Skip to main content

The Naga Princess

The Nagas (symbolically snakes) were a tribe who were well acquainted with life in forests and on rivers. They were said to be the ones who ruled the waters. Historically speaking, the Nagas lived in the northeastern parts of Aryavarta, close to Manipur, and extended their villages up to the land of Burma. The Naga tribe staying in the current state of Nagaland are proof of this. Now, this brings us to the story. The Naga Chief was Kauravya, who ruled the waters of the Ganges. His daughter was Ulupi. Some say she was a widow at a tender age, and some say she was unmarried.

The Pandava prince Arjun was roaming around Aryavarta in exile, for he had broken a promise and entered his elder brother's intimate room with their Shared wife. The punishment was this. He roamed all the way from Indraprastha to the mystic lands of Manipur and Nagaland. Ulupi, like any other princess of that time, desired the handsome and brave prince of Hastinapur. On hearing of his arrival in their land, she was quite in awe at the thought of meeting him.

As Arjun sat in a clearing beside the river, lost in his thoughts, the sound of a woman's anklet broke his chain of thoughts. He looked up to see the beautiful Ulupi clad in finery. She smiled like the dazzling stars, and her eyes were as dark as the night sky. The eyes were mesmerising and captive.
" You must be the Prince of Hastinapur." 
" How do you know me, Lady?"
" Who doesn't know you, My Lord? You are the greatest archer in the whole of Aryavarta." Arjun smiled modestly.
" Who are you, my Lady?" 
" I am Ulupi, Princess of the Nagas. "
" Nagas?" His smile faded. The grip around his bow tightened. His family had a long-drawn-out love-hate relationship with the tribe. The Nagas were not to be trusted, his father had told him.
" Yes, my Lord, we live at the Ganges, do accompany me to my father's palace under the waters. He is Kauravya, the King of the Waters." Ulupi went on unaware, hoping he would come with her and she could convince him to marry her.
" I am sorry, Princess, I can not accompany you to the Palace of your father."

" But..."
" I would prefer living like a hermit away from any palace luxury." 
" But my Lord, not going with me will mean you are insulting our Royal invite."
" I can not help if you think so." Arjun was determined to stay away from the Nagas.

Angry at this rejection, Ulupi lost her cool. She was too determined to take him back to her Palace. She took out a mystic powder and intoxicated him in moments. Before he could realise it, Arjun was unconscious in one of the rooms of Ulupi's palace. She was happy to have him. He came into consciousness only after a few hours and was surprised to find himself underwater. In a flash, he remembered what had happened, and a smile curved his face. He liked the Naga Princess's determination.

" The Princess of Nagas is arriving at the chambers."
He turned around to see the same girl, clad in simple clothes, a balm in hand, an ever-smiling face looking at him.
" Here is a potion you can drink to get rid of your drowsiness." She handed him the bowl.
" I have never seen a girl like you. You make me unconscious and bring me here, then give me this to clear my head. Why were you so determined?"
" I would not have let any Prince insult my father by refusing his invitation. Whoever he might be."
" You are a strong woman. I admire that."
" Not all Nagas are bad, Rajkumar Arjun. Like people, there are some bad Nagas and some good Nagas; your conception needs to be corrected."
" By kidnapping me?" He was amused.
" My father will be meeting you shortly." He watched her leave.

At the King's Chamber, Arjun got a hero's welcome from the Nagas. The princess was indeed right about them being the good ones. At the gala dinner organised in his honour, the King took him aside and gave him a proposal. " Rajkumar, my only daughter Ulupi, is in love with you. She wishes to marry you, and upon your agreeing to this proposal, the Nagas and all other living creatures in the water shall be your slaves thereupon, and the kingdom will belong to you. Please accept this proposal and oblige."
Arjun was taken aback. Marriage to a Naga? Was it worth hurting Panchali and his brother's sentiments? Wouldn't his cousins laugh at him for marrying a Naga? He looked at Ulupi across the room. But she has come a long way in his love; there was no turning back for her.

" I need some time to think, and I want to talk to Ulupi." The King agreed.

The next morning, Ulupi came to his chambers with eyes clearly asking a lot of questions about why he called upon her.
" Ulupi, when you have heard everything about me, I hope you know that my loyalty to Panchali is irreplaceable, and no other wife can accompany me to Indraprastha."
" I don't wish to leave Nagaland for you, too, Rajkumar, I will rule in the absence of my father, and am training in warfare to do so..."
" Then I can marry you." 

The Nagas rejoiced in the grand wedding of their Princess, and a son, Iravan, was born to them. Arjun left Ulupi and Iravan with his other wife, Chitrangada, Princess of Manipur. When the Kurukshetra war broke out, Iravan, an eighteen-year-old lad, was sent by his mother to fight for his father. However, Arjun could not remember either Ullupi or her son before selfishly asking him to sacrifice his head to the goddess Kali. Iravan, who always wanted to please his father, did so without hesitation. Upon losing her own son, Ulupi trained Chitrangada's son Babruvahana in the art of warfare to make him an ideal king. Such was her training that during the Ashwamedha Yajna of the Pandavas, Babruvahana killed Arjun with his arrow when he stopped their horses at Manipur. Ulupi, hearing this, rushed to the spot and saved Arjun's life with the Mritunjay Mantra she learned from the goddess Ganga herself. Ulupi met her long-lost husband and never even once blamed him for sacrificing their son. She stayed all her life in Manipur, helping her stepson with the administration of the land. A proud Naga princess, she never depended on Arjun or expected his support, and was brave and independent enough to take care of herself. 






Popular posts from this blog

Bharat Ka Veer Putra Maharana Pratap on Sony: Review

  This is a tribute to Contiloe Entertainment’s Bharat Ka Veer Putra Maharana Pratap… which has no connection to history whatsoever! Everything that Begins comes to an End... But Memories Remain Forever...  A Serial, yes. Just a serial? No.  It’s much more than that.  It celebrates the life of India’s first freedom fighter. The man who stood against the odds and became immortal in history. It made us fall in love with the young, emotional. Strong and determined Kunwar Pratap. It made our hearts go  Na Na Na Na Na Chan Chan Chan Chan  every time his eyes met Ajabde’s. It made us believe in eternal love. It made our eyes moist with  Jauhar Phir se hai aya  and our hearts proud at  Veer tu Prachand du . His wars became ours, his pains and happiness our truths. His undying love and forgiving nature towards his family, and the respect he showed his parents. The love he had for the country and his horse. Everything we loved. Was it all love and no ...

Jauhar: All You Need To Know

 We have no Knowledge of the beginning and end of the world, the first and last of this ancient book has fallen out ~  Abu Talib Karim. Rightly said by the poet laureate of Emperor Shah Jahan above, we do not actually know the beginning and end of anything in the universe, be it the traditions, culture or human race, or the world. What we know are fragments of the past we extract from evidence. It is in vain to try to determine the first and last of something. For the past few months, owing to some media hype on Jauhar, many of you have asked me questions. I tried to answer most of them. However, a lot remained unsaid and unwritten. Mostly because some things are impossible to put into words. But here I try my best. Today is a very significant day in history. On the 23rd of February 1568, the world saw the last “Jauhar” of Chittorgarh, recorded in the medieval history of India. Akbar had invaded Mewar, and the four-month siege of four months ended in the Saka. There was no bet...

One Bullet? Not Enough!

  “NOTHING COMES WITHOUT SELF SACRIFICE... NEVER GIVE UP, EVEN IF WE FACE OUR OWN END...” ~ Matangini Hazra The year was 1869. For most of India, it is famous as the year when Mohandas Karamchand Gandhi was born to change the face of India's struggle for freedom. But in a corner of Undivided Bengal, the villagers of Hogla in Tamluk, the district capital of Medinipur, witnessed the birth of a girl child to Thakurdas Maity and his wife Bhagabati Devi. One can only imagine the birth of a girl child to a loan-ridden poor peasant in a village back then, perhaps meant no celebration. It meant the burden of having no heir, providing for this child and of course arranging for her dowry.    She was named Matangini, literally meaning “The Female Elephant”, but a name attributed to the consort of Lord Shiva, Adi Shakti.  The birthplace of Matangini is now renovated into this building. Courtesy: Midnapore. in The official records show her date of birth as the 17th of November 18...

Symphony of Love

  A week was enough for the master to be pleased enough with the new student to tell the Sultan that she was ready for her first performance. The Sultan was extremely pleased and rewarded him with a gold chain. As the master bowed to leave, the guards announced the arrival of the chief queen. Sultan Baz Bahadur sat upright. She was his first bride, a childhood alliance his father had forced upon him when he did not even know what marriage implied. Now he only saw her face when she had complaints about the inner palace and its inhabitants. Honestly, he expected her to be there since Roopmati arrived. His queen did not like changes, especially if those changes were threatening to her position. The Chief Queen arrived with her maids, dismissed them at the threshold and came up to her husband to bow and greet him. “What brings you here?” Baz Bahadur asked, with a lingering smile on his lips. The queen could hear the hint of taunt in his voice. She forced a smile. Her marriage to this r...

Maha Shiva Ratri

Mahashivratri: The Night of Shiva. It's Story, Significance & Spiritual Meaning: Har Har Mahadev! This powerful chant means Mahadev resides in all of us. On Mahashivratri, this eternal truth is celebrated by millions across the world, as the cosmos itself feels the blessings of Shiva. The Sacred Night: Legend of Mahashivratri On the 14th night before the new moon of the Phalgun month, a transformative event occurred in the ancient lore of Hindu Dharma: Lord Shiva married the Daughter of the Mountain, Parvati. This night became known as Mahashivratri , the great night of Shiva. This was the night when the ascetic, the great yogi who cared for none, embraced the life of a householder for the second time, showing that both renunciation and worldly responsibilities are valid paths for spiritual growth. The celestial wedding of Shiva and Parvati brought together all beings of the universe. Devas, Asuras, Ganas, Yakshas, and Nagas , beings from all realms and walks of life, ce...

The Atheist and The Lord

  This is more of a personal account of one of our family stories, and the reason we are ardent devotees of Lord Shiva. We mythologically trace our roots to the age of Ramayana, as descendants of Sage Vasistha's lineage from Sage Saktri, while historically we have records of our immediate family as early as the time of Babur and that of our ancestors from Kanauj. Family Origins: This was Gaur Banga or Bengal. My forefathers lived in the Jessore district of present-day Bangladesh. They were descendants of Shaktri, the son of Ved Vyas, whose family lived in Kanauj, U.P., and we are direct descendants of Sage Vasistha, who taught Rama the Vedas. The Shaktri clan travelled from the Vasistha Ashram near the River Beas to Kanauj in UP ( Present Uttarakhand) to teach and practice medicines there. They were Vedic-age Vaidyas. They were learned people of the Brahmin class trained to cure difficult diseases. Pandit Saktridhar Sen and his family were invited to King Adhisur's court in Ben...

The Groom Abductor

  She was sitting inside the Palace at Dwarka. Her brothers were busy attending to guests. The Prince of Hastinapur had arrived that day with a proposal for her elder brothers. Being aloof from political scenarios, the young princess, the only sister to her two brothers, was not bothered. She hated the sight of the prince who troubled her aunt and cousins back in Hastinapur. But he was her brother's student and hence a favourite at Dwarka. A maid came in a hurry and informed,  " There is good news, Rajkumari. Your wedding has been fixed to the Prince of Hastinapur, Suyodhan, by your eldest brother" Shocked, she could not speak. Her brother did not bother to ask for her opinion. Her childish anger overcame her as she rushed to her other brother, the one who always had the way. Crying, she reached his chambers, where his wife Rukmini was present. Seeing his dearest sister cry, Rukmini got up worried from her seat. "What is wrong, sister? Why are you crying?" ...

Sisodiya Family History

Many of you have requested a historical and chronological account of Chittorgarh since Rana Sanga. Let me start by telling you this is just an outline of the events as per history. The family name was originally Guhilot from Guha, a Rana of Mewar. But after one of the kings bravely killed a Sisod, a wild boar, the family name came to be Sisodiya. The Maharana of Mewar,  Sangram Singh , was father to Maharaj Kumar Bhoj Raj, his heir apparent and prince who was married to Saint Poetess Meera Bai , the princess of Merta. While Bhoj Raj died in the battle of Khanua, Rana Sanga died of wounds that did not heal from his battle with Babur and the invading Mughal army. He had fought 17 wars against Babar. When both Bhoj Raj and Sanga died, Rani Karvawati, the favourite queen of Rana Sanga, asked Meera Bai to leave the fort of Chittorgarh. It is believed that luck left Chittorgarh with Meera. The year was  1528 AD . Ratan Singh, the brother of Bhoj Raj, had been coronated when he suspe...

The Lady Sultan

Indian History, or subcontinental History, is incomplete without speaking of the women who left a mark in their own significant ways. The first woman who comes to mind is perhaps the only woman Sultan to rule Delhi, Raziya (Razia). It’s been over a year since I had been trying to read and understand the mystery of  Raziya Bint Iltutmish . Attributed as the only Woman Muslim Monarch of India, she is a name of many assumptions, imagination and speculations. The few books that have been written on her or the historical accounts of the Slave Dynasty mentioning her have always been about the turbulence of the government and the various rebels and uprisings that took place among the prominent chiefs of Iltutmish, who wanted to rise in power. No documentation or portrayal is found about her look, character or early days from her contemporary times. The only relevant historical book I found solely on her was by Dr Karunapada Dutta, while she finds a chapter in Heroines by Ira Mukhoty or Th...

Sisodiya: Kings, Queens and Princes (1538 - 1597)

I am back with another History post, this time it is on the wives and sons of Rana Udai Singh II of Mewar, his son and heir Maharana Pratap and Rana Amar Singh. This is a continuation of the Sisodia Family History I posted some time back. The information has been taken from Annals of Mewar by James Todd, Maharana Pratap by B.N. Rana, and Maharana Pratap by Rima Hooja.  Udai Singh II  was the son of Ranisa Karnawati and Rana Sangram Singh. He was born on 4th August 1 522, at Chittorgarh and died on 28th February 1 572 at Gogunda . He was the Ruler of the Sisodia Dynasty. He is believed to have  56 sons and 2 5 wives, apart from the many insignificant queens in his Rani Mahal. Here is a list of his main queens and their sons. Maharani Jaivanta Bai Songara of Jalore  was his chief queen and consort. Her son is Maharana Pratap. He was married to her before he went to war with Banbir, as her father, Akshayraj Rao, was a friend and ally of his father, Rana Sanga.  Saj...