Mahabharat on Star Plus

Mahabharata is such an epic that has been part of many books, television series and movies over many years. Documentary movies have been made on this flawless epic. Even British and US broadcasters have adopted this epic for documentary movies. In India, the most famous on-screen depiction was that of B.R. Chopra's Mahabharata. I was about five years old then, and I gladly saw its repeats later on Doordarshan. After almost a decade and a half, I heard it was being remade by none other than the makers of Dev o Ka Dev Mahadev. It was the best mythology serial I ever saw with Mohit Raina in the lead, and its special effects and storytelling were simply the best.

The actors...

I started watching Mahabharat on Star Plus since its first episode and never missed one.

The first name I want to take is that of Praneet Bhat. His signature walk, one-eyed talk and his famous lines "Mere Bacchae..." make you hate his Shakuni, and that proves how great his acting skills are. Shakuni was the crudest and sly person in the epic, and he portrays that as though he is Shakuni. Special mention to scenes when he stays at Hastinapur for his sister to seek revenge and hurts himself.

Rohit Bhardwaj, who was Mohan, and Shaheer Sheikh, who was Anant in Navya... surprised me with their Yudhisthir and Arjun. I liked them both in the Modern age drama, Navya, and now they play quite different roles in Mahabharat. Special mention to the role of Brihannalla and Kanka, as well as Abhimanyu's death scenes.

Saurabh Raj Jain, who was a well-known face as Vishnu in both Jai Shree Krishna and Dev o Ka Dev, is Krishna here, and that was truly pleasing to the eyes. His half smile and witty eyes are indeed a resemblance to the Vishnu/Krishna of our imaginations. Special mentions to Gita moments, Draupadi's man Raksha, and Abhimanyu's Death.

Veebha Anand, who was Sugna in Balika Vadhu, plays Subhadra, which suited her really well. Her smile and her eyes were superb, describing the "Chanchal" Subhadra. Special mention to after Subhadra's marriage to Arjun, when they face Panchali and her scenes at Uttara's wedding.

Karna

Aham Sharma, whom I don't know why I never noticed anywhere, is dashing and calm as Karna. He took my attention away in those emotional scenes post the revelation of his true identity, and also in the scenes where he fights. His calm yet heavy voice and his lean figure make him an unconventional ( because we were all accustomed to the moustached middle-aged man image) yet gripping character. He is indeed more suitable than anybody else in this role. Special mention to the fight sequence with Abhimanyu. His expressions were superb.

Arav Chowdhary, who plays Bhishma pita maha and Devabrata, is the first impressive character in this epic who stays till the last and hence deserves mention. He is a total resemblance to B.R. Chopra's Bhishma, and his voice suits the great man's character. The scenes where he is cursed by Amba, Draupadi's Vastraharan time and his death scene deserve special mention.

Uttara Abhimanyu

Paras Arora, who was my favourite for his Veer Shivaji portrait on the Colours serial of that title, has improved more than ever. From Shivaji to Rajjo to Mahabharat, his acting has improved superbly. Abhimanyu is my personal favourite character in the epic, and he outshone everyone during the last three episodes, ending with his death. Special mention, Chakravuha (his introduction), Conversation with Uttara and death scenes. Aham Sharma is the one who steals the scene; he was nowhere near Paras in the last one. He proved his worth among people of extreme talent.

Richa Mukherjee does justice to my favourite character, Uttara. Her childish innocence turned into grown-up talk at that mere age, changed by circumstances, and has been portrayed superbly by the young talent. Special mention of Scenes with Abhimanyu and that Introduction dance.

The Crew...

Siddharth Kumar Tewary, the man who created this epic in such a beautiful way. He deserves all the credit. The writers Sharmin Joseph, Radhika Anand, Anand Vardhan, Mihir Bhuta and Siddharth Kumar Tewary were, in fact, the backbone of the storytelling. Special mention to how the Epic Story started with Vasudeva telling the viewers all we need to know... The directors who keep alive the scripts in our imaginations, namely, Siddharth Anand Kumar, Amarprith G, S Chawda, Kamal Monga and Loknath Pandey. The Graphic team and special effects team, who made it seem real, and also the trainers who trained the actors in weapons and horse riding, are the real stars of the epic.

It is truly the largest television show with its Bengali, Malayalam, Telugu, Tamil and Marathi versions being aired on different channels and even an Indonesian version in Indonesia.

What caught my attention most was the Music from Atul-Ajay and Ismail Darbar. The lyrics are so meaningful with the mention of the Gita, Krishna, Vedas and Mahabharat being a historical event truly worth mentioning. Also worth mentioning are the background scores of Draupadi and Abhimanyu.

The best scenes...

My favourite Scenes from this epic serial are

1. Abhimanyu's Death and his last conversation with Uttara and Arjun

2. The fight between Bhishma and Parasurama

3. Arjuna comes home with Subhadra after marriage, and Draupadi's feelings

4. Pasha game and disrobing of Draupadi.

Parting words...

A huge fan of this serial, I, as a fan, hoped it to continue, especially the characters of Abhimanyu and Uttara, who are my favourites, but are regarded as a minor part of the epic. Yet those parts have been given importance in this series like no other. I am very moved by the dialogues of Krishna, which are facts and Universal truths applied to life and times even now.

||WITHIN INFINITE MYTHS LIES ETERNAL TRUTHS||

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love. ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon ...

Bijolia: Her Home

Journey to Bijolia: Lost Kingdoms and Timeless Temples of Mewar Bijoliya translates to a stop between two cities. Nestled in Rajasthan’s Bhilwara district, Bijolia sits 55km from Bundi and 105km from Chittorgarh on the well-travelled Bundi-Chittorgarh road. Once part of Mewar, this seemingly sleepy town guards a rich and layered past: it was ruled from the 11th to the 13th century by the Punwars (or Parmar Rajputs) before falling under the Chauhan dynasty, who shifted the region’s capital to Bhilwara and constructed the imposing fort there. After a brief Chauhan rule, Bijolia was reclaimed by Rana Kumbha and became an integral part of the Mewar kingdom, with the Parmars serving as local Raos, representatives and stewards of the royal house. Despite its history and the famed Bijolia inscriptions (a treasure for historians), Bijolia has never found a seat on Rajasthan’s primary tourist circuit, especially if you’re venturing out by public transport or private car. While a handful of...

The Emperor's First Wife

Ruqaiya Sultana Begum was born to Babur's second surviving son, Hindal Mirza, and his wife, Sultanam Begum, in 1542 C.E., merely a few months after Hamida Banu gave birth to the heir Jalaluddin Mohammad Akbar. She was well-versed in Persian, Urdu and Arabic and was attracted to poetry and music. Being a proud descendant of the Timurid clan, most of Rukaiya's childhood was spent in Kabul, near the Bagh E Babur, built by Babur himself. From early childhood, she had seen the struggle of her family to regain their lost power in Hind. In 1551 C.E., just after her father died young at a battle for Humayun, leaving her and her mother in the harem of the emperor, it was Hamida Banu who wanted the marriage of Rukaiya to her first cousin, Akbar. Theirs was the first in-house marriage of the Mughals, soon to be followed by many more in the generations to come. At the mere age of nine, she had married the crown prince, and when Humayun won back Lahore, she was fifteen. At the mere age ...

The Buddhist Empress of India

Many historians believe that although Devi was the first wife of Asoka, his Buddhist queen, Asandhimitra, was not the same person. However, some also theorise based on Buddhist and Jain stories that they were in fact the same person, and the reason for that is that they don't seem to appear in the timeline together. Devi disappears when Asandhimitra arrives at the scene rather abruptly to do her charitable work. Hence, I personally believe they were one and the same. This story, however, is a retelling of folklore and not history. Please do not consider this piece of fiction as history. The whole village of Vidisha Nagari was buzzing with activity. Every home was being cleaned, and cooking preparations were on. The youngest prince of Magadha was coming to a halt the night at their village on his way to Ujjain. Great unrest was reported at Ujjain, and the youngest prince, as the general of this region, was being sent by the emperor to solve the issue. The villagers were scared as th...

Nawab E Bengal

Background: Nawab Alivardi Khan was ruling Bengal at the peak of Nawabi rule, expanding his strong empire. He had successfully suppressed the Marathas and had given a strong message to the British East India Company’s rising influence at Calcutta. Highly aware of the British Colonial policies across the globe, Nawab Alivardi Khan was strict with his policies and stronghold over Murshidabad, the then capital of Bengal (including present-day Bihar, Jharkhand, West Bengal, Orissa, and Bangladesh). He had two daughters and no sons. Amina Begum was the elder one, followed by Ghaseti Begum. Amina had three sons with her husband and courtier, Ahmed Khan. The second son, Mirza Mohammad, fondly called Siraj-Ud-Daulah (light of the country)by his grandfather, was born in 1733C.E. He was his grandfather’s favourite because he was born while he won over the Marathas. Alivardi Khan never let the “fortune child” of the family out of his sight. Siraj grew up accompanying his g...

Chittorgarh: The First Jauhar

The concept of Jauhar holds a profound place in Rajputana history. It is a ritual where Rajput women willingly choose death by jumping into a fire altar, invoking the gods, and embracing honour rather than living under the humiliation of enemy conquest. Unlike Sati, Jauhar was never forced or compulsory; it was considered the most honourable death a Rajputani could choose when their men lost battles and the enemy laid siege. The Historical Setting: Jauhar Gate and Chittorgarh Fort Chittorgarh Fort once housed the palace of Rana Ratan Singh near the famed Vijay Stambh and his Jal Mahal at the fort’s main gate. When Alauddin Khilji invaded Chittor, much of this was destroyed. However, later ruler Rana Kumbha rebuilt the Jal Mahal and re-established the Jauhar Sthal to honour Queen Padmavati (also known as Padmini). Ratan Singh, who ruled Mewar during Khilji’s reign as Sultan of Delhi, was known to be a peace-loving monarch who enjoyed music and poetry. One of his court poets, Ragha...

Chittorgarh: The Devoted Fort

Chittorgarh, renowned for its tales of sacrifice and valour, is also a remarkable testimony to secular harmony and religious heritage that flourished over centuries. Beyond battles and sieges, the fort and its surroundings are dotted with numerous temples, talabs (reservoirs), kunds (water tanks), and temple complexes; some intact, others abandoned or in ruins, each narrating stories of devotion, culture, and royal patronage. The Legend of Meera Bai: Devotion and Defiance One of the most inspiring figures linked to Chittorgarh’s spiritual legacy is Meera Bai , the saint poetess and princess of Merta. Married in 1513 AD at age 14 to Maharaj Kumar Bhoj Raj Singh Sisodiya , the eldest son of Rana Sanga, her story is one of profound devotion. As a child, Meera Bai was deeply attached to the idol of Lord Krishna, whom she considered her true husband, an attachment sparked by a childhood curiosity and nurtured with daily conversations and care for the idol. This devotion dista...

A Journey Called PrAja

Love is a relationship based on trust and understanding. It is also a bond that is made up there. People often ask, "Why them?" I end up telling them some folklore. I end up telling them about how she actually was his shadow in the forests, in bad times. Because love passes all its tests in the worst times when you don't give up on each other. So, here's to My Pratap and His Ajabdeh! Ps. This is about the show Bharat Ka Veer Putra Maharana Pratap on Sony by Contilloe Starring Faisal Khan, Roshni Walia, Sharad Malhotra and Rachana Parulkar. This is NOT their real story. The show aired from 2013 to 2015. Ajabdeh, the simple, strong yet gentle samantputri, was starstruck seeing the down-to-earth Kunwar Pratap, the crown prince of Mewar. She was clueless that he held the key to her heart, her lost mala that destiny had chosen him for. Na na na na na Chan Chan Chan Chan na na na na! A comedy of errors followed, as she threw the pail of water on him, fumbled at his presen...

The Annals of Rajputana

Col. James Todd’s Annals and Antiquities of Rajasthan describes Rajputana through History, Geography, Mythology, Folklore, Veer Gathas, Traditions, Cultures, Heritage, Rules, Valour and its people. However, one must remember that he was commissioned to write the narrative and his resources are not based on historical evidence. However, it is worth a read and very interesting. The following excerpts are from his book. Please take note that Todd's accounts are based on hearsay, stories, and commissioned by royals and hence aren't treated as historically accurate. However, his book is important as it is the first English-language book to have extensive work done on Rajputana. Rajputs are commonly believed to be people from Rajasthan; however, their branches have spread far and wide into Punjab, Gujarat, Madhya Pradesh, Bihar, Maharashtra and even parts of Bengal. The initial origination-based clans/tribes had been subdivided first in the book Prithvirajraso by Chand Bardai; howev...

The Reva Cries

Roopmati had watched the troops leave. She had stood behind the chief queen as she traditionally bid goodbye to her sons. She had waited for the Sultan to come to her. He did. He was confident that the sudden advancement of Akbar’s foster brother Adham Khan could be curbed. It was not war, just precaution. He reassured her. Malwa would never bow to the Timurids. And he would not let anything happen to her. To Her. Roopmati felt suffocated by her husband’s affectionate hug. She felt trapped in the scrutinising eyes of all the people in the palace. Angry, blaming eyes. She tried to pace herself and sing, but her voice cracked in fear. Her melody was drowned in tears. Every evening, a messenger would come to the chief queen with the news of war. Roopmati was kept in the darkness. She was not told about anything. She knew the rumours. She was a witch. A temptress who caused doom to the Sultan of Malwa. She was a spy of the enemy planted in his life to destroy him. She wondered if he came b...

A Journey To Discover Life

Search This Blog