Udaipur: The Modern Heritage

Wandering Through Udaipur: A Day by the Lakes and Palaces

Udaipur, the historic city of lakes, ancient battles, and royal grandeur. If you’re a history buff or just mad about sunset views, Udaipur needs to jump straight to the top of your wander list!

Udaipur has been Mewar’s capital since 1568, since Akbar's Siege of Chittor. But for a good 25 years (1572-1597), Maharana Pratap did not think the city was safe due to its position and moved his capital to Kumbhalgarh (1572-1576) and finally to Chavand (1582-1611).

Where to Stay:

Stay near Lake Pichola, preferably near the Jag Mandir side. We picked Gangaur Palace Hotel, tucked right next to Gangaur Ghat. This ghat ramps up during March for the Gangaur Festival, so book ahead. There are many budget-friendly hotels near the clock tower.

Places You Have To See (and a Few You Can Skip)

Grab an auto for the day, and you’re good to go, for Udaipur’s main spots are all doable in a day and a half! Here's my totally unfiltered take:

City Palace and Museum: Start here! The complex is stunning, all thanks to multiple Maharajas adding their own flair over centuries. Don't miss the light and sound show at the end of the day.
Baghor ki Haveli: Walk in the footsteps of royalty and peek at recreated queen’s rooms. The cultural museum here is quirky and surprisingly photogenic. Cultural programmes like Ghoomer and puppet dance are also held here in the evenings.
Jag Mandir Temple: Among many local temples, this one’s the showstopper. It is one of the main temples in the old city.
Gulab Bagh: This used to be the royal private zoo. Modern garden with a zoo and kids’ park, but honestly? You can skip it unless you're with little ones.
Sahelion Ki Baari: Imagine queenly gardens with fountains and shady walkways, super pretty but lacks the majesty, so unless you go there before visiting forts, you will find it slightly meh.
Sajjangarh Monsoon Palace: Built in 1956, the palace is more about the panoramic sunset views. Not my top pick, but legit for photos. It is a great spot during the Monsoons. Your private car will not go up. Jeeps are appointed and hired with tickets from the counter.
Vintage Car Collection: Car buffs, you’ll geek out, though ₹400 per ticket (as of 2015) is pretty steep for the collection.
Pichola Lake: Boat rides are a must, just ₹150 from Lal Ghat (2015) gets you killer city and palace shots. Prefer to take the boat ride during sunsets.
Gangaur Ghat: Swing by in March for festival madness, or any time, really, to chill by the water. During the rest of the year, it's a very peaceful spot. I went during Choti Diwali and absolutely loved the display of handmade lamps and boats that people came to float in the lake.
Moti Magri: Epic location and top-notch Maharana Pratap museum (though most of it is a repeat from Haldighati). The view of the city is too good.
Fateh Prakash Lake: Manmade but beautiful, as is the rest of this water-loving city! You can spend a nice evening with snacks here.
Dudh Talai Lake & Ropeway: Hop on the ropeway for a dramatic city sweep (trust me, it’s Insta-worthy). The view, the white royal city in its glory.

Udaipur’s got seven lakes, though only four make the tourist circuit, so bring your walking shoes!

Local Traditions

History and tradition soak into every stone here, Chittorgarh (which you should totally day-trip to) even hosts an annual Jauhar Mela in Feb-March honouring the brave Viranganas of 1568’s Jauhar. The newly opened Maharana Pratap Tirth Kendra gives a glimpse of his life, but nothing better than actually visiting Chittor, Kumbhalgarh, Haldighati and Chawand for it.

A Note on Exploring

While Udaipur’s core is pocket-sized, adventures like Haldighati and Kumbhalgarh call for trips out from the city, so keep an extra day or two up your sleeve. For us, it was a five-day trip.

Coming Up…

Udaipur loaded our hearts and memory cards, but the religious hotspots around the city are up next, so stay tuned!

If you’re dreaming of the lakes, palaces, and festival lights, take this as your sign: Udaipur is every bit as magical as they say. Here are some photos I clicked.

Gangaur Ghat

View from the Roof of the Hotel

Pichola Lake

Gangaur gate

Map of Udaipur

Lake Pichola

Bagaur Ki Haveli (Royal Guest House)

Gangaur lamps

Sunset at Pichola

Moti Magri

View of Fateh Sagar Lake from Moti Magri

Statue of Hakim Khan

Statue of Maharana Pratap, Moti Magri

Rana Punja Statue

Sahelion Ki Bari

Ropeway view of Udaipur City

Ropeway at Dudh Talai

City Palace entrance

Mewar's Royal Symbol: City Palace Museum

Udai Singh's Palace

Pratap Kaksh: Udai Singh Palace. He didn't stay here; its name comes from the Gallery name.

Original armour of Maharana Pratap

Original sword, shield and spear of Maharana Pratap. He used two swords, one in each hand.

Club arms and Statue of Maharana Pratap

Chetak's saddle and mouthpiece

Maharana Pratap's only existing stone inscription, mentioning him, is at a Laxmi Temple about 25 km from Udaipur.

Karan Singh Palace

Lakhu Kund

Karan Singh Palace

Corridor leading to the Amar Singh Palace from the Karan Singh Palace.

Karan Mahal Corridor

Seesh Mahal, Built by Jagat Singh in 1716. Guides may say that Maharana Pratap built this for Ajabde, but no, it's not

First Library of the Royals started with Veer Vinod's publication.

View from Karan Singh's Ranimahal

Maharana Raj Singh, who defeated Aurangzeb after his chief destroyed temples in Bijolia

Ivory Doors at City Palace

Kaach Mahal

The carpets and curtains here are made by Prisoners of the King.

Jagat Singh Palace

Weighing scale for Maharana's Charity

Mor Mahal

Utensils from Maharana Amar Singh's Kitchen

Maharana Amar Singh

Utensils at Amar Singh's Kitchen

Entrance to Amar Mahal

Amar Singh's Kitchen

Rani's Mandir at Amar Mahal

Maharana Pratap Singh

Palanquins of Princesses

Kunwarsa's attire

King's attire

Lehenga for queens

Queens Palanquin, used for weddings, also.

The theme wedding destination is Udaipur.

Laxmi Chowk.The old aangan where the palanquins of queens stopped.

Entrance to Rani Mahal of the New Palace

Silverware of Amar Singh's Pujas

These pillars come in 4 and are used in the Royal Mandaps for weddings of the Prince from the Greh Shanti puja till the Ganpati sthapna post marriage. These are built on every wedding separately and are religiously kept as memoirs till either the bride or groom dies.

This Chariot was gifted to King Arvind Singh Mewar (died 2024) by his father-in-law on his wedding.

The Ram Chariot is used for the procession on every Ram Navami by the Royals who are descendants of the Lord.

Wedding horses for princes are decorated like this.

The crown prince's golden Jhula was used as an age-old tradition in Mewar.

City Palace

Entrance to the Palace

Mewari Flags

Bangor ki Haveli

Puppets at the Haveli, each evening, there is a cultural show displaying folk dances and music.

Queen's Sword and shield

Queen's dressing room

Queen's Baithak

Queen's Bathroom

Queen's Luxury room

Queen's Baithak

Gangaur festivals

Idols of the traditional attire of royals

Queen's puja Ghar, which used to have Krishna Idols

Room of Rajmatas

Chests of Rajmata

The Haldi ceremony starts with a royal Mewari wedding where the bride's Haldi is taken to the groom a day after his tilak.

Baraat

Saas aarti involves toran todh and naak pakar ceremonies.

Saath Phere. The wedding takes place in front of the Bride's family, and the Groom's family does not witness the wedding.

The Kunwar Bhojan is a Mewari tradition where, on the morning of the Marriage, the Groom comes to the Bride's house with his younger brother for breakfast cooked by his mother-in-law. The bride catches a glimpse of the groom from the Jharokhas without letting him know.

The ring-finding ceremony takes place at the Bride's house post-wedding and before bidaai

Bidaai

Maharana Pratap attacking Man Singh, Haldighati scene.

The pass that leads to Udaipur is blocked by hills and lakes.

The Prince of Mewar

Born on 16 March 1559 in the Kumbha Palace of Chittorgarh Fort, Bhanwar Amar Singh was the eldest son of Kunwar Pratap Singh (later Maharana Pratap) and Kunwarani Ajabdeh Punwar. As the first grandson of Udai Singh I, his birth prompted the Maharana's celebratory hunting expedition, during which a sage forewarned of impending danger. Heeding this, Udai Singh established a new palace by Lake Pichola, founding Udaipur as Mewar's capital. Amar Singh exhibited extraordinary valour from a young age, inheriting his father's martial skills and his mother's reputed compassion. His training commenced early; according to James Tod's Annals and Antiquities of Rajasthan, he participated in his first battle alongside Pratap at age eight. By ten, amid Chittorgarh's fall and familial divisions, he assumed responsibility for his siblings. Historical accounts recount his defence of the queens' entourage against enemy soldiers en route to Kumbhalgarh fortress. He shared a clo...

Neel Kanth

In the vast tapestry of Hindu mythology, Neelkanth Sasti holds a significant place, as it honours Lord Shiva’s act of supreme compassion and courage. According to the Puranas, this day commemorates the pivotal moment during the Samudra Manthan, the cosmic churning of the ocean, when the deadly poison Halahal emerged. Halahal, described as the collective essence of all the universe’s negativity and toxicity, began to spread destruction among both Devas and Asuras. Its effects were so perilous that even the gods could not approach it, symbolising the universal truth that adversity and suffering make no distinction between divine or mortal beings. With the balance of creation at risk and the churning brought to a standstill, Mahadev Lord Shiva, the Destroyer and Transformer within the Hindu Trinity, was invoked for help. In an act of unparalleled self-sacrifice, he consumed the Halahal to protect all existence from annihilation. However, the potency of the poison was such that it threaten...

The Annals of Rajputana

Col. James Todd’s Annals and Antiquities of Rajasthan describes Rajputana through History, Geography, Mythology, Folklore, Veer Gathas, Traditions, Cultures, Heritage, Rules, Valour and its people. However, one must remember that he was commissioned to write the narrative and his resources are not based on historical evidence. However, it is worth a read and very interesting. The following excerpts are from his book. Please take note that Todd's accounts are based on hearsay, stories, and commissioned by royals and hence aren't treated as historically accurate. However, his book is important as it is the first English-language book to have extensive work done on Rajputana. Rajputs are commonly believed to be people from Rajasthan; however, their branches have spread far and wide into Punjab, Gujarat, Madhya Pradesh, Bihar, Maharashtra and even parts of Bengal. The initial origination-based clans/tribes had been subdivided first in the book Prithvirajraso by Chand Bardai; howev...

The Cortege That Shook The Raj: Kanailal Dutta

10th November, 1908 Around late morning, a procession of lacs made their way through the streets of Calcutta (Kolkata), India. Some were chanting “Vande Mataram”, others blew conch shells, and Ululation filled the air. Flowers were being showered from all directions, and garlands made their way through the crowd, being thrown at the procession in the middle. Bhagwat Gita and Ananda Math (Novel by Bamkim Chandra) were offered. No, this was no “ Sobha Jatra ” or celebration. There were no religious festivities either. That dawn, the Alipore Jail, which opened only two years back, witnessed the hanging of Kanailal Dutta, a twenty-year-old member of the “Jugantar Dol”, an anarchist group that was set up primarily by Aurobindo Ghosh (Later Rishi Aurobindo), his brother Barindra and their associates. Kanailal hailed from Chandannagore, and although he was not present in most of their meetings in Kolkata, he was still one of their early members from Chandannagore, then a French province. ...

Asuras are not Demons

Demons in the Abrahamic religion are not the same as Asuras of Hinduism. Originally deities of Iranian origin, they were seen in the tribal context as no different from Devas but as counterparts to maintain balance. In early epics and Puranas, asura meant a chosen leader of great capacity. Only later, perhaps due to the Iranian link, their image declined. It was with the Brahmanas that the sharp divide appeared: devas as divine, asuras as evil. Puranic myths demonised them mainly to assert the superiority and immortality of devas, while asuras were cast as symbols of the "other." Since Tribes still worshipped them and embraced their power of negativity, being important to balance, they soon became synonymous with tribes, which was not the case mythologically. There are instances of Bali or Ravana being Kshatriya or Brahmin Asuras and competent kings. Indian demonology itself is vast and layered, shaped by surviving tribes, each with unique myths. Celestial, aerial, and terres...

Jahanara Begum Sahib: The Sufi Princess

Shah Jahan's quarters flanked on either side by identical bungalows for Jahanara and Roshanara. Background: The Timurid Dynasty, better (and wrongly) known as the Mughal Empire, ruled the Subcontinent from 1526 C.E. till the time the British East India Company successfully captured Delhi from Bahadur Shah II in 1857 C.E. (The size of the empire obviously varied). Hence, a large part of medieval Indian history revolves around the characters of this dynasty. Due to the extensive amount of contemporary records right from Babur, the founder of the empire, writing his own memoirs in “ Babar Nama ” to the accounts of court poets like Abu Talim and the extensive details of Abul Fazl, one has a clear idea about the functioning of the Timurid empire as well as the Harem involving the royal ladies of the dynasty. Almost nothing is left to the imagination when it comes to the lives of the first six and most famous and successful Timurid emperors, namely Babar, Humayun, Akbar, Jahangir...

Bijolia: Her Home

Journey to Bijolia: Lost Kingdoms and Timeless Temples of Mewar Bijoliya translates to a stop between two cities. Nestled in Rajasthan’s Bhilwara district, Bijolia sits 55km from Bundi and 105km from Chittorgarh on the well-travelled Bundi-Chittorgarh road. Once part of Mewar, this seemingly sleepy town guards a rich and layered past: it was ruled from the 11th to the 13th century by the Punwars (or Parmar Rajputs) before falling under the Chauhan dynasty, who shifted the region’s capital to Bhilwara and constructed the imposing fort there. After a brief Chauhan rule, Bijolia was reclaimed by Rana Kumbha and became an integral part of the Mewar kingdom, with the Parmars serving as local Raos, representatives and stewards of the royal house. Despite its history and the famed Bijolia inscriptions (a treasure for historians), Bijolia has never found a seat on Rajasthan’s primary tourist circuit, especially if you’re venturing out by public transport or private car. While a handful of...

DAMODAR GANGADHAR RAO : The Ill Fated Heir

In the shadowed halls of Jhansi's royal palace, a nine-year-old boy named Ananda Rao stepped into a destiny of struggle he was not born into. Born in 1848 to Vasudeo Rao and his wife, Ananda Rao was surrendered to the childless King Gangadhar Rao and his fierce young queen, Manikarnika (Manu), better known as Rani Laxmi Bai. It was November 19, 1853, on the king's deathbed, amid whispers of adoption rites that bound the boy to a throne teetering on the edge of empire. Queen Laxmi Bai was just nine when she married the 29-year-old widower Gangadhar. She had already endured heartbreak. Her biological son, Damodar Rao, arrived in 1851 but slipped away after three short months. With Gangadhar's death in 1853, Vasudeo, a distant royal relative, was instructed to hand over Ananda's adoption papers. Renamed Damodar Rao, the boy became Jhansi's last hope. But hope was fragile under British eyes. Enter the Doctrine of Lapse, Lord Dalhousie’s ruthless policy that devoured pri...

History: A Political Storytelling

History, as we know, is the study of the past. The primary sources of such study include coins, scriptures, seals, weaponry, architecture, things of daily use, palaces, forts, etc. However, when we talk of wars, events, and characters of people in the past, it is very difficult to be accurate about what we are reading hundreds of years later. Nowadays, History has become a hot political topic, changing narratives of what we have known for so long as history and challenging the past. In reality, all versions are somehow biased, and all in their entirety untrue. The art of storytelling plays a major part in the narration of history. We grow up hearing moral stories all our lives, right and wrong, heroes and villains. Our belief system starts functioning like that, as we believe that in every story there has to be a good and a bad. However, the reality is far from that. In reality, we don’t really have people who are pure evil or pure good like stories often suggest. Herein, the art ...

Chawand: The Maharana's Capital

The road from Udaipur quickly fades into quiet countryside as you head toward Jaisamand Lake and Chavand, a journey that few package tours offer, but one that is forever imprinted on my memory. Just shy of an hour and 59km from the city bustle, you reach Jaisamand (Dhebar Lake), the “Ocean of Victory,” sprawling as Asia’s once-largest man-made lake . Built in 1685 by Maharana Jai Singh, who followed his father’s legendary tradition of dam-building, this vast sheet of water shimmers in the sunlight. I watched local ferries pass, and marble stairs dip into blue shallows, imagining bygone queens slipping into cooling water beneath the massive embankment. Even today, friendly boatmen linger, eager to usher you onto the lake for a breezy ride. They tell you stories of how once a Maharana roamed these dense forests in search of freedom. Do pause here and soak in the peaceful air before venturing further southwest, toward the forgotten echoes of Mewar’s pride. The drive to Chavand, ...

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