Udaipur: The Modern Heritage

Wandering Through Udaipur: A Day by the Lakes and Palaces

Udaipur, the historic city of lakes, ancient battles, and royal grandeur. If you’re a history buff or just mad about sunset views, Udaipur needs to jump straight to the top of your wander list!

Udaipur has been Mewar’s capital since 1568, since Akbar's Siege of Chittor. But for a good 25 years (1572-1597), Maharana Pratap did not think the city was safe due to its position and moved his capital to Kumbhalgarh (1572-1576) and finally to Chavand (1582-1611).

Where to Stay:

Stay near Lake Pichola, preferably near the Jag Mandir side. We picked Gangaur Palace Hotel, tucked right next to Gangaur Ghat. This ghat ramps up during March for the Gangaur Festival, so book ahead. There are many budget-friendly hotels too near the clock tower.

Places You Have To See (and a Few You Can Skip)

Grab an auto for the day, and you’re good to go, for Udaipur’s main spots are all doable in a day and a half! Here's my totally unfiltered take:

City Palace and Museum: Start here! The complex is stunning, all thanks to multiple Maharajas adding their own flair over centuries. Don't miss the light and sound show at the end of the day.
Baghor ki Haveli: Walk in the footsteps of royalty and peek at recreated queen’s rooms. The cultural museum here is quirky and surprisingly photogenic. Cultural programmes like Ghoomer and puppet dance are also held here in the evenings.
Jag Mandir Temple: Among many local temples, this one’s the showstopper. It is one of the main temples in the old city.
Gulab Bagh: This used to be the royal private zoo. Modern garden with a zoo and kids’ park, but honestly? You can skip it unless you're with little ones.
Sahelion Ki Baari: Imagine queenly gardens with fountains and shady walkways, super pretty but lacks the majesty, so unless you go there before visiting forts, you will find it slightly meh.
Sajjangarh Monsoon Palace: Built in 1956, the palace is more about the panoramic sunset views. Not my top pick, but legit for photos. It is a great spot during the Monsoons. Your private car will not go up. Jeeps are appointed and hired with tickets from the counter.
Vintage Car Collection: Car buffs, you’ll geek out, though ₹400 per ticket (as of 2015) is pretty steep for the collection.
Pichola Lake: Boat rides are a must, just ₹150 from Lal Ghat (2015) gets you killer city and palace shots. Prefer to take the boat ride during sunsets.
Gangaur Ghat: Swing by in March for festival madness, or any time, really, to chill by the water. During the rest of the year, it's a very peaceful spot. I went during Choti Diwali and absolutely loved the display of handmade lamps and boats that people came to float in the lake.
Moti Magri: Epic location and top-notch Maharana Pratap museum (though most of it is a repeat from Haldighati). The view of the city is too good.
Fateh Prakash Lake: Manmade but beautiful, as is the rest of this water-loving city! You can spend a nice evening with snacks here.
Dudh Talai Lake & Ropeway: Hop on the ropeway for a dramatic city sweep (trust me, it’s Insta-worthy). The view, the white royal city in its glory.

Udaipur’s got seven lakes, though only four make the tourist circuit, so bring your walking shoes!

Local Traditions

History and tradition soak into every stone here, Chittorgarh (which you should totally day-trip to) even hosts an annual Jauhar Mela in Feb-March honouring the brave Viranganas of 1568’s Jauhar. The newly opened Maharana Pratap Tirth Kendra gives a glimpse of his life, but nothing better than actually visiting Chittor, Kumbhalgarh, Haldighati and Chawand for it.

A Note on Exploring

While Udaipur’s core is pocket-sized, adventures like Haldighati and Kumbhalgarh call for trips out from the city, so keep an extra day or two up your sleeve. For us, it was a five-day trip.

Coming Up…

Udaipur loaded our hearts and memory cards, but the religious hotspots around the city are up next, so stay tuned!

If you’re dreaming of the lakes, palaces, and festival lights, take this as your sign: Udaipur is every bit as magical as they say. Here are some photos I clicked.

Gangaur Ghat

View from the Roof of the Hotel

Pichola Lake

Gangaur gate

Map of Udaipur

Lake Pichola

Bagaur Ki Haveli (Royal Guest House)

Gangaur lamps

Sunset at Pichola

Moti Magri

View of Fateh Sagar Lake from Moti Magri

Statue of Hakim Khan

Statue of Maharana Pratap, Moti Magri

Rana Punja Statue

Sahelion Ki Bari

Ropeway view of Udaipur City

Ropeway at Dudh Talai

City Palace entrance

Mewar's Royal Symbol: City Palace Museum

Udai Singh's Palace

Pratap Kaksh: Udai Singh Palace. He didn't stay here; its name comes from the Gallery name.

Original armour of Maharana Pratap

Original sword, shield and spear of Maharana Pratap. He used two swords, one in each hand.

Club arms and Statue of Maharana Pratap

Chetak's saddle and mouthpiece

Maharana Pratap's only existing stone inscription, mentioning him, is at a Laxmi Temple about 25 km from Udaipur.

Karan Singh Palace

Lakhu Kund

Karan Singh Palace

Corridor leading to the Amar Singh Palace from the Karan Singh Palace.

Karan Mahal Corridor

Seesh Mahal, Built by Jagat Singh in 1716. Guides may say that Maharana Pratap built this for Ajabde, but no, it's not

First Library of the Royals started with Veer Vinod's publication.

View from Karan Singh's Ranimahal

Maharana Raj Singh, who defeated Aurangzeb after his chief destroyed temples in Bijolia

Ivory Doors at City Palace

Kaach Mahal

The carpets and curtains here are made by Prisoners of the King.

Jagat Singh Palace

Weighing scale for Maharana's Charity

Mor Mahal

Utensils from Maharana Amar Singh's Kitchen

Maharana Amar Singh

Utensils at Amar Singh's Kitchen

Entrance to Amar Mahal

Amar Singh's Kitchen

Rani's Mandir at Amar Mahal

Maharana Pratap Singh

Palanquins of Princesses

Kunwarsa's attire

King's attire

Lehenga for queens

Queens Palanquin, used for weddings, also.

The theme wedding destination, Udaipur.

Laxmi Chowk.The old aangan where the palanquins of queens stopped.

Entrance to Rani Mahal of the New Palace

Silverware of Amar Singh's Pujas

These pillars come in 4 and are used in the Royal Mandaps for weddings of the Prince from the Greh Shanti puja till the Ganpati sthapna post marriage. These are built on every wedding separately and are religiously kept as memoirs till either the bride or groom dies.

This Chariot was gifted to King Arvind Singh Mewar (died 2024) by his father-in-law on his wedding.

The Ram Chariot is used for the procession on every Ram Navami by the Royals who are descendants of the Lord.

Wedding horses for princes are decorated like this.

The crown prince's golden Jhula was used as an age-old tradition in Mewar.

City Palace

Entrance to the Palace

Mewari Flags

Bangor ki Haveli

Puppets at the Haveli, each evening, there is a cultural show displaying folk dances and music.

Queen's Sword and shield

Queen's dressing room

Queen's Baithak

Queen's Bathroom

Queen's Luxury room

Queen's Baithak

Gangaur festivals

Idols of the traditional attire of royals

Queen's puja Ghar, which used to have Krishna Idols

Room of Rajmatas

Chests of Rajmata

The Haldi ceremony starts with a royal Mewari wedding where the bride's Haldi is taken to the groom a day after his tilak.

Baraat

Saas aarti involves toran todh and naak pakar ceremonies.

Saath Phere. The wedding takes place in front of the Bride's family, and the Groom's family does not witness the wedding.

The Kunwar Bhojan is a Mewari tradition where, on the morning of the Marriage, the Groom comes to the Bride's house with his younger brother for breakfast cooked by his mother-in-law. The bride catches a glimpse of the groom from the Jharokhas without letting him know.

The ring-finding ceremony takes place at the Bride's house post-wedding and before bidaai

Bidaai

Maharana Pratap attacking Man Singh, Haldighati scene.

The pass that leads to Udaipur all other sides are blocked by hills and lakes.

Uttara's Hope

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Asuras are not Demons

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Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love. ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon ...

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The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long and time, of great essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even Raj Singh-Aurangzeb, yet ...

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Roopmati had watched the troops leave. She had stood behind the chief queen as she traditionally bid goodbye to her sons. She had waited for the Sultan to come to her. He did. He was confident that the sudden advancement of Akbar’s foster brother Adham Khan could be curbed. It was not war, just precaution. He reassured her. Malwa would never bow to the Timurids. And he would not let anything happen to her. To Her. Roopmati felt suffocated by her husband’s affectionate hug. She felt trapped in the scrutinising eyes of all the people in the palace. Angry, blaming eyes. She tried to pace herself and sing, but her voice cracked in fear. Her melody was drowned in tears. Every evening, a messenger would come to the chief queen with the news of war. Roopmati was kept in the darkness. She was not told about anything. She knew the rumours. She was a witch. A temptress who caused doom to the Sultan of Malwa. She was a spy of the enemy planted in his life to destroy him. She wondered if he came b...

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