Skip to main content

Chittorgarh: His Home

After a smooth 30-minute drive from Baasi down wide highways, a sharp turn led us through dense foliage, a narrow path seemingly swallowed by the trees. Our driver, playfully exasperated with my relentless questions, finally cheered, “Madam Ji, aa Gaya Apka Chittorgarh.” For about five minutes, the fort itself was hidden from view, the thick foliage offering no clue to the legendary citadel’s whereabouts. Then, as the jungle slowly receded, I finally glimpsed a hill ahead. At first glance, it looked ordinary, but my driver leaned in and explained, “Woh Raha Chittor Durg upar, aise Patthar se bana hai ke dikhta nahi jhat se.” I was surprised; for all my reading, no book prepared me for how well Chittorgarh blends into its rugged surroundings. Only by looking carefully could I spot the ruins and rooftops: a city on a plateau, veiled until the last moment. Goosebumps. I was, at last, so close to Pratap's Home.

The Mystique of Chitrakut

Locals believe the hill, Chitrakut, is the only plateau in the vast Aravalli range, its formation referenced in both the Ramayana and Mahabharata. They call it a miracle of the gods. As we ascended the slopes towards the plateau (modern Chittorgarh town sits on the far side), I noticed lines of poetry in striking red scrawled across yellow stones, so close together you could touch both at once. They celebrate the fort’s storied heroes, Rani Padmini, Kunwar Pratap Singh, Rajmata Karnavati, Veer Gora and Badal, Jaimal, Patta, and Kalla. One verse particularly stood out to me:

Garh Ho Toh Chittor, Baki sab Gariya.
Rani Ho Toh Padmini, Baki sab Gadhayiya.

Checking In & Getting Around

Without delay, we checked into Pratap Palace, a well-located, upscale hotel near the central bus stand and Railway Station. To reach the fort, about 4 Km from the city, we took an auto, which I highly recommend: not only are autos nimbler (essential for some of the narrow lanes and steep slopes cars can’t handle), but you’ll need to arrange for your driver’s waiting time since you won’t find any vehicles for hire once inside the fort precincts.

Crossing the Gambhiri: Tales of Escape

On the way from the new city to the hilltop fort, we crossed the Gambhiri River. Our auto driver animatedly described it as the very river Panna Dai crossed to ferry young Kunwar Udai Singh to safety at Kumbhalgarh, a daring escape that saved the heir and preserved the Sisodia lineage. Folklore tells of a hidden tunnel from the Rana Kumbha Palace down to the river, used by both Kunwar Pratap and Udai Singh at different dark moments in history, though the locals today can barely say where its entrance was.

Entering Chittorgarh: The Seven Gates

Chittorgarh Fort is accessed by a road built for elephants by Rana Kumbha, running along the fort’s back. To enter, you cross through seven imposing gateways (pols):

  • Ganesh Pol

  • Hanuman Pol

  • Laxman Pol

  • Ram Pol

  • Suraj Pol

  • Badi Pol

  • Jorla Pol

Purple houses, home to descendants of Chittor’s siege survivors, dot the pathway once you cross the Pols. About 5,000 people still reside within the ramparts. Our driver pointed out the Mughal siege, which first targeted this backside approach, deemed less fortified than the front near Padmini Jal Mahal and Kirti Stambh.

As we passed each gate, I marvelled at the robust guard towers and the whispered histories of epic battles and betrayals. Stopping at the Ganesh Pol, we admired a shrine to Lord Ganesh and heard about the infamous morning of 23 February 1568, when Jaimal Rathore and Kalla Rathore mounted a doomed last line of defence here.

Heroic Stand at Suraj Pol

Suraj Pol and Ganesh Pol served as the front line for the desperate defenders. Four months into the siege, Jaimal Rathore went to negotiate at the Mughal camp. Standing firm, he rebuffed Akbar’s demand for obeisance:

Apko apka salam Maidan-e-Jung mein milega.”

As battle raged, Kalla’s legs were severed, but undeterred, he leapt atop his uncle Jaimal’s shoulders to continue fighting, swords against muskets. Both fell here, but not before Jaimal cleaved the trunk of Akbar’s war elephant and spat his defiance: “Apka salam Jalaluddin.” Their memorials now mark this very spot. Jaimal’s wife famously led the women into the fire, Jauhar, at Jaimal-Patta’s home.

The Women Warriors & Hanuman Pol

Past Hanuman Pol, orange-painted stones and miniature memorials commemorate the many unnamed soldiers and especially the Viranganas—women who chose to fall in battle (Saka) rather than perish in Jauhar. This poignant area, dedicated to those women who wielded swords alongside their kin, was the first place on the site to truly move me, goosebumps and all.

One such hero, Patta Sisodia, just 17 and a distant royal kin, joined the battle alongside his newlywed wife, Jiwa Bai, herself only 13. After Jaimal and Kalla fell, Patta and his family led the women in the fort’s final defence at Hanuman Pol.

The Eklingji Temple and Final Gates

A turn after Hanuman Pol brought us to the small, flag-festooned Eklingji Temple, the most venerable such shrine left in the fort. After Jorla Pol and Laxman Pol, we arrived at Ram Pol, topped with watchtowers offering magnificent views over old and new Chittorgarh. From that dizzying vantage above the old fort, the sweeping landscape feels impossibly rich with stories.

Practicalities: Tickets, Timings & Local Wisdom

After Ram Pol lies the ticket office, where you’ll pay separate charges for vehicles and visitors (cameras are free). The fort is open from 9:30AM to 5:30PM, and it typically takes 3 to 4 hours to see everything, so plan ahead! Be prepared for evening light and sound shows, a must for any visitor. One tip: avoid openly carrying food or coconuts used for temple offerings, especially at the temples, as the monkeys are notorious for raids.

Must-See Inside the Fort

Your journey through Chittorgarh Fort should include:

  • Kumbha Palace & Sringaar Chauri

  • Vijay Stambh (Victory Tower)

  • Kirti Stambh and Jain Temple

  • Kumbha Shyaam Temple

  • Meera Mandir and Sahastrashiva Temple

  • Gaumukh Kund

  • Jauhar Sthal

  • Padmini Jal Mahal

  • Surya Talab & Vishnu Talab

  • Ambe Maata & Kalika Maata Mandir

  • House of Jaimal and Patta

  • The Mohor Magri and the historic battleground

  • Ratan Singh Palace (entry requires a separate ticket—located on the far side of the fort)

Final Impressions

Chittorgarh is not just a place; it is a living epic, its stones resonating with sacrifice, courage, poetry, and pride. From the subtle approach through jungles and the hidden plateau, to the seven mighty gates and the stories that cling to every inch of rampart, walking into Chittorgarh is stepping straight into legend.

Look Carefully! The Fort Walls!

River Gambhiri


Ganesh Pol


Suraj Pol


One of the gates

Kalla Rathore Memorial

The Virangana Memorials

Hanuman Pol

Jorla Pol


Laxman Pol


Watch Stations for soldiers.

View from the top

Chittorgarh from the Guard tower
RamPol






Popular posts from this blog

Maharana Pratap: The Evolution of an Icon

On the occasion of Maharana Pratap's 486th Birth Anniversary, here is an article I have been meaning to write for a long time. While some of it is personal, other parts are researched. Some parts of this article (art subsection) are reproduced from another article written by me for UPAJ India's magazine Manthan in 2022. Ideally, this was supposed to be two parts, but I did not wish to make it so. Cenotaph at Chawand Veer Shiromoni Hinduja Suraj Maharana Pratap Singh Sisodiya, as he is officially called, the thirteenth Custodian of the royal house of Mewar, a land that now lies in the south-western fringes of the Aravallis of Rajasthan, has been, for the longest time in Indian History, regarded as the first freedom fighter. Resisting invasion into his state, holding his post as king, his life and career had been scrutinised time and again, narratives changed according to popularity rather than evidence. His idea of independence inspired many; his strategy of guerrilla warfare wa...

Chawand: The Maharana's Capital

The road from Udaipur quickly fades into quiet countryside as you head toward Jaisamand Lake and Chavand, a journey that few package tours offer, but one that is forever imprinted on my memory. Just shy of an hour and 59km from the city bustle, you reach Jaisamand (Dhebar Lake), the “Ocean of Victory,” sprawling as Asia’s once-largest man-made lake .  Built in 1685 by Maharana Jai Singh, who followed his father’s legendary tradition of dam-building, this vast sheet of water shimmers in the sunlight. I watched local ferries pass, and marble stairs dip into blue shallows, imagining bygone queens slipping into cooling water beneath the massive embankment. Even today, friendly boatmen linger, eager to usher you onto the lake for a breezy ride. They tell you stories of how once a Maharana roamed these dense forests in search of freedom. Do pause here and soak in the peaceful air before venturing further southwest, toward the forgotten echoes of Mewar’s pride. The drive to Chavand, ...

The Timurid Empress

Ruqaiya Sultana Begum  was born to Babur's second surviving son, Hindal Mirza, and his wife, Sultanam Begum, in 1542 C.E., merely a few months after Hamida Banu gave birth to the heir Jalaluddin Mohammad Akbar. She was well-versed in Persian, Urdu and Arabic and was attracted to poetry and music. Being a proud descendant of the Timurid clan, most of Rukaiya's childhood was spent in Kabul, near the Bagh E Babur, built by Babur himself. From early childhood, she had seen the struggle of her family to regain their lost power in Hind. Miniature of Rukaiya Begum as Empress In 1551 C.E., just after her father died young at a battle for Humayun, leaving her and her mother in the harem of the emperor, it was Hamida Banu who wanted the marriage of Rukaiya to her first cousin, Akbar. Theirs was the first in-house marriage of the Mughals, soon to be followed by many more in the generations to come. At the mere age of nine, she had married the crown prince, and when Humayun won back Lahore...

Chandra's Choice: The Story of Dhruvasvamini

More often than not, the private lives of kings and the existence of their queens remain in the words of bards rather than those of chroniclers. Dhruvasvamini is no different, even after being the queen of the golden age of the Indian Subcontinent. She appears in the Basarh Clay Seal as the mother of Govinda Gupta (attributed as a sibling of Kumara Gupta I) and the queen wife of Chandra Gupta II or Vikramaditya. Except for one mention of Dhruva Devi, as she is popularly known, she remains a mysterious character in the Gupta lineage, with a side mention in the dynasty’s history. Visakhadatta, a famous poet and playwright, who later wrote DeviChandraGuptam as the play capturing the life of Chandra Gupta II, captured Dhruva Devi as one of the protagonists of his story. Although some scholars attribute Visakhadatta to be under the patronage of Chandra Gupta II himself when he wrote this story, many historians debate the literary work as a historical fiction written much after his time. Tru...

Bijolia: Her Home

Journey to Bijolia: Lost Kingdoms and Timeless Temples of Mewar Bijoliya translates to a stop between two cities. Nestled in Rajasthan’s Bhilwara district, Bijolia sits 55km from Bundi and 105km from Chittorgarh on the well-travelled Bundi-Chittorgarh road. Once part of Mewar, this seemingly sleepy town guards a rich and layered past: it was ruled from the 11th to the 13th century by the Punwars (or Parmar Rajputs) before falling under the Chauhan dynasty, who shifted the region’s capital to Bhilwara and constructed the imposing fort there. After a brief Chauhan rule, Bijolia was reclaimed by Rana Kumbha and became an integral part of the Mewar kingdom, with the Parmars serving as local Raos, representatives and stewards of the royal house. Despite its history and the famed Bijolia inscriptions (a treasure for historians), Bijolia has never found a seat on Rajasthan’s primary tourist circuit, especially if you’re venturing out by public transport or private car. While a handful of...

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love. ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon t...

The Suta Putra

He was born as the eldest son of the Princess of Kuntibhoj. She was unmarried and had a bright future ahead of her. She did not want to sabotage her life and future for the unwanted child. She wrapped him in a blanket and decided to float him on the River, hoping the Mother Goddess would safely deliver him to someone. His father, the Sun God himself, was sympathetic to her plight and, for the safety of his son, provided him with a set of golden Kavach and Kundal (A set of earrings and a locket/beads/armour) to protect him. These were powerful enough to save him from any weapon. The currents took the baby far away to the land of Hastinapur. The royal charioteer Adhirath and his wife Radha were bathing there and praying to the Sun God for a child. A basket floated past them with a baby in it. They picked the baby up and decided to call him their son. Growing up, he wanted to learn archery and train as a Kshatriya, much to the objection of his parents. He went to Parasurama, the teacher o...

The Festival of Bengal: Days and Rituals

 This article is partly featured in The Statesman Festival 2024 Magazine. In Bengal, Durga Puja is not only a religious tradition, but it is also a festival. It is called “ Bangalir Shreshto Utsab ” or the greatest festival of Bengalis. It is because, although it started as a religious festival, as we have discussed in the previous blogs, it turned out to be a representation of cultural unity and the freedom movement, as well as seeing her as the daughter returning home with her children. It is called a " Sarbojonin " Utsab or a festival meant for all and sundry. Durga Puja is inclusive of caste, creed, religion, as well as gender identities and professions. Thus, it is more than just a Puja . The traditions, rituals and ways of Durga Puja are hence very different from Navratri, which are observed in individual homes. Let's find out how. The Pandals and idol: As per Hindu tradition,  four things are important when  the idol of Maa Durga is prepared. These include clay fro...

Soul and Afterlife

It is believed that a human's existence has two parts, namely the body and the soul. The body is the  Nashyar(mortal)  part, and the soul is the immortal one. A human's body can never be immortal; what can pass on to the afterlife and be immortal is the soul.  The main aspect of Spirituality is searching for the inner soul.  The emotions in man are said to be in full control of his will through spirituality. When a man has full control over his emotions, he comes close to his inner soul and moves above the feelings of want, desire, sadness, anger, greed, lust, jealousy or happiness. This takes man closer to the immortality of his soul and thus sets him free from the cycle of life.  All great religious leaders and reformers, from Prophet Mohammad and Lord Jesus to Mahavir, Guru Nanak and Sri Chaitanya, sought spirituality to discover their true calling and find purpose to teach people ways of life through religious preachings. While some preach the concept of the...

The Idea of Independence

Independence is not merely about a free country, a flag, a democracy or a monarchy as the power seat of a region. It is a feeling and a choice. Entitlement to one’s own opinion and rights. Often, a reason to reform. Independence is about individuality and mass. As we grow up, we often write essays on “My Inspiration.” The word inspiration is, in reality, deeper than we understand at that young age and is more often than not merged with our childhood ideas of an ideal man, an idol, or someone who helps us, namely, our own teachers or parents. Some of the students even mug up essays that tell the tales of the lives of Swami Vivekananda or Mahatma Gandhi. But it takes us years, or even perhaps a lifetime, to be mature enough to know and understand the true meaning of inspiration and idol. When we do, it is then that we choose ones that appeal to our morals, thoughts and souls. I remember Independence Day as a child. Every 15 th  of August used to be about our locality dressed up in a ...