The Other Princess

She was born to the King and Queen of Mithila after they waited decades for a child. Having adopted a girl child already, King Janaka accepted yet another girl child with open arms, unlike King Dasharatha, who was desperate for sons so much that he gave away his only daughter for it. She was named Urmila, meaning the waves of Passion. From her very childhood, she grew up listening to tales of bravery and sacrifice, legends and Gods from the sages who were patronised by their father. The sisters were taught to be brave enough to question all the rights and rituals rather than blindly follow them like most others. Janaka was too happy to answer all of his daughter's curiosities. She used to travel to various Ashrams of well-known hermits with her father and sister.

One such time, she was visiting the annual Yajna of the King-Priest Vishwamitra. They arrived there, amongst other Kings and Royals of Aryavarta and were shocked to hear how time and again the demon Taraka and her son Marich led a group of Demons to vandalise the Yajna. This time round, the buzz was that some princes were here to kill her. A terrified Urmila asked her elder sister, " But killing is so wrong, why will they kill her?" They went to the Hermit Vishwamitra himself with this query. Vishwamitra gladly explained, " Because he who defies Dharma deserves to be punished." King Janaka was eager to meet the brave princes who were to kill the demon. Vishwamitra introduced them to the Princes of Ayodhya, Ram and Laxman. Both very quiet and obedient by nature, they touched Janaka's feet. Janaka had made his choice; if only this eldest one could string the bow of Shiva...

The demon arrived at the Yajna, and the horrified princess witnessed the killing. The princes were invited back to the palace by their father. She was in awe of the younger one; he followed his brother around obediently, silently trying to protect him too, acting as a friend, more than a brother. Many thought him not worthy, less talented and even spineless enough to follow his brother around, but she saw it differently. It was the same love she felt for her elder sister; overprotective and dependent, she was like that too. Urmila was slowly falling for Laxman, the silent warrior.

In the palace garden, she was picking flowers for her garland when she spotted him practising his aim with the arrow. She wanted to talk to him, but he would shy away. The conversation would be awkward. She turned around, stopping her trail of endless thoughts.

The next day at court, the buzz was that Ram would try to string the bow of the Lord. Urmila rushed to Sita's side. She was well aware of how much Sita wanted Ram to succeed. They had gathered around the bow to watch Ram try what others have failed miserably at. Taking the name of the Lord, his Guru and his Parents, Ram lifted the bow with ease. A gasp escaped Urmila's mouth as she saw him closing the strings. With a loud noise, the bow broke in two. Everyone stood amazed and confused, while Laxman had a big, proud smile on his face. Urmila smiled too. For she was happy her sister now had her chosen Groom.

The Palace was decorated for the occasion, and the city celebrated in joy as King Dasharatha arrived to meet his son's bride-to-be. There, he noticed all four Princesses Sita, Urmila and their cousins Mandavi and Srutakirti were brought up in an equally impressive way by Janaka. The princesses served the King like their Father. Impressed, Dasharatha had a proposal for Janaka. He wanted all four princesses for the four sons. A daasi rushed into the Rani Mahal to inform them. Urmila was to wed Laxmana. She could not believe this was true.

The wedding was a fairy tale one with many guests, celebrations and rituals that followed. Mithila and Ayodhya celebrated for a month. It was time to leave their parents' home for Ayodhya. The sisters were happy they had each other at their husbands' homes. The city, the people, and the palace were all so similar yet so unfamiliar. The queens accepted their sons' brides with open arms. They always wanted daughters, and they were happy to have the princesses at their Palace. Sumitra, Laxman's mother, was a commoner married to the king. She was so humble and down to earth that Urmila and Srutakirti were never uneasy at the palace. Sita lived on Queen Kausalya's premises, and hence they only met at rituals and meals.

They were not wives to their husbands yet; they met occasionally, mostly at festivals. Whenever Laxman met Urmila, all they talked of was their brothers and sisters. A few months passed by blissfully as the sisters learned the Ayodhya way of life. One day, news from Queen Kaikeyi's court shook the Palace. Ram was the foremost choice for a crowned prince not only because he was the eldest but also the most talented among the brothers. But Kaikeyi wanted Bharat's coronation and Ram's exile. What followed was days of complete darkness for Urmila for fourteen long years.

Without a thought, Sita and Laxman decided to follow Ram, wherever he went. Urmila wanted to follow her husband, too, but Laxman was not sure if their parents were safe with Kaikeyi. Bharat's intentions were now questionable to Laxman as well, although he and Satrughna were away and unaware of the happenings. Holding Urmila's hand. Laxman told her, " Listen to me, my work is in the forest, protecting my brother. If you follow, you will become a responsibility as well as a distraction. Stay here, somebody needs to look after our mothers and father when we are gone, they will be devastated."

" But how will I spend fourteen years without you?"

" By waiting for me. Count the days, they will pass quickly."

As they rode away in a chariot, he didn't turn back to look at her, maybe because her teary eyes could make him weak. She watched the dust cover their tracks as she wiped away her tears. Urmila took hold of the situation and took care of the ailing Dasharatha and his queens till his sudden death.

Fourteen years she spent, doing her duties as his wife, never meeting him. When the news of Sita's kidnapping and the impending war reached Ayodhya, Urmila was once again shrouded by uncertainty. For her sister, her husband, and their future. She prayed day and night, sleepless, in worry.

At last, the news of their victory was a relief. They were coming home. Ayodhya was lit by lamps. People celebrated their King's homecoming. Inside the Rani Mahal, after more than a decade, Urmila was happy, dressing up in her bridal attire for her husband. They were teenagers when he left, and now they were a man and a woman ready to reunite. As their chariot arrived, she followed their mothers out for a glimpse. Tears were in everyone's eyes as the mothers reunited with their sons, and Kaikeyi begged for forgiveness. Urmila met her husband after a struggle so long that she did not remember what happiness was until now. She welcomed him with Aarti, and they united that night.

Laxman Kila

A few years later, twins were born to them, and Laxman shifted away from Ayodhya to present-day Lucknow. Angad and Dharmaketu were ideal sons to her and Laxman. As for Laxman, He served his brother till his last breath. She, however, came across as a lesser-known yet strong woman who lived and fulfilled her promise to him for fourteen years, alone. She is a woman who sets an example as an Independent and strong-willed person, much like women of today.

Maharana Pratap: The Evolution of an Icon

On the occasion of Maharana Pratap's 486th Birth Anniversary, here is an article I have been meaning to write for a long time. While some of it is personal, other parts are researched. Some parts of this article (art subsection) are reproduced from another article written by me for UPAJ India's magazine Manthan in 2022. Ideally, this was supposed to be two parts, but I did not wish to make it so. Cenotaph at Chawand Veer Shiromoni Hinduja Suraj Maharana Pratap Singh Sisodiya, as he is officially called, the thirteenth Custodian of the royal house of Mewar, a land that now lies in the south-western fringes of the Aravallis of Rajasthan, has been, for the longest time in Indian History, regarded as the first freedom fighter. Resisting invasion into his state, holding his post as king, his life and career had been scrutinised time and again, narratives changed according to popularity rather than evidence. His idea of independence inspired many; his strategy of guerrilla warfare wa...

The Timurid Empress

Ruqaiya Sultana Begum was born to Babur's second surviving son, Hindal Mirza, and his wife, Sultanam Begum, in 1542 C.E., merely a few months after Hamida Banu gave birth to the heir Jalaluddin Mohammad Akbar. She was well-versed in Persian, Urdu and Arabic and was attracted to poetry and music. Being a proud descendant of the Timurid clan, most of Rukaiya's childhood was spent in Kabul, near the Bagh E Babur, built by Babur himself. From early childhood, she had seen the struggle of her family to regain their lost power in Hind. Miniature of Rukaiya Begum as Empress In 1551 C.E., just after her father died young at a battle for Humayun, leaving her and her mother in the harem of the emperor, it was Hamida Banu who wanted the marriage of Rukaiya to her first cousin, Akbar. Theirs was the first in-house marriage of the Mughals, soon to be followed by many more in the generations to come. At the mere age of nine, she had married the crown prince, and when Humayun won back Lahore...

Chandra's Choice: The Story of Dhruvasvamini

More often than not, the private lives of kings and the existence of their queens remain in the words of bards rather than those of chroniclers. Dhruvasvamini is no different, even after being the queen of the golden age of the Indian Subcontinent. She appears in the Basarh Clay Seal as the mother of Govinda Gupta (attributed as a sibling of Kumara Gupta I) and the queen wife of Chandra Gupta II or Vikramaditya. Except for one mention of Dhruva Devi, as she is popularly known, she remains a mysterious character in the Gupta lineage, with a side mention in the dynasty’s history. Visakhadatta, a famous poet and playwright, who later wrote DeviChandraGuptam as the play capturing the life of Chandra Gupta II, captured Dhruva Devi as one of the protagonists of his story. Although some scholars attribute Visakhadatta to be under the patronage of Chandra Gupta II himself when he wrote this story, many historians debate the literary work as a historical fiction written much after his time. Tru...

Chawand: The Maharana's Capital

The road from Udaipur quickly fades into quiet countryside as you head toward Jaisamand Lake and Chavand, a journey that few package tours offer, but one that is forever imprinted on my memory. Just shy of an hour and 59km from the city bustle, you reach Jaisamand (Dhebar Lake), the “Ocean of Victory,” sprawling as Asia’s once-largest man-made lake . Built in 1685 by Maharana Jai Singh, who followed his father’s legendary tradition of dam-building, this vast sheet of water shimmers in the sunlight. I watched local ferries pass, and marble stairs dip into blue shallows, imagining bygone queens slipping into cooling water beneath the massive embankment. Even today, friendly boatmen linger, eager to usher you onto the lake for a breezy ride. They tell you stories of how once a Maharana roamed these dense forests in search of freedom. Do pause here and soak in the peaceful air before venturing further southwest, toward the forgotten echoes of Mewar’s pride. The drive to Chavand, ...

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love. ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon t...

Bijolia: Her Home

Journey to Bijolia: Lost Kingdoms and Timeless Temples of Mewar Bijoliya translates to a stop between two cities. Nestled in Rajasthan’s Bhilwara district, Bijolia sits 55km from Bundi and 105km from Chittorgarh on the well-travelled Bundi-Chittorgarh road. Once part of Mewar, this seemingly sleepy town guards a rich and layered past: it was ruled from the 11th to the 13th century by the Punwars (or Parmar Rajputs) before falling under the Chauhan dynasty, who shifted the region’s capital to Bhilwara and constructed the imposing fort there. After a brief Chauhan rule, Bijolia was reclaimed by Rana Kumbha and became an integral part of the Mewar kingdom, with the Parmars serving as local Raos, representatives and stewards of the royal house. Despite its history and the famed Bijolia inscriptions (a treasure for historians), Bijolia has never found a seat on Rajasthan’s primary tourist circuit, especially if you’re venturing out by public transport or private car. While a handful of...

The Suta Putra

He was born as the eldest son of the Princess of Kuntibhoj. She was unmarried and had a bright future ahead of her. She did not want to sabotage her life and future for the unwanted child. She wrapped him in a blanket and decided to float him on the River, hoping the Mother Goddess would safely deliver him to someone. His father, the Sun God himself, was sympathetic to her plight and, for the safety of his son, provided him with a set of golden Kavach and Kundal (A set of earrings and a locket/beads/armour) to protect him. These were powerful enough to save him from any weapon. The currents took the baby far away to the land of Hastinapur. The royal charioteer Adhirath and his wife Radha were bathing there and praying to the Sun God for a child. A basket floated past them with a baby in it. They picked the baby up and decided to call him their son. Growing up, he wanted to learn archery and train as a Kshatriya, much to the objection of his parents. He went to Parasurama, the teacher o...

Soul and Afterlife

It is believed that a human's existence has two parts, namely the body and the soul. The body is the Nashyar(mortal) part, and the soul is the immortal one. A human's body can never be immortal; what can pass on to the afterlife and be immortal is the soul. The main aspect of Spirituality is searching for the inner soul. The emotions in man are said to be in full control of his will through spirituality. When a man has full control over his emotions, he comes close to his inner soul and moves above the feelings of want, desire, sadness, anger, greed, lust, jealousy or happiness. This takes man closer to the immortality of his soul and thus sets him free from the cycle of life. All great religious leaders and reformers, from Prophet Mohammad and Lord Jesus to Mahavir, Guru Nanak and Sri Chaitanya, sought spirituality to discover their true calling and find purpose to teach people ways of life through religious preachings. While some preach the concept of the...

The Idea of Independence

Independence is not merely about a free country, a flag, a democracy or a monarchy as the power seat of a region. It is a feeling and a choice. Entitlement to one’s own opinion and rights. Often, a reason to reform. Independence is about individuality and mass. As we grow up, we often write essays on “My Inspiration.” The word inspiration is, in reality, deeper than we understand at that young age and is more often than not merged with our childhood ideas of an ideal man, an idol, or someone who helps us, namely, our own teachers or parents. Some of the students even mug up essays that tell the tales of the lives of Swami Vivekananda or Mahatma Gandhi. But it takes us years, or even perhaps a lifetime, to be mature enough to know and understand the true meaning of inspiration and idol. When we do, it is then that we choose ones that appeal to our morals, thoughts and souls. I remember Independence Day as a child. Every 15 th of August used to be about our locality dressed up in a ...

Maa Durga: Weapons and Iconography

Mythology: Origin story & Chandi Path The Srimat Devi Bhagawatam , also known as the Devi Puran, a sub-Purana attributed to Shiva Mahapurana, depicts the story of the “birth” and achievement of Devi Durga. The word Durga and related terms appear in the Vedic literature, such as in the Rigveda hymns 4.28, 5.34, 8.27, 8.47, 8.93 and 10.127, and in sections 10.1 and 12.4 of the Atharvaveda. A deity named Durge appears in section 10.1. 7 of the Taittiriya Aranyaka . But the most famous depiction detailed in mythology about the goddess comes from thirteen chapters of the Devi Mahatmya of the Markandeya Purana . It is also famously known as the Chandi Path, which is mainly referred to by the Bengalis for Durga Pujo. Though the Chandi Path starts from Madhu and Kaitava’s birth from Vishnu’s sleeping body and finally being slain, we will focus on the story of Durga. Parvati’s association with this particular form of iconography comes from the story of Shumbha and Nishumbha, t...

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