Skip to main content

The Warrior Prince

The Prince was born in Dwarka. He grew up at his Uncle's place, learning the art of weapons from him. He proved a worthy heir to the warrior prince. Wherever he went, he was praised for his archery skills. People said he inherited it from his father, the son of Indra. He also learned to use the Mace and Sword. When he was fifteen, news arrived that his father's exile was over, and he had decided to marry his son to the princess of Matsya. His mother was pleased. The grand wedding followed the preparations for the battle. What excited him most was meeting his father, uncles, Rajmaata Panchali and his cousins for the first time. The young prince spent a few months in the Matsya capital of Viratnagar with his new bride.

A few months later... at Kurukshetra...
The Battlefield was getting ready. It was the Twelfth Night of the battle, waiting for the Thirteenth day. Bheema Sena had killed twenty of the Kauravas the day before, and he was content. The Pandavas were making battle plans for the next day. Everyone was confident that the Dharma side would win. They saw light at the end of the tunnel. Vasudeva was sitting alone in a corner. He looked distant. Panchali walked in with a smile, " What happened, Madhav? Come join the Dinner Party, I cooked for you."
" I can see Panchali. I see destruction. I see Darkness." Panchali's smile faded. " What are you saying, Madhav? What will happen?" 
" Nothing. Come, let's eat."
A little far away from this party, in a tent, the young prince came back to his pregnant bride, who greeted him with a smile. He sat down beside her and asked, " How are you? Today I had a fight with TatShree."
" Ssshhhh, I told you, Arya, do not tell these stories to your son. He doesn't need to hear about violence."
" Ohh, sorry," He stuck out his tongue and made his wife laugh. They were still teenagers. New in love.
" Come, let me put the balm on those wounds."
The fifteen-year-old wife was applying the Ayurveda balm to her sixteen-year-old husband's wound. He stared lovingly at her face, concerned about the wounds. He was content. The day's battle was worth this.
" Uttara?" 
"What is it, Arya?"
" How do you know it's a son and not a daughter?"
" Because I prayed to Bholenath that I would have a son just like his father."
" No, Uttara, my son will not risk his life and existence at my age; he will live a secure life, and His father will protect him like my father could not."
" Yes, Arya, now you rest, tomorrow is another day...."
He watched his wife sleep contentedly. He knew there was no guarantee of life on the battlefield. He did not fear death on the battlefield, yet something scared him. The thought of Uttara and his son. What if it's a daughter? Who will protect them in my absence? Who will tell her about me?
Meanwhile... at the Kaurava camp, Duryodhana was fierce at the death of his brothers. He promised revenge. His anger was supported by Shakuni and Karna. They planned the greatest of plans. That turned out to be the turning point of the next day's battle.
The Pandavas were confused. Arjun was busy fighting at the other end when the Kaurava sena formed the Chakra Vuh. That only Arjun could break. They wanted to seek revenge by killing the greatest Pandava warrior. Seeing Yudhisthir's worry, at once a young prince came forward. " I will break the Chakravuha and enter. You all follow me in. All you have to do is stay close because I cannot get out on my own." 
" All right, you go ahead, I promise to get you out, Abhimanyu," Yudhisthir assured his nephew.
He went in bravely, for the way of getting in he had learned from his father when he was in his mother's womb. Inside, he found his uncles ready to slay him. Turning around, he was shocked. Nobody was there with him; he was the lone Pandava warrior. He took out his arrow, but Karna broke it. He took out his Sword, which too was broken. Helpless and without a weapon among five great warriors of the enemy, he picked up his Chariot wheel. Five warriors killed a teenage boy mercilessly. He yelled, but nobody came to his aid. He was trapped. If only he knew the art of going out. If only... Uttara's smiling face was all he remembered before the darkness... Uttara!! 
This tragedy moved every warrior. It gave the Pandavas a reason to slay their enemies mercilessly. The cries of the widowed Uttara filled the night sky. She was always told by her husband to stay prepared, any night could be last. But she was not prepared. The Pandavas were angry. Their concern now was the protection of the stillborn baby of Abhimanyu. Krishna, who had taught Abhimanyu to be a warrior, cried angrily. His nephew was killed. Arjun, for the first time, blamed Yudhisthir. If only he could stop Abhimanyu. The battle was won in the next five days. They killed each of their murderers mercilessly. Yet it did not compensate for Uttara's loss. She promised herself to make her son or daughter a warrior, as brave as his father, the father he would never know.
A popular tale from the Ramayana suggests that there was a guard at Rama's palace in Ayodha who did not let Sage Durvasha enter without Rama's permission. He, who was famous for his rage, cursed, " The One who did not let me enter will not be able to get away from death, and will be trapped in death." There is a popular belief that this guard was reborn as Abhimanyu, and the curse was fulfilled. That is why, knowing everything, Krishna could not resist his death. 

Whatever the reason might be, His was one of the most undeserving yet painful deaths in the epic battle, which proved to be a turning point of the war. He died battling, a hero, a martyr, and yet he remains one of the minor characters in the epic. He fought with no expectation of any reward. There are even tales of how he was on good terms with his cousin Laxmana, son of Duryodhan, and they had decided to rule in harmony together if both survived the war. But Laxmana backstabbed him and killed him in the war. The tale of his battle with Bheema's son and elder cousin Ghatotkacha is also famous for how he almost defeated and killed his cousin, not knowing his identity, until their mothers intervened. All through these different tales, he proved to be the greatest warrior the epic had. At his age, the kind of bravery he displayed was truly great, and he proved to be the worthy son of Arjun and Subhadra.



Popular posts from this blog

The Warrior and Princess

Dasharatha was very protective of his sons. He had got them after almost a lifetime of waiting and yajnas, so they were his lifeline. Ram, the eldest, won hearts with his humble, generous ways. Bharata, the second, was his favourite queen's brave son, and Laxman and Shatrughan were the twins to the lesser queen, who followed their brothers like shadows. They were a peaceful, happy family. Sage Vasistha was their Kulaguru, teaching them the Vedic hymns and the righteous ways of life. The Princes grew up in the luxurious, protected premises of the palace. The King of Mithila, too, was childless. Mother Earth granted him a daughter. Sita grew up learning and curious, followed by the king's second daughter, Urmila and their cousins Mandavi and Shrutakirti. They grew up knowing the natural ways of life, and their father took them to learn from men to know more about man and his natural instincts. The princesses were curious and always questioning the traditions, and the Princes lear...

The Festival of Bengal: Days and Rituals

 This article is partly featured in The Statesman Festival 2024 Magazine. In Bengal, Durga Puja is not only a religious tradition, but it is also a festival. It is called “ Bangalir Shreshto Utsab ” or the greatest festival of Bengalis. It is because, although it started as a religious festival, as we have discussed in the previous blogs, it turned out to be a representation of cultural unity and the freedom movement, as well as seeing her as the daughter returning home with her children. It is called a " Sarbojonin " Utsab or a festival meant for all and sundry. Durga Puja is inclusive of caste, creed, religion, as well as gender identities and professions. Thus, it is more than just a Puja . The traditions, rituals and ways of Durga Puja are hence very different from Navratri, which are observed in individual homes. Let's find out how. The Pandals and idol: As per Hindu tradition,  four things are important when  the idol of Maa Durga is prepared. These include clay fro...

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love. ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon t...

Chawand: The Maharana's Capital

The road from Udaipur quickly fades into quiet countryside as you head toward Jaisamand Lake and Chavand, a journey that few package tours offer, but one that is forever imprinted on my memory. Just shy of an hour and 59km from the city bustle, you reach Jaisamand (Dhebar Lake), the “Ocean of Victory,” sprawling as Asia’s once-largest man-made lake .  Built in 1685 by Maharana Jai Singh, who followed his father’s legendary tradition of dam-building, this vast sheet of water shimmers in the sunlight. I watched local ferries pass, and marble stairs dip into blue shallows, imagining bygone queens slipping into cooling water beneath the massive embankment. Even today, friendly boatmen linger, eager to usher you onto the lake for a breezy ride. They tell you stories of how once a Maharana roamed these dense forests in search of freedom. Do pause here and soak in the peaceful air before venturing further southwest, toward the forgotten echoes of Mewar’s pride. The drive to Chavand, ...

The Kaali Effect

The shopping mall echoed with a noise. The buzz grew silent. Fear crept in. Until somebody shouted, " It's just a Balloon!" The buzz grew again, the shopping continued, the romantic couples continued their walks, and the food court filled up with the aroma of the orders... A few decades back, people used to laugh carefree at a balloon bursting or a tyre booming in the streets or in various crowded areas. Now, in the back of everyone's head, a loud noise always brings the same thoughts... Another year, another city, another crowded place, Several innocent lives. They don't spare religious places either. For the sake of mankind? Religion? Politics? Power? They only know. Who are they? Nobody knows. It is said that the demon Kaali, who ushered in KaliYug, decided to reside in a few things. Addiction, Wealth, Desire, and Anger are some such things he resides in. This is KaliYug, where an innocent child's balloon makes adults fear the extremes. What is dharma here?...

Rakhi Tales

A Rakhi to the Enemy: The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long, and time was of the essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even R...

Sisodiya: Kings, Queens and Princes (1538 - 1597)

I am back with another History post, this time it is on the wives and sons of Rana Udai Singh II of Mewar, his son and heir Maharana Pratap and Rana Amar Singh. This is a continuation of the Sisodia Family History I posted some time back. The information has been taken from Annals of Mewar by James Todd, Maharana Pratap by B.N. Rana, and Maharana Pratap by Rima Hooja.  Udai Singh II  was the son of Ranisa Karnawati and Rana Sangram Singh. He was born on 4th August 1 522, at Chittorgarh and died on 28th February 1 572 at Gogunda . He was the Ruler of the Sisodia Dynasty. He is believed to have  56 sons and 2 5 wives, apart from the many insignificant queens in his Rani Mahal. Here is a list of his main queens and their sons. Maharani Jaivanta Bai Songara of Jalore  was his chief queen and consort. Her son is Maharana Pratap. He was married to her before he went to war with Banbir, as her father, Akshayraj Rao, was a friend and ally of his father, Rana Sanga.  Saj...

The Cortege That Shook The Raj: Kanailal Dutta

10th November, 1908 Around late morning, a procession of lacs made their way through the streets of Calcutta (Kolkata), India. Some were chanting “Vande Mataram”, others blew conch shells, and Ululation filled the air. Flowers were being showered from all directions, and garlands made their way through the crowd, being thrown at the procession in the middle. Bhagwat Gita and Ananda Math (Novel by Bamkim Chandra) were offered. No, this was no “ Sobha Jatra ” or celebration. There were no religious festivities either. That dawn, the Alipore Jail, which opened only two years back, witnessed the hanging of Kanailal Dutta, a twenty-year-old member of the “Jugantar Dol”, an anarchist group that was set up primarily by Aurobindo Ghosh (Later Rishi Aurobindo), his brother Barindra and their associates. Kanailal hailed from Chandannagore, and although he was not present in most of their meetings in Kolkata, he was still one of their early members from Chandannagore, then a French province. ...

Maa Durga: Weapons and Iconography

  Mythology: Origin story & Chandi Path The Srimat Devi Bhagawatam , also known as the Devi Puran, a sub-Purana attributed to Shiva Mahapurana, depicts the story of the “birth” and achievement of Devi Durga. The word Durga and related terms appear in the Vedic literature, such as in the Rigveda hymns 4.28, 5.34, 8.27, 8.47, 8.93 and 10.127, and in sections 10.1 and 12.4 of the Atharvaveda. A deity named Durge appears in section 10.1. 7 of the Taittiriya Aranyaka . But the most famous depiction detailed in mythology about the goddess comes from thirteen chapters of the Devi Mahatmya of the Markandeya Purana . It is also famously known as the Chandi Path, which is mainly referred to by the Bengalis for Durga Pujo.  Though the Chandi Path starts from Madhu and Kaitava’s birth from Vishnu’s sleeping body and finally being slain, we will focus on the story of Durga. Parvati’s association with this particular form of iconography comes from the story of Shumbha and Nishumbha, t...

Chandra's Choice: The Story of Dhruvasvamini

More often than not, the private lives of kings and the existence of their queens remain in the words of bards rather than those of chroniclers. Dhruvasvamini is no different, even after being the queen of the golden age of the Indian Subcontinent. She appears in the Basarh Clay Seal as the mother of Govinda Gupta (attributed as a sibling of Kumara Gupta I) and the queen wife of Chandra Gupta II or Vikramaditya. Except for one mention of Dhruva Devi, as she is popularly known, she remains a mysterious character in the Gupta lineage, with a side mention in the dynasty’s history. Visakhadatta, a famous poet and playwright, who later wrote DeviChandraGuptam as the play capturing the life of Chandra Gupta II, captured Dhruva Devi as one of the protagonists of his story. Although some scholars attribute Visakhadatta to be under the patronage of Chandra Gupta II himself when he wrote this story, many historians debate the literary work as a historical fiction written much after his time. Tru...