens. Queens are his consorts who rule with him. They are mothers to his people. The wife is his home. She is the mother of his children. The Queen thinks of the country and a wife for peace at home. A queen can win battles with him, but a wife will always nurse his wounds. Pray for his success and be with him in his toughest decisions.”

Sita smiled, satisfied. “How many queens would you prefer, Dashrath Nandan?” She asked in an innocent folly.

“I am waiting for the day this tradition of Polygamy will end forever.” Ram was calm, holding a white pigeon in his hand.

“That is not the answer I seek, Dasharath Nandan.” She smiled at him. "I am asking what YOU will do as a King?"

“I would never support marriage alliances as a king. Marriage is a sacred bond and not an agreement of politics.” He was clear on his views. Sita smiled happily. He had dared to speak his mind. Was it because of her effects on him? He couldn't help but wonder the same.

“ You will always be my only wife and queen. Remember that,” he had made the young bride stare at him like he was a dream, unearthly, just like she thought.

Years later, dates untraced, India follows what they preached and dreamt. Ram and Sita are worshipped for their ideals, hardship and sacrifice, always together, never alone. Because she was his only wife. They were gods by their immortal sacrifices as human beings, all for the sake of their Dharma as the King and Queen to people they considered children. India, and the world now, follows what was once the dream of a young Prince Rama and his teen bride, Sita, who had for the first time raised a question no one bothered to ask.

The Festival of Bengal: Days and Rituals

This article is partly featured in The Statesman Festival 2024 Magazine. In Bengal, Durga Puja is not only a religious tradition, but it is also a festival. It is called “ Bangalir Shreshto Utsab ” or the greatest festival of Bengalis. It is because, although it started as a religious festival, as we have discussed in the previous blogs, it turned out to be a representation of cultural unity and the freedom movement, as well as seeing her as the daughter returning home with her children. It is called a " Sarbojonin " Utsab or a festival meant for all and sundry. Durga Puja is inclusive of caste, creed, religion, as well as gender identities and professions. Thus, it is more than just a Puja . The traditions, rituals and ways of Durga Puja are hence very different from Navratri, which are observed in individual homes. Let's find out how. The Pandals and idol: As per Hindu tradition, four things are important when the idol of Maa Durga is prepared. These include clay fro...

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love. ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon t...

Sisodiya: Kings, Queens and Princes (1538 - 1597)

I am back with another History post, this time it is on the wives and sons of Rana Udai Singh II of Mewar, his son and heir Maharana Pratap and Rana Amar Singh. This is a continuation of the Sisodia Family History I posted some time back. The information has been taken from Annals of Mewar by James Todd, Maharana Pratap by B.N. Rana, and Maharana Pratap by Rima Hooja. Udai Singh II was the son of Ranisa Karnawati and Rana Sangram Singh. He was born on 4th August 1 522, at Chittorgarh and died on 28th February 1 572 at Gogunda . He was the Ruler of the Sisodia Dynasty. He is believed to have 56 sons and 2 5 wives, apart from the many insignificant queens in his Rani Mahal. Here is a list of his main queens and their sons. Maharani Jaivanta Bai Songara of Jalore was his chief queen and consort. Her son is Maharana Pratap. He was married to her before he went to war with Banbir, as her father, Akshayraj Rao, was a friend and ally of his father, Rana Sanga. Saj...

Rani Padmini: The Valiant Queen

This story is a retelling of some parts of Malik Mohammad Jayasi's Padmavat, which was a historical fiction poem written in 1540, about 200 years after the siege of Chittorgarh by Allauddin Khilji. Historically, the Rajputs of Mewar didn't keep accounts of their queens, even by name, so the name Padmini or Padmavati was made up by Jayasi to represent the women of Chittor who chose the Jauhar. Historically speaking, Allauddin Khilji wanted the trade route to Surat for himself, which went through Mewar and Rana Ratan Singh, a patron of art, was not known for his military skills. So when Khilji surrounded the fort, the only way out was the Saka and Jauhar. Rani Padmini's Jauhar, as it is now popularly called, is also not the first Jauhar Khilji witnessed. The Jauhars of Ranthambore and Jaisalmer happened before he attacked Chittorgarh. Also, the act of Jauhar happened as early as the Greek invasions of Porus's state, when it is described as the "Mass immolation of Sat...

Shikhandi: A Tale of Identity and Revenge

Hastinapur was the most powerful empire in the north of the Vindyas, in the subcontinent once ruled by King Bharata. When its long-reigning and prosperous king Shantanu passed away in old age, he left behind his ambitious wife Satyabati, her two sons, Chitrangad and Bichitravirjaya and his first surviving son from his first wife Ganga, Devabrata, who took the lifelong oath of not being king nor marrying or having any progeny and hence earned the name Bhishma. When Chitrangad was about to ascend the throne, he died in an unfortunate accident, leaving the minor Bichitravirjaya as the only contender on the throne. Bhishma almost outspokenly took over the role of guardian to the throne of Hastinapur upon this event. However, the rules suggested that the young prince must marry before he could be crowned. Upon hearing of this, Bhishma sent his spies around the subcontinent to find eligible princesses who would not only marry the heir apparent but also be the future queen and queen mother of...

Chandra's Choice: The Story of Dhruvasvamini

More often than not, the private lives of kings and the existence of their queens remain in the words of bards rather than those of chroniclers. Dhruvasvamini is no different, even after being the queen of the golden age of the Indian Subcontinent. She appears in the Basarh Clay Seal as the mother of Govinda Gupta (attributed as a sibling of Kumara Gupta I) and the queen wife of Chandra Gupta II or Vikramaditya. Except for one mention of Dhruva Devi, as she is popularly known, she remains a mysterious character in the Gupta lineage, with a side mention in the dynasty’s history. Visakhadatta, a famous poet and playwright, who later wrote DeviChandraGuptam as the play capturing the life of Chandra Gupta II, captured Dhruva Devi as one of the protagonists of his story. Although some scholars attribute Visakhadatta to be under the patronage of Chandra Gupta II himself when he wrote this story, many historians debate the literary work as a historical fiction written much after his time. Tru...

The Garuda Cannon of Krishna Chandra

Maharaja Krishna Chandra was an influential king in Nadia, Bengal, who formed his capital at Krishnanagar. During the preparation of the Battle of Plassey that sealed the deal for British Colonisation in Bengal in 1757, Krishna Chandra was under the Mughals of Delhi, who did not support Bengal Subah Nawab Siraj Ud Daulah in his attack against the British in Calcutta. As a result, he too was vocal against Siraj and supported the British. Siraj ordered for him to be imprisoned for not paying his due taxes to the Nawab, and he found freedom only after Robert Clive and Mir Jafar ousted Siraj by betraying him. Once Krishna Chandra was back in his state, the Mughal emperor, who was now reduced to a puppet of the British, by suggestion of Robert Clive, gifted the king a token of appreciation for his support, a cannon, which the Raja named the Garuda Cannon. What was so special about the cannon? This is the only cannon found in any museum with an inscription in Bengali scripture. Most cannons ...

Battle of Haldighati

There have been a lot of talks going on regarding who won the Battle of Haldighati. While some want to change what we read and say that the Maharana won it, many oppose the point with a Mughal victory. Here, I compile every account I found of the Battle and its Aftermath and make my unbiased conclusion on the topic. PS. The dates vary from book to book; I gave the ones I found in most sources. The Background: Relation with Mughals Mewar was one of Rajputana's strongest individual kingdoms, along with the likes of Marwar and Kacchawar (Jaipur). Long before the Mughals under Akbar, Mewar under Rana Sangram Singh had successfully managed to keep the "Turk Invaders" under Babar at bay, fighting 17 wars, big and small. The relationship was further questioned when, during the invasion from Saurashtra, Sanga's widow, Rani Karnavati, had written to Mughal Emperor Humayun for help, sending him a rakhi. Contrary to popular belief, Humayun had rested on his way from Gaur (Beng...

Chittorgarh: The First Jauhar

The concept of Jauhar holds a profound place in Rajputana history. It is a ritual where Rajput women willingly choose death by jumping into a fire altar, invoking the gods, and embracing honour rather than living under the humiliation of enemy conquest. Unlike Sati, Jauhar was never forced or compulsory; it was considered the most honourable death a Rajputani could choose when their men lost battles and the enemy laid siege. The Historical Setting: Jauhar Gate and Chittorgarh Fort Chittorgarh Fort once housed the palace of Rana Ratan Singh near the famed Vijay Stambh and his Jal Mahal at the fort’s main gate. When Alauddin Khilji invaded Chittor, much of this was destroyed. However, later ruler Rana Kumbha rebuilt the Jal Mahal and re-established the Jauhar Sthal to honour Queen Padmavati (also known as Padmini). Ratan Singh, who ruled Mewar during Khilji’s reign as Sultan of Delhi, was known to be a peace-loving monarch who enjoyed music and poetry. One of his court poets, Ragha...

Dharma, Adharma and Other Opinions

Abhimanyu's Death changed the course of the battle for the Pandavas. They fought with rage and won the battle in the next five days. They slay each warrior in the same ruthless way to seek revenge for Abhimanyu. But my question is, was it all worth it? Was the throne of Hastinapur more precious than the young lives lost? Are cousins killing each other? Disrobing a woman in the courtroom? Where was Dharma in silence? Ram left Ayodhya without a question. Kaikeyi became the villain in the life of the favourite son of the kingdom. Her own son hated her. Sita suffered for it, Ayodhya suffered for it, and Dasharatha died in grief. Was it all worth the throne of Ayodhya? Vibhishana and Sugriva fought with their own brothers and betrayed them for the throne. Power has always been this manipulative. People say Power is the strongest of all desires. It can do almost anything like magic. The great epics are indeed proof of this Human behaviour. If we consider characters as mere humans living ...

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