Skip to main content

The Daughter of the Mountain

Nestled in the valley of the mountains, the Himalaya, the king of mountains, Hemavat, had his kingdom. He was a devout Shaivist; his wife, Menaka, also known as Menavati, was often referred to in the previous life as a nymph and a friend to Devi Sati. After her children had left the nest, the lonely Menaka wished she had a daughter. She prayed to the gods. Little did she know, the gods were as eager as she was for the birth of her child, Parvati, the daughter of Parvat Raj Himalaya. Menaka lovingly started calling her Gauri, for her complexion was fair, like that of the people of the mountains. As she nurtured her child, little did the queen know that the princess was born to fulfil the story that remained unfinished in her previous life. She did not remember how, once in jest, she had expressed her desire to be mother to Sati when she was in Kailash. While she braided the Devi's hair, Menaka expressed her loneliness, and Sati had promised to be her daughter in her next life. Sati's immolation had shocked them all. But with time, her name and those unfortunate events were carefully avoided being spoken of again. 

Parvati grew sheltered, cherished by parents and siblings alike: Mainak, the invincible peak, and Ganga, whose sacred waters blessed the realm. From her earliest years, drawn to Rishi Dadhichi's ashram, she absorbed tales of a spirited soul. At three, the sage offered an idol into her tiny hands.
"This is your husband, princess," he reminded her gently. "When the time comes, only you can win his heart." She understood very little then, yet her fate was woven at birth to complete Sati's unfinished legacy, heal Shiva's aching heart, and birth the son who would slay Tarakasura, restoring cosmic order.
She grew up hearing stories of how He gave her sister a purpose in life, how He had lost his love and how He had saved lives. Sixteen-year-old Gauri now dreams of meeting him every day, imagining how he would be in person, as she chanted his praise at the temples. 

Once the Lord was travelling through the land, she heard. He was joining an assembly of the Saptarishi up in the mountains. Her parents visited him with fruits and offerings, asking him to stay at their palace. The lord had refused. But he accepted their hospitality. Ganga took charge of the offerings as she travelled through the forest to offer fruits to the accompanying Ganas. Shiva sat unaware, in meditation for days. Despite her plea, a young Parvati was not allowed to accompany Ganga. Stubborn as she was, she followed her sister in secret to catch a glimpse of the man who captivated her heart. 

Shiva sat in meditation, eyes closed, his senses slowly focusing on his inner self, his inner energy, the noise of the outer world fading into nothingness. He was surrounded by his Ganas who danced ash smeared, the Rishis who chanted Mantras at the Havan, the sages who meditated alongside him, their breath rising and falling. The rustling leaves, chirping birds, animals, people, everything slowly faded as his meditation deepened. But then, he heard, among all the noise, the sound of anklets. His heart skipped a beat. He could recognise her still. The way her anklet made music, which reached him, breaking all barriers of his meditative state. Shiva did not want to open his eyes, yet his soul was restless. It had been aeons since he felt Sati's presence around him. Yet it was a feeling like yesterday. The Timeless was scared of the test of Time once again. Was it her? Did she keep her promise to come back to him? Scared of his thoughts, Shiva slowly drew himself out of his meditation, and his eyes fell on her. The young girl, fair-skinned, tall, her hair curly, falling to her hip, her doe eyes fiery with determination. She looked nothing like Sati. She stood there, in awe, as he spared a glance at her. Her mouth opened slightly, but no words came out of it. Shiva closed his eyes again, removing his glance from the soul he recognised. There was no way that girl was his Sati. Ganga spotted her sister and scolded her, dragging her away from the spot. That night, the followers were shocked when he wanted to move. He wanted to go back to Kailash, he said, to resume his Samadhi.

Parvati's parents grew worried as she reached marriageable age. Parvati refused to entertain the idea. She knew in her heart and soul that she was Shiva's. It worried her parents. They approached the sages for help. The sages, in turn, sought help from the Creator God, who advised her to seek his love through meditation. Only deep penance could move Bholenath. Thus began the most difficult part of her life. Her journey from the princess of a luxurious palace to a cave hermit. She lived on fruit she collected, and when the winter grew cold and food was scarce, she ate leaves in the forest. Some days, she starved. But she was adamant. 

Her penance did very little to move Shiva. After travelling for centuries in the pain of Sati's death, mourning her like mortals, Shiva was now calm. Seeing Parvati when he did not expect to had disturbed him to the core. There was no denying that he recognised his Sati, no matter which form she was in. He did not wish to go down the path of self-destruction again. To remove himself from his worldly emotion and the attachment he felt to the girl he barely knew, He had established himself in Samadhi, away from the world and its ways, in the cold Kailash, where nobody could reach him. Nandi sat at his feet in guard, waiting for his Lord to wake up in vain. Vishnu and Brahma were worried. When they dared to interrupt his meditation, Shiva was clear. He would not accept another woman in his life, especially another rebellious princess. He reminded the Protector and Creator how, once, his love had threatened to destroy the universe. He could not allow himself to make the same mistake again. While Vishnu was lost in thought, Brahma had other ideas. He summoned Kama, the god of Love and told him to point his arrow at Shiva when Parvati was around. Seeing her, after being stuck by Kama's arrow, would surely make the hermit change his mind. Kama set out to fulfil his orders.

Rati was worried about her husband. She did not want him to face the wrath of the Destroyer. She visited Parvati in her cave. Parvati was deep in her meditation, in front of the Phallus of the Lord, and she had not eaten for days. Seeing her devotion to her love, Rati was moved. She decided not to disturb her penance. Kama hid behind a rock, away from Nandi's gaze. He aimed his arrow of love at the Timeless One. What Rati feared became her reality in moments. As soon as the arrow reached Shiva, he opened his third eye and the arrow, as well as Kama, turned to ashes in his wrath. Shiva was angry not only because of Kama's attempt but also because he thought Parvati was part of this ploy. Rati was devastated. She rushed to Parvati and pleaded with her to give her husband back. Together, they travelled to finally see Shiva. As soon as Nandi saw a glimpse of sixteen-year-old Parvati, he was in tears. The woman looked vastly different from the Sati he knew. Yet there was something in her eyes that reminded him of Sati. He was worried for his Lord. Rati threw herself at Shiva's feet, asking for forgiveness for her husband. Parvati had no sense of her own aims as she advocated for Rati. Shiva was calmer when he realised neither of the women had any part in the ploy. He told Rati that Kama would be back after a penance as a life on earth. Rati then sought his permission to join her husband in penance. It was then that Shiva's attention shifted to Parvati. She was not in the slightest way like Sati, the way she claimed to be. All he knew was that history could not repeat itself. It once cost him his aloofness, his emotions and his self-awareness. He would not let it happen again. As Parvati cried at his feet, Shiva turned away, asking her to leave, ordering her to forget her wish of marrying him. The more he spoke of rejecting her, Parvati's teen heart became more stubborn and rebellious.

Her penance grew deeper; she starved herself and continued praying. It lasted days and months until Vishnu once again appeared in front of Shiva, advocating for her. He reminded Shiva that not even the gods could escape Fate. His fate was sealed the day he gave Tarakasura the boon to be killed by his son. Balance needed to be restored. Being reminded of his duties moved Shiva. He could see how stubborn Parvati was and how her strength grew through penance. One day, an old man interrupted her, seeking alms. As she gave him the last part of the food she had gathered for herself, he asked, "Why are you seeking love from a man who has nothing? No home, no riches, no love to offer. Go home, Princess, and marry a Prince." 
"He is the one I have loved ever since I understood love. I will not give up on him till my last breath"
He appeared pleased and replied, " I had come to test you, Princess. I will go to your father and ask him for your hand. Go home" Before Parvati could realise that the old man was Shiva in disguise, she saw him disappear.

The wedding festivities continued for days, and the whole Aryavarta celebrated. Their's was the first Prajapati Vivah, conducted by the Prajapati Brahma himself, witnessed by Devas, Asuras, Gandharvas, Nagas, Pisachas, Ghosts and Ganas alike. He took her home. His home was the open skyline and endless meadows. His home was the Kailash Mountains at Manasarovar. Her luxurious palace life and her princess ways were left behind. 

Days and months turned to years; he was her Guru and she, his Shishya, but they were in a very respected yet formal relationship. Her care made the mountains his home. Yet something in him feared losing her. She was so much like his first wife, yet so different. She knew how he resisted love because he feared being hurt again. He always blamed himself for his first wife's death and hence stayed away from her. Their family grew up with two sons and a daughter. He learned to care for her. But deep inside, there was this emptiness for him. She looked into his empty eyes and wondered what was so special about his first love. He explained to her that Sati broke his mould of a hermit and introduced him to more worldly emotions, while Parvati bound him to a family life, taught him the role of a husband and father.

Life atop the mountain tested her endurance daily. She mastered the art of taming wild beasts, coaxing their loyalty without a single wound inflicted. He counselled her ceaselessly: wield power only as the final refuge. Travellers, enchanted by her ethereal beauty, sang her praises across distant lands. Asuras, driven by dark lust, sought to claim her; she slew the boldest, while he meted stern justice upon the rest. Apsaras descended like shimmering veils, vying for his heart, igniting her fierce jealousy. Yet in that shadowed possessiveness burned an unspoken love, fierce and eternal.

He embodied the ideal husband, cherishing her wisdom above his own. She was the devoted wife who transformed Kailash's icy peaks into a home of warmth and joy. Maidens dreamed of husbands like him; men yearned for partners like her. Their union stood as a beacon for the realm, unmarred by betrayal, as a symbol of love, respect, trust and equality. Yet a whisper from the past lingered between them, dimming the full bloom of their love, even as their marriage endures in worship across the world while his devotion to his first wife echoes eternally in melancholy tales.


Popular posts from this blog

Chandra's Choice: The Story of Dhruvasvamini

More often than not, the private lives of kings and the existence of their queens remain in the words of bards rather than those of chroniclers. Dhruvasvamini is no different, even after being the queen of the golden age of the Indian Subcontinent. She appears in the Basarh Clay Seal as the mother of Govinda Gupta (attributed as a sibling of Kumara Gupta I) and the queen wife of Chandra Gupta II or Vikramaditya. Except for one mention of Dhruva Devi, as she is popularly known, she remains a mysterious character in the Gupta lineage, with a side mention in the dynasty’s history. Visakhadatta, a famous poet and playwright, who later wrote DeviChandraGuptam as the play capturing the life of Chandra Gupta II, captured Dhruva Devi as one of the protagonists of his story. Although some scholars attribute Visakhadatta to be under the patronage of Chandra Gupta II himself when he wrote this story, many historians debate the literary work as a historical fiction written much after his time. Tru...

Rakhi Tales

A Rakhi to the Enemy: The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long, and time was of the essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even R...

The Cortege That Shook The Raj: Kanailal Dutta

10th November, 1908 Around late morning, a procession of lacs made their way through the streets of Calcutta (Kolkata), India. Some were chanting “Vande Mataram”, others blew conch shells, and Ululation filled the air. Flowers were being showered from all directions, and garlands made their way through the crowd, being thrown at the procession in the middle. Bhagwat Gita and Ananda Math (Novel by Bamkim Chandra) were offered. No, this was no “ Sobha Jatra ” or celebration. There were no religious festivities either. That dawn, the Alipore Jail, which opened only two years back, witnessed the hanging of Kanailal Dutta, a twenty-year-old member of the “Jugantar Dol”, an anarchist group that was set up primarily by Aurobindo Ghosh (Later Rishi Aurobindo), his brother Barindra and their associates. Kanailal hailed from Chandannagore, and although he was not present in most of their meetings in Kolkata, he was still one of their early members from Chandannagore, then a French province. ...

The Emperor's First Wife

Rukaiya Begum   Ruqaiya Sultana Begum  was born to Babur's second surviving son, Hindal Mirza, and his wife, Sultanam Begum, in 1542 C.E., merely a few months after Hamida Banu gave birth to the heir Jalaluddin Mohammad Akbar. She was well-versed in Persian, Urdu and Arabic and was attracted to poetry and music. Being a proud descendant of the Timurid clan, most of Rukaiya's childhood was spent in Kabul, near the Bagh E Babur, built by Babur himself. From early childhood, she had seen the struggle of her family to regain their lost power in Hind. In 1551 C.E., just after her father died young at a battle for Humayun, leaving her and her mother in the harem of the emperor, it was Hamida Banu who wanted the marriage of Rukaiya to her first cousin, Akbar. Theirs was the first in-house marriage of the Mughals, soon to be followed by many more in the generations to come. At the mere age of nine, she had married the crown prince, and when Humayun won back Lahore, she was fifteen. At...

Shikhandi: A Tale of Identity and Revenge

Hastinapur was the most powerful empire in the north of the Vindyas, in the subcontinent once ruled by King Bharata. When its long-reigning and prosperous king Shantanu passed away in old age, he left behind his ambitious wife Satyabati, her two sons, Chitrangad and Bichitravirjaya and his first surviving son from his first wife Ganga, Devabrata, who took the lifelong oath of not being king nor marrying or having any progeny and hence earned the name Bhishma. When Chitrangad was about to ascend the throne, he died in an unfortunate accident, leaving the minor Bichitravirjaya as the only contender on the throne. Bhishma almost outspokenly took over the role of guardian to the throne of Hastinapur upon this event. However, the rules suggested that the young prince must marry before he could be crowned. Upon hearing of this, Bhishma sent his spies around the subcontinent to find eligible princesses who would not only marry the heir apparent but also be the future queen and queen mother of...

The Thirteenth Night

This is part of the "Uttara Series" You will find under the Mahabharata. The series is also available on Wattpad. The night of the Bhadra Amavasya saw a funeral pyre in the Pandavas' camp. Wails of the ladies filled the air as the young brave heart was turning into ashes. The ashes lit up a celebration in the Kauravas' camp. Duryodhan, Dushyasan, Shakuni, and Jayadrata all succeeded in their mission. Breaking the Pandavas' backbone, killing their favourite son. Karna joined in the celebrations reluctantly; he had released the boy from the pain. The face kept coming back to him. After all, he was his nephew. He shut his eyes in pain. The air tonight seemed cursed. The pyre burning made the teenage widow run towards it. She had no hope of living without him. Life was already tough; each day, he went to war with a smile on his face. She had already lost her brother. Now she had none to return home to her. "Stop!" His mother pleaded between the wails. "...

The Reva Cries

Roopmati had watched the troops leave. She had stood behind the chief queen as she traditionally bid goodbye to her sons. She had waited for the Sultan to come to her. He did. He was confident that the sudden advancement of Akbar’s foster brother, Adham Khan, could be curbed. It was not war, just precaution. He reassured her. Malwa would never bow to the Timurids. And he would not let anything happen to her. To Her. Roopmati felt suffocated by her husband’s affectionate hug. She felt trapped in the scrutinising eyes of all the people in the palace. Angry, blaming eyes. She tried to pace herself and sing, but her voice cracked in fear. Her melody was drowned in tears. Every evening, a messenger would come to the chief queen with the news of war. Roopmati was kept in the darkness. She was not told about anything. She knew the rumours. She was a witch. A temptress who caused doom to the Sultan of Malwa. She was a spy of the enemy planted in his life to destroy him. She wondered if he came...

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love. ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon t...

Etched In Stone

This historical short story is a fictitious account of Ashoka, the Mauryan Emperor and his first wife Devi, who finds no place in Magadhan History. There is another fiction about her in the blog as well. This story stemmed from a merge of two ideas, one was to mention the cave inscription found in Saru Maru that mentions Asoka spending some days there with his lover (presumed to be Devi), the other idea of how if words did not immortalise a lot of battles and achievements, the names of many great men would be lost in time. The prince stood on the edge of the cliff, looking at the horizon. Dawn arrived as the birds started leaving their nests, wings fluttering, eager to discover the world. He looked up at them, the thought of once again going back to exploring the length and breadth of his state making him feel a little restless as he eyed his healing wounds. He was left to die; his enemies wished so. Yet by some miracle of fate, as if his purposes were yet to be fulfilled, here he was ...

Brothers and Sisters of Mahabharata

The Mahabharata, one of the greatest epics of Hindu mythology, not only recounts tales of valour, destiny, and dharma but also reveals intricate relationships between siblings whose lives shaped the moral and political fabric of the narrative. The bonds between brothers and sisters in the epic are diverse: marked by affection, rivalry, loyalty, and sacrifice. These relationships, though complex, embody the human emotions that transcend divine lineage and royal blood. Satyavati and Her Lineage Satyavati and her brother Matsya were born from a miraculous union between a Cursed Nymph in the form of a fish, Adrika and the King Uparichara Vasu, whose semen the fish had consumed when it fell in the river. They were discovered by their adoptive father, King Dusharaj, the ruler of the fishermen, and thus came to be known as  Matsya Santan , meaning “children of the fish.” When the king found out about the twins, he claimed the male child as his heir and gave the girl, Satyavati, to the fis...