Skip to main content

Navratri

 

Navaratri, The Nine Days Dedicated to the Nine Forms of Goddess Adi Shakti. In different parts of India, the traditions of the Navratri are quite different from one another. But the celebration is the same. The celebration of the Mother Goddess, The Woman, The Protector, The Slayer of Evil. Durga Puja is celebrated for four days in Bengal during the same time.

Day 1: The worship of Goddess Shailputri

She, in this Avatar, is the Daughter Of The Mountains. Parvati, a reincarnation of Sati, was born to King Himalaya and his wife Meneka and was the sister of Goddess Ganga and Mount Mainak. In this avatar, she is unmarried and seen making a journey on Nandi, the Bull, Shiva's ride. This reflects the fact that she is making a journey from her Father to her Husband, thus from maidenhood to womanhood. Her white clothes are a symbol of the purity of her heart and soul. Nandi reflects the calm nature of this goddess; however, she also holds a trident as a mark of her power. She is calm, not weak. The Moon on her head establishes her as the better half of Shiva.

Traditionally, people should wear shades of Grey for her worship.

The traditional Prayer to Shailaputri is:
Vande Vancchit Labhaaya Chandrarda Krita Shekharam,
Vrisharudham Shuladharam Shaila- Putrim Yashasvinim.

Meaning:
I pay my obeisance to the Divine Mother, who bestows upon, the choicest of boons to the devotees. The moon in a crescent form adorns her forehead. She is mounted on the bullock, lance in hand. She is the Shakti.
Shailaputri temple is found in Varanasi, UP.

Day 2: Worship of Devi Brahmacharini

Brahmacharini, or Tapaswini, means One Who Practices Penance. She holds a Rosary in her right hand and a water vessel (Kamandul) in her left. She, in this Avatar, is also the daughter of Himalaya, unmarried, and wears white. She is devoid of jewellery as she sacrifices her royal ways and goes to the mountains to pray to Lord Shiva through her tough penance. She gives up food, water and everything and lives to eat dried leaves. Hence, she gets the name Aparna. Impressed by this penance, the Lord had come to test her love and devotion before marrying her. This Goddess is a symbol of peace and prosperity as she holds no weapons.

Traditionally, people wear saffron, the colour of sacrifice, to worship her. The prayer to her is:

Dadhanakara Padmavam Akshmala Kamandalam.
Devi Prasidhatu Mayi Brahmacharinya Nunthama.

Meaning: One with the Japmala, kamundala and standing on a lotus, that is Mother Brahmacharini, and we bow to you. There is no temple dedicated to this Goddess. In some parts of India, Devi Chamunda, a form of Goddess Kali, is invoked on this very day. She has a famous temple in Jodhpur, Rajasthan.

Day 3: Worship of Goddess Chandraghanta

Chandraghanta means One With The Bell-Shaped Moon. In This Avatar, the about-to-be-wed Parvati is in a red saree, a symbol of a fertile woman, and jewellery symbolising a householder. She is mounted on the Tiger, depicting her authority. Sometimes this avatar, like Ma Durga, has 10 Hands holding all the weapons she was gifted by the Gods, as a symbol of power. 
When Brahmacharini's prayers were answered, Lord Shiva told her that after the tragedy that took Sati, he had no hope for Love. Parvati was adamant about winning him. He tested her time and again, and she faced it all with a smile. Finally, he gave in, agreeing to marry her. Parvati went back home after a tearful, emotional promise to come back to him. Here, in this avatar, she is a happy bride, about to be married. But Shiva, in his simple form, tiger skin and smeared with ashes, appeared with his Ghosts and Spirits who scared her mother. To make her mother know the beauty in Shiva's simplicity, she, with the help of Vishnu, took the avatar of Chandraghanta and met Shiva a day before the wedding, against the traditional norms, to request him to dress as a traditional groom to her mother's happiness. When violent, this same form of the Goddess is called Chamunda.

People traditionally wear white to worship her. 

The traditional Prayer to her is:
Pindaajpravarodha Chandkopastra Kairyuta
Prasadham Tanute Maham Chandraghanteti Vishruta.

This is the earliest form of Maa Durga.

Day 4: Worship of Maata Kushmanda

Kushmanda means " A little warm", signifying " the cosmic egg". Mata Kushmanda is the first married Avatar to be worshipped in the Navratri. She is mounted either on the tiger or lion and is a warrior, in pink. Pink is the colour of the protector goddess. She protects us like a mother protects her child. This form is traditionally worshipped for protection and prosperity. She is often worshipped in traditional red attire, and her most popular worship place is in Nepal.

She, in this Avatar, is the main deity of Sankranti and Hariyali Teej, where people (mostly women) pray to her for the health and prosperity of their husbands, as the goddess herself is the earliest married form of Parvati.

Day 5: Worship of Devi Skandamata

Skandamata means Mother of Skanda. Lord Kartik was the first child of Shiva and Parvati. In this avatar, she is depicted as a mother to her son. She rides a lion and holds her weapon in a protective posture, and holds her son in her lap. Here, the warrior god Kartik is depicted as a child. She wears green as a symbol of her wisdom. The story goes that Kartik, son of Shiva, was the only one who could kill the demon Taraka, as per a boon given by Shiva himself to the demon for his devotion when he was not a family man. Taraka considered the boon equal to immortality and started torturing innocents. When Kartik was born out of the union of Shiva and Parvati, Gaga acted as a carrier for the child, as Parvati couldn't. Then, to protect him, he was given to the seven Virgin Sisters, the Krittikas, who looked after him until he was old enough to protect himself. Going back to Kailash, where Shiva resided, he met his mother for the first time. This was when she became Skandamata and blessed him before he waged a war to defeat the demon. Childless people worship Kartik and Skandamata. The traditional attire for this day is peacock blue.

Day 6: Worship of Devi Katyayani

This is the traditional version of Maa Durga, the slayer of Mahisasur. Rishi Kattayana first worshipped her idol before it became popular in the East, and even Lord Ram worshipped this form of the Goddess as the slayer of evil. When Mahisasur was given the boon that no man, no animal or thing could kill him, Brahma was considered immortal by the Devas. He attacked Indra's palace and took his throne. Seeing the Devas distraught, the Trinity decided to call upon Adi Shakti. Now, only a woman could kill the demon. Thus Katyayani descended to help. Rishi Katyayan, who started her worship as a mark to thank her, gave her the name of his daughter. She holds a sword to slay the evil. There are popular temples in Vrindavan, Delhi, Karnataka, Tanjore and Mewar, Rajasthan. The popular colour to be worn on this day is yellow. 

Day 7: Worship of Devi Kalratri

Kalratri removes the Darkness of Ignorance. She is the slayer of Shumbha and Nishumbha, two brothers who wanted to marry the already-married Parvati. She is also the slayer of Durgasur, who attacked Kailash in the absence of Shiva. Mounted on a Donkey with a thorn and Dagger in hand, she is compared with the night because of her complexion. It is said that her anger made her turn dark and fierce. This is a feared avatar of Parvati, one of the most violent ones, too. She is an important deity to yogis, Tantriks and Aghoris. She is the remover of Evil as well. She is worshipped in green or black and is not worshipped by householders.

Day 8: Worship of Devi Gauri

Gauri is the sixteen-year-old, unmarried form of goddess Parvati before she started the penance for her Lord. She is the goddess of purity, most worshipped amongst the nine forms, by the householder seeking peace and prosperity. She is depicted as a princess, with jewellery and white attire as a mark of her Chastity. She is the earliest form of the Goddess before she knew the purpose of her being. She is worshipped wearing Green.

Day 9:Worship of Maata Siddhidatri

She is the last worshipped Devi in the Navratri; she is the giver of meditative abilities and skills. She is the holder of the eight supernatural powers namely, Anima( ability to reduce a body to the size of an atom), Mahima( increase to large size), Garima (make something infinitely heavy), Laghima (almost weightless), Prapti (unrestricted access), Prakambya (realization of desires), Ishitva (being Godly) and Vastitva (power to subjugate all). She is one-half of Shiva's Ardhanarishwar form. 
The devotees should wear purple for their worship. 

Day 10: Dussera

On this very day, Lord Rama emerged victorious after a battle with the King of Lanka, Ravana. His Dharma won over Ravana's Adharma and good over evil. Thus, Dussehra is celebrated across India on this day to remind us that Good always wins over Evil. The festivities of Dussehra also signify the establishment of Rama as Lord Rama. 

 

In Traditional Mythology:

The Mother Goddess, Adi Shakti, first appears in the Puranas. When the universe did not exist, there was a vacuum. Then the source of all energy arrived. She was Adi Shakti, the Mother. Adi Shakti means endless energy. She is personified as a mother and a woman. The ultimate power. From her came the trinity. Brahma is the creator, Vishnu the Protector and Shiva the destroyer. To help the Trinity, Adi Shakti became Saraswati, the goddess of knowledge, and consort of Brahma, helping him in his creation. She became Laxmi, the goddess of luck and prosperity, helping Vishnu protect the good, and she was Parvati, the consort of the Destroyer of Evil, helping him with her powers. Adi Shakti is considered the power behind every goddess in Hinduism.

In History:

In early Indian History, during the Indus Saraswati Valley Civilisation, the Mother Goddess first makes her appearance. The Indus people worshipped nature as personified Gods and Goddesses. In their tradition of early Hinduism, she was depicted as the Goddess of Fertility, with grains in her hand, as proof that Agriculture was one of the main aspects of living. She is depicted in jewellery and royal attire of the time with no weapons, clearly indicating the fact that the people had no outside threat. The hymns in the early Vedas are to the River Saraswati, depicting her as a mother and giver of life and the Samaras. In the later Vedic ages, with the coming of the Puranas, the present-day goddess made her appearance. 

Parting words...

The facts and traditions of the Mother Goddess clearly indicating the fact that women were respected as the ultimate power, nurturer, life-giver and protector in the earliest of traditions. The Indus Valley being assumed to be a Matriarchal Society gave immense respect to the women that were also later continued till the time of the Early Vedic age, however, as the Itihasa of India ( doesn't mean history. Itihas is a word used in Puranas for Ramayana and Mahabharata which means something that keeps happening or repeats itself i.e. eternal truth) came forward in the later Vedic age in the form of the Ramayana and the Mahabharata, they clearly indicated towards the downfall of the position of women in the society. Amidst the festivities, we forget that the true essence of the festival was always to support women's power and respect. We should remember that as we pray to the Goddess and bow before her for our peace and prosperity.

Colours related to Navratri:

Prathama:  Shailputri (Grey)

Dwitiya: Brahmacharini (Orange)

Tritiya: Chandraghanta (White)

Chaturthi: Kushmanda (Red)

Panchami: Skandamata (Blue)

Sosti: Kattyayani (Yellow)

Saptami: Kalratri (Green or Black)

Ashtami: Gauri (Peacock Green)

Navami: Siddhidatri (Purple)


Popular posts from this blog

Uttara's Hope

This is part of the "Uttara Series" You will find under the Mahabharata. The series is also available on Wattpad. She was clad in white attire. Her churamani and jewellery were all taken away. She sat numbly in front of his dead body for a whole day, pregnant with his heir, looking at his face as though he was asleep. He had told her more than once that this day could come and that she had to protect their heir. He feared her future without him. That one day turned the fifteen-year-old  Princess of Matsya  into an aged lady. She became quiet and aloof. Her only concern now was her baby. Her baby wiggled in her womb. She remembered him saying,    " I will always be with you." All she wanted now was a son like his father. But she knew all Hastinapur wanted was an heir to the throne. The war had ended five days after his death, and they were back in the palace of Hastinapur victorious. She, for the first time, entered her real in-laws' home, but without him. All sh...

Asuras are not Demons

Demons in the Abrahamic religion are not the same as Asuras of Hinduism. Originally deities of Iranian origin, they were seen in the tribal context as no different from Devas but as counterparts to maintain balance. In early epics and Puranas, asura meant a chosen leader of great capacity. Only later, perhaps due to the Iranian link, their image declined. It was with the Brahmanas that the sharp divide appeared: devas as divine, asuras as evil. Puranic myths demonised them mainly to assert the superiority and immortality of devas, while asuras were cast as symbols of the "other." Since Tribes still worshipped them and embraced their power of negativity, being important to balance, they soon became synonymous with tribes, which was not the case mythologically. There are instances of Bali or Ravana being Kshatriya or Brahmin Asuras and competent kings. Indian demonology itself is vast and layered, shaped by surviving tribes, each with unique myths. Celestial, aerial, and terres...

Nawab E Bengal

  Background: Nawab Alivardi Khan was ruling Bengal at the peak of Nawabi rule, expanding his strong empire. He had successfully suppressed the Marathas and had given a strong message to the British East India Company’s rising influence at Calcutta. Highly aware of the British Colonial policies across the globe, Nawab Alivardi Khan was strict with his policies and stronghold over Murshidabad, the then capital of Bengal (including present-day Bihar, Jharkhand, West Bengal, Orissa, and Bangladesh).  He had two daughters and no sons. Amina Begum was the elder one, followed by Ghaseti Begum. Amina had three sons with her husband and courtier, Ahmed Khan. The second son, Mirza Mohammad, fondly called Siraj-Ud-Daulah (light of the country)by his grandfather, was born in 1733C.E. He was his grandfather’s  favourite  because he was born while he won over the Marathas. Alivardi Khan never let the “fortune child” of the family out of his sight. Siraj grew up accompanying his g...

Rakhi Tales

The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long and time, of great essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even Raj Singh-Aurangzeb, yet ...

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love.  ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon ...

Sisodiya: Kings, Queens and Princes (1538 - 1597)

I am back with another History post, this time it is on the wives and sons of Rana Udai Singh II of Mewar, his son and heir Maharana Pratap and Rana Amar Singh. This is a continuation of the Sisodia Family History I posted some time back. The information has been taken from Annals of Mewar by James Todd, Maharana Pratap by B.N. Rana, and Maharana Pratap by Rima Hooja.  Udai Singh II  was the son of Ranisa Karnawati and Rana Sangram Singh. He was born on 4th August 1 522, at Chittorgarh and died on 28th February 1 572 at Gogunda . He was the Ruler of the Sisodia Dynasty. He is believed to have  56 sons and 2 5 wives, apart from the many insignificant queens in his Rani Mahal. Here is a list of his main queens and their sons. Maharani Jaivanta Bai Songara of Jalore  was his chief queen and consort. Her son is Maharana Pratap. He was married to her before he went to war with Banbir, as her father, Akshayraj Rao, was a friend and ally of his father, Rana Sanga.  Saj...

The Reva Cries

Roopmati had watched the troops leave. She had stood behind the chief queen as she traditionally bid goodbye to her sons. She had waited for the Sultan to come to her. He did. He was confident that the sudden advancement of Akbar’s foster brother Adham Khan could be curbed. It was not war, just precaution. He reassured her. Malwa would never bow to the Timurids. And he would not let anything happen to her. To Her. Roopmati felt suffocated by her husband’s affectionate hug. She felt trapped in the scrutinising eyes of all the people in the palace. Angry, blaming eyes. She tried to pace herself and sing, but her voice cracked in fear. Her melody was drowned in tears. Every evening, a messenger would come to the chief queen with the news of war. Roopmati was kept in the darkness. She was not told about anything. She knew the rumours. She was a witch. A temptress who caused doom to the Sultan of Malwa. She was a spy of the enemy planted in his life to destroy him. She wondered if he came b...

Prithviraj Chauhan: A Saga

Note: This piece is a work of fiction based on folklore and the Prithviraj Raso, an epic saga by Chand Bardai, who happened to be the court poet of Prithviraj Chauhan. The dates corresponding to wars, names of people and places are, however, historically fact-checked from various sources, including the works of Todd (semi-historical), The  Amir Khusrau and contemporary sources like R.C.Majumder. The incidents are fictionally woven. Rai Pithora Around the year 1140 A.D., Ajmer was ruled by Anangpal of the Tomara Dynasty. Delhi was the seat of power of the Sultanate, which was a constant power struggle for them. He managed to capture briefly most parts of west Rajputana, and present-day Haryana and Punjab were also part of his kingdom. The old king had a son and two daughters. His concern grew as his son Surya was not talented enough to rule Ajmer. His youngest daughter, Princess Karpuri Devi, was married to Someshwar Chauhan of the famous Chauhan clan. Their son, Rai Pithora, helped...

Rani Padmini: The Valiant Queen

This story is a retelling of some parts of Malik Mohammad Jayasi's Padmavat, which was a historical fiction poem written in 1540, an odd 200 years after the siege of Chittorgarh by Allauddin Khilji. Historically, the Rajputs of Mewar didn't keep accounts of their queens, even by name, so the name Padmini or Padmavati was made up by Jayasi to represent the women of Chittor who chose the Jauhar. Historically speaking, Allauddin Khilji wanted the trade route to Surat for himself, which went through Mewar and Rana Ratan Singh, a patron of art, was not known for his military skills. So when Khilji surrounded the fort, the only way out was the Saka and Jauhar. Rani Padmini's Jauhar, as it is now popularly called, is also not the first Jauhar Khilji witnessed. The Jauhars of Ranthambore and Jaisalmer happened before he attacked Chittorgarh. Also, the act of Jauhar happened as early as the Greek invasions of Porus's state, when it is described as the "Mass immolation of Sa...

Mewar: Origin of Guhilots

Origin: Lord Rama had two sons,  Labh  and  Kush . The Ranas of Mewar are descendants of the former. Labh had built his capital at  Lah-Kot (Lahore) , and the branch from which the Mewar blue blood arrives resided there until  Kanaksen  (Often traced as the founder)moved to  Dwarika, Saurashtra.  "Sen" was used as a title term for many decades by this Suryavanshi clan until it later changed to "Dit" or "Aditya", names of the Sun. Aditya was changed to Guhilot permanently after the expulsion from Saurashtra when they settled in the  Ahar  valleys (Aravallis). The  Sisodia  clan sprang from a Prince of Chittoor who had killed a hard chase hare (sissoo in local dialect). The branch often used " Ranawat ", meaning "Royal Blood", as a title, but over time, Sisodia emerged as the retained branch name. Kanaksen wrestled dominance of the Parmar race and founded  Birnagar  in AD 144. Four generations hence,  Vijay Sen ...