Uttara

She knew him as Brihannala, her dance teacher. She learned the skills of graceful dancing from him. He turned out to be Arjun, the greatest of warriors. She still could not believe that the lady who did her mother's makeup was, in fact, Samragni Draupadi. Her twin brother Uttar was quite excited to know that Maharathi Arjun would teach him archery at their palace. She was sitting in the Palace Gardens with her brother when a guard came in.

" Princess of Matsya, your father has called you to the Chambers. It is urgent."

Both the twins made their way to the chambers where their parents sat with the Pandavas. Their father announced to

" It was a pleasure having you people at the Palace of Matsya. I proposed the marriage of my daughter to Maharathi Arjun. He accepted it for his son. Next week, we will send a letter to Dwarka asking Vasudeva to arrive with the groom and Subhadra."She was surprised. Marriage to her teacher's son? Who was he? She sat in her chambers when Panchali came in.

" Uttara, are you happy?

" Yes, Samragni."

" Please call me Jesh Maata. My Abhimanyu calls me that."

" Abhimanyu?"

" He is the son of Subhadra and Arjun, my second son of the five."
" How is he?" Uttara asked shyly.
" Madhav says he is a brave warrior like his father, a gentle person like his mother, and has self-esteem like me." " He takes care of every friend like family and kills every enemy like ants." " He can break and kill many Akshoyini senas in a day. He can destroy an entire army alone." " He is handsome like his father and fair like his mother." Uttara built his image in her imagination.

Back in Dwarka, a letter arrived for Vasudeva from Matsya and another for Subhadra from Arjun. It had good news. Subhadra rushed to the courtyard, where her son was practising his sword.

" Abhimanyu! It's your father's letter!"
" What is it, Mata? Has he asked me to go to war?" The sixteen-year-old raised his sword like a pro.
" No, not yet. He has chosen a bride for you. The princess of Matsya, we are leaving for Viratnagar tomorrow."
" A bride? But Maata, the war is only a few months away."
"It's your father's decision, you have to do as he says."

Abhimanyu sat confused in the gardens. He had been ready to die for his father, but this, he was not sure.

Krishna came to him, " What are you thinking, Vatsya?"

" Mamashri, how can my father ask me to marry under these conditions? Isn't it unfair to the princess?"

" Vatsya, wars go on every day in our lives, but that does not stop us from living and loving. You deserve your share of family life, too, Parth is right."

" Can't the wedding wait till we win the war?"

Krishna's smile disappeared. " No, when your father says it's next week, you get married next week." His voice was strict. Abhimanyu looked up at his serious face. Krishna smiled again and started pulling his leg. " And from what I hear, Uttara is very talented."

" Who is Uttara?"
" The princess of Matsya. She dances gracefully, she can cook and loves to talk."
" Is it fair to her to get married and go to war so quickly?"
" She is braver than you think, Abhimanyu. She will prove her bravery with time. Don't underestimate any woman."
" But I don't know...."
" Get ready, we will leave soon."

The way from Dwarka to Viratnagar was a long one. The people who had arrived from Matsya to escort them to their land were chatting in the clearing where they had dinner. Abhimanyu sat alone, overhearing their conversations.

" Our princess is so beautiful, I heard they were going to arrange her swayambhar soon, and there were lots of Princes wanting to marry her."

" Yes, she is more worthy of an heir than her brother"

Abhimanyu now had the curiosity of meeting this princess. Back in Matsya, Uttara was already in love. She looked at the moonlit sky and smiled to herself. The prince was like moonlight in the night sky, somebody had told. She now awaited a meeting.

Chandra's Choice: The Story of Dhruvasvamini

More often than not, the private lives of kings and the existence of their queens remain in the words of bards rather than those of chroniclers. Dhruvasvamini is no different, even after being the queen of the golden age of the Indian Subcontinent. She appears in the Basarh Clay Seal as the mother of Govinda Gupta (attributed as a sibling of Kumara Gupta I) and the queen wife of Chandra Gupta II or Vikramaditya. Except for one mention of Dhruva Devi, as she is popularly known, she remains a mysterious character in the Gupta lineage, with a side mention in the dynasty’s history. Visakhadatta, a famous poet and playwright, who later wrote DeviChandraGuptam as the play capturing the life of Chandra Gupta II, captured Dhruva Devi as one of the protagonists of his story. Although some scholars attribute Visakhadatta to be under the patronage of Chandra Gupta II himself when he wrote this story, many historians debate the literary work as a historical fiction written much after his time. Tru...

Battle of Haldighati

There have been a lot of talks going on regarding who won the Battle of Haldighati. While some want to change what we read and say that the Maharana won it, many oppose the point with a Mughal victory. Here, I compile every account I found of the Battle and its Aftermath and make my unbiased conclusion on the topic. PS. The dates vary from book to book; I gave the ones I found in most sources. The Background: Relation with Mughals Mewar was one of Rajputana's strongest individual kingdoms, along with the likes of Marwar and Kacchawar (Jaipur). Long before the Mughals under Akbar, Mewar under Rana Sangram Singh had successfully managed to keep the "Turk Invaders" under Babar at bay, fighting 17 wars, big and small. The relationship was further questioned when, during the invasion from Saurashtra, Sanga's widow, Rani Karnavati, had written to Mughal Emperor Humayun for help, sending him a rakhi. Contrary to popular belief, Humayun had rested on his way from Gaur (Beng...

Etched In Stone

This historical short story is a fictitious account of Ashoka, the Mauryan Emperor and his first wife Devi, who finds no place in Magadhan History. There is another fiction about her in the blog as well. This story stemmed from a merge of two ideas, one was to mention the cave inscription found in Saru Maru that mentions Asoka spending some days there with his lover (presumed to be Devi), the other idea of how if words did not immortalise a lot of battles and achievements, the names of many great men would be lost in time. The prince stood on the edge of the cliff, looking at the horizon. Dawn arrived as the birds started leaving their nests, wings fluttering, eager to discover the world. He looked up at them, the thought of once again going back to exploring the length and breadth of his state making him feel a little restless as he eyed his healing wounds. He was left to die; his enemies wished so. Yet by some miracle of fate, as if his purposes were yet to be fulfilled, here he was ...

The Timurid Empress

Ruqaiya Sultana Begum was born to Babur's second surviving son, Hindal Mirza, and his wife, Sultanam Begum, in 1542 C.E., merely a few months after Hamida Banu gave birth to the heir Jalaluddin Mohammad Akbar. She was well-versed in Persian, Urdu and Arabic and was attracted to poetry and music. Being a proud descendant of the Timurid clan, most of Rukaiya's childhood was spent in Kabul, near the Bagh E Babur, built by Babur himself. From early childhood, she had seen the struggle of her family to regain their lost power in Hind. Miniature of Rukaiya Begum as Empress In 1551 C.E., just after her father died young at a battle for Humayun, leaving her and her mother in the harem of the emperor, it was Hamida Banu who wanted the marriage of Rukaiya to her first cousin, Akbar. Theirs was the first in-house marriage of the Mughals, soon to be followed by many more in the generations to come. At the mere age of nine, she had married the crown prince, and when Humayun won back Lahore...

Brothers and Sisters of Mahabharata

The Mahabharata, one of the greatest epics of Hindu mythology, not only recounts tales of valour, destiny, and dharma but also reveals intricate relationships between siblings whose lives shaped the moral and political fabric of the narrative. The bonds between brothers and sisters in the epic are diverse: marked by affection, rivalry, loyalty, and sacrifice. These relationships, though complex, embody the human emotions that transcend divine lineage and royal blood. Satyavati and Her Lineage Satyavati and her brother Matsya were born from a miraculous union between a Cursed Nymph in the form of a fish, Adrika and the King Uparichara Vasu, whose semen the fish had consumed when it fell in the river. They were discovered by their adoptive father, King Dusharaj, the ruler of the fishermen, and thus came to be known as Matsya Santan , meaning “children of the fish.” When the king found out about the twins, he claimed the male child as his heir and gave the girl, Satyavati, to the fis...

Kumbhalgarh Gogunda: Witness to Turmoil

Okay, so picture this: you’re winding your way up into the Aravallis, just 6km from Kelwara, and suddenly, perched on a cliff, there is a long, invincible wall in sight, that of Kumbhalgarh. I don’t just mean “oh, that’s an old fort, I mean, this is huge. Built by Rana Kumbha (that’s short for Kumbhakarna Singh of Mewar), you can actually see why it’s the second most important fort in all of Mewar. It’s got drama, secrets, heartbreak… basically, if these ancient stones could talk, they’d have more stories than your grandma. Let’s start from the beginning. After his father, Mokal, was killed, young Kumbha and his mother hid out on this very hill, plotting their comeback. But every time they tried to build here, the walls just wouldn’t stand. The king was stressed, "Do I need a new architect?!" he wondered. Cue the local priests, who sent him off to a saint in Ranakpur. The advice? Not what Kumbha wanted to hear. “You need a human sacrifice to build your fort. I’ll do it. But ...

The Buddhist Empress of India

Many historians believe that although Devi was the first wife of Asoka, his Buddhist queen, Asandhimitra, was not the same person. However, some also theorise based on Buddhist and Jain stories that they were in fact the same person, and the reason for that is that they don't seem to appear in the timeline together. Devi disappears when Asandhimitra arrives at the scene rather abruptly to do her charitable work. This story, however, is a retelling of folklore and not history. Please do not consider this piece of fiction as history. The whole village of Vidisha Nagari was buzzing with activity. Every home was being cleaned, and cooking preparations were underway. The youngest prince of Magadha was coming to a halt at their village on his way to Ujjain. Great unrest was reported at Ujjain, and the youngest prince, as the general of this region, was being sent by the emperor to solve the issue. The villagers were scared as the whole country knew of the Prince's arrogance and mood....

Rakhi Tales

A Rakhi to the Enemy: The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long, and time was of the essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even R...

Shikhandi: A Tale of Identity and Revenge

Hastinapur was the most powerful empire in the north of the Vindyas, in the subcontinent once ruled by King Bharata. When its long-reigning and prosperous king Shantanu passed away in old age, he left behind his ambitious wife Satyabati, her two sons, Chitrangad and Bichitravirjaya and his first surviving son from his first wife Ganga, Devabrata, who took the lifelong oath of not being king nor marrying or having any progeny and hence earned the name Bhishma. When Chitrangad was about to ascend the throne, he died in an unfortunate accident, leaving the minor Bichitravirjaya as the only contender on the throne. Bhishma almost outspokenly took over the role of guardian to the throne of Hastinapur upon this event. However, the rules suggested that the young prince must marry before he could be crowned. Upon hearing of this, Bhishma sent his spies around the subcontinent to find eligible princesses who would not only marry the heir apparent but also be the future queen and queen mother of...

The Reva Cries

Roopmati had watched the troops leave. She had stood behind the chief queen as she traditionally bid goodbye to her sons. She had waited for the Sultan to come to her. He did. He was confident that the sudden advancement of Akbar’s foster brother, Adham Khan, could be curbed. It was not war, just precaution. He reassured her. Malwa would never bow to the Timurids. And he would not let anything happen to her. To Her. Roopmati felt suffocated by her husband’s affectionate hug. She felt trapped in the scrutinising eyes of all the people in the palace. Angry, blaming eyes. She tried to pace herself and sing, but her voice cracked in fear. Her melody was drowned in tears. Every evening, a messenger would come to the chief queen with the news of war. Roopmati was kept in the darkness. She was not told about anything. She knew the rumours. She was a witch. A temptress who caused doom to the Sultan of Malwa. She was a spy of the enemy planted in his life to destroy him. She wondered if he came...

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