Skip to main content

Mahabharat on Star Plus

Mahabharata is such an epic that has been part of many books, television series and movies over many years. Documentary movies have been made on this flawless epic. Even British and US broadcasters have adopted this epic for documentary movies. In India, the most famous on-screen depiction was that of B.R. Chopra's Mahabharata. I was about five years old then, and I gladly saw its repeats later on Doordarshan. After almost a decade and a half, I heard it was being remade by none other than the makers of Dev o Ka Dev Mahadev. It was the best mythology serial I ever saw with Mohit Raina in the lead, and its special effects and storytelling were simply the best. 

The actors...

I started watching Mahabharat on Star Plus since its first episode and never missed one.


The first name I want to take is that of Praneet Bhat. His signature walk, one-eyed talk and his famous lines "Mere Bacchae..." make you hate his Shakuni, and that proves how great his acting skills are. Shakuni was the crudest and sly person in the epic, and he portrays that as though he is Shakuni. Special mention to scenes when he stays at Hastinapur for his sister to seek revenge and hurts himself.

 Rohit Bhardwaj, who was Mohan, and  Shaheer Sheikh, who was Anant in Navya... surprised me with their Yudhisthir and Arjun. I liked them both in the Modern age drama, Navya, and now they play quite different roles in Mahabharat. Special mention to the role of Brihannalla and Kanka, as well as Abhimanyu's death scenes.


Saurabh Raj Jain, who was a well-known face as Vishnu in both Jai Shree Krishna and Dev o Ka Dev, is Krishna here, and that was truly pleasing to the eyes. His half smile and witty eyes are indeed a resemblance to the Vishnu/Krishna of our imaginations. Special mentions to Gita moments, Draupadi's man Raksha, and Abhimanyu's Death.

 Veebha Anand, who was Sugna in Balika Vadhu, plays Subhadra, which suited her really well. Her smile and her eyes were superb, describing the "Chanchal" Subhadra. Special mention to after Subhadra's marriage to Arjun, when they face Panchali and her scenes at Uttara's wedding.


Aham Sharma, whom I don't know why I never noticed anywhere, is dashing and calm as Karna. He took my attention away in those emotional scenes post the revelation of his true identity, and also in the scenes where he fights. His calm yet heavy voice and his lean figure make him an unconventional ( because we were all accustomed to the moustached middle-aged man image) yet gripping character. He is indeed more suitable than anybody else in this role. Special mention to the fight sequence with Abhimanyu. His expressions were superb.

Arav Chowdhary, who plays Bhishma pita maha and Devabrata, is the first impressive character in this epic who stays till the last and hence deserves mention. He is a total resemblance to B.R. Chopra's Bhishma, and his voice suits the great man's character. The scenes where he is cursed by Amba, Draupadi's Vastraharan time and his death scene deserve special mention.

Paras Arora, who was my favourite for his Veer Shivaji portrait on the Colours serial of that title, has improved more than ever. From Shivaji to Rajjo to Mahabharat, his acting has improved superbly. Abhimanyu is my personal favourite character in the epic, and he outshone everyone during the last three episodes, ending with his death. Special mention, Chakravuha (his introduction), Conversation with Uttara and death scenes. Aham Sharma is the one who steals the scene; he was nowhere near Paras in the last one. He proved his worth among people of extreme talent.

Richa Mukherjee does justice to my favourite character, Uttara. Her childish innocence turned into grown-up talk at that mere age, changed by circumstances, and has been portrayed superbly by the young talent. Special mention of Scenes with Abhimanyu and that Introduction dance.
The Crew...
Siddharth Kumar Tewary, the man who created this epic in such a beautiful way. He deserves all the credit. The writers Sharmin Joseph, Radhika Anand, Anand Vardhan, Mihir Bhuta and Siddharth Kumar Tewary were, in fact, the backbone of the storytelling. Special mention to how the Epic Story started with Vasudeva telling the viewers all we need to know... The directors who keep alive the scripts in our imaginations, namely, Siddharth Anand Kumar, Amarprith G, S Chawda, Kamal Monga and Loknath Pandey. The Graphic team and special effects team, who made it seem real, and also the trainers who trained the actors in weapons and horse riding, are the real stars of the epic. 

It is truly the largest television show, with its Bengali, Malayalam, Telugu, Tamil and Marathi versions being aired on different channels and even an Indonesian version in Indonesia. 

What caught my attention most was the Music from Atul-Ajay and Ismail Darbar. The lyrics are so meaningful with the mention of the Gita, Krishna, Vedas and Mahabharat being a historical event truly worth mentioning. Also worth mentioning are the background scores of Draupadi and Abhimanyu. 

The best scenes...
My favourite Scenes from this epic serial are
1. Abhimanyu's Death and his last conversation with Uttara and Arjun
2. The fight between Bhishma and Parasurama
3. Arjuna comes home with Subhadra after marriage, and Draupadi's feelings
4. Pasha game and disrobing of Draupadi.
Parting words...
A huge fan of this serial, I, as a fan, hoped it to continue, especially the characters of Abhimanyu and Uttara, who are my favourites, but are regarded as a minor part of the epic. Yet those parts have been given importance in this series like no other. I am very moved by the dialogues of Krishna, which are facts and Universal truths applied to life and times even now.


||WITHIN INFINITE MYTHS LIES ETERNAL TRUTHS||


Popular posts from this blog

Chittorgarh: The Final Seige

If you want to truly experience the spirit of Chittorgarh, here’s the insider scoop on how to plan your visit. You’ve got two solid options: Arrive by evening (around 5 PM) to catch the mesmerising Light and Sound show first, then start your fort tour fresh at 9 AM the next morning. It’ll take you around 4-5 hours to soak in all the history and ambience. Or, get there early morning and spend the whole day exploring, then watch the Light and Sound show at 6 PM before heading back to Udaipur. Most travellers skip staying overnight, but if you’re like me, you might want to spend a night in this historic town to let its resonance sink in. On 18th October 1567, Emperor Akbar was returning triumphantly from Gujarat, intent on establishing Mughal supremacy by taking over every resistant fort and state. By 23rd October, his sights were set on Mewar, then fiercely independent under Rana Udai Singh, who had just founded Udaipur at Lake Pichola. The Rana had refused one too many Rajput po...

Sisodiya: Kings, Queens and Princes (1538 - 1597)

I am back with another History post, this time it is on the wives and sons of Rana Udai Singh II of Mewar, his son and heir Maharana Pratap and Rana Amar Singh. This is a continuation of the Sisodia Family History I posted some time back. The information has been taken from Annals of Mewar by James Todd, Maharana Pratap by B.N. Rana, and Maharana Pratap by Rima Hooja.  Udai Singh II  was the son of Ranisa Karnawati and Rana Sangram Singh. He was born on 4th August 1 522, at Chittorgarh and died on 28th February 1 572 at Gogunda . He was the Ruler of the Sisodia Dynasty. He is believed to have  56 sons and 2 5 wives, apart from the many insignificant queens in his Rani Mahal. Here is a list of his main queens and their sons. Maharani Jaivanta Bai Songara of Jalore  was his chief queen and consort. Her son is Maharana Pratap. He was married to her before he went to war with Banbir, as her father, Akshayraj Rao, was a friend and ally of his father, Rana Sanga.  Saj...

The Suta Putra

He was born as the eldest son of the Princess of Kuntibhoj. She was unmarried and had a bright future ahead of her. She did not want to sabotage her life and future for the unwanted child. She wrapped him in a blanket and decided to float him on the River, hoping the Mother Goddess would safely deliver him to someone. His father, the Sun God himself, was sympathetic to her plight and, for the safety of his son, provided him with a set of golden Kavach and Kundal (A set of earrings and a locket/beads/armour) to protect him. These were powerful enough to save him from any weapon. The currents took the baby far away to the land of Hastinapur. The royal charioteer Adhirath and his wife Radha were bathing there and praying to the Sun God for a child. A basket floated past them with a baby in it. They picked the baby up and decided to call him their son. Growing up, he wanted to learn archery and train as a Kshatriya, much to the objection of his parents. He went to Parasurama, the teacher o...

The Lady Sultan

Indian History, or subcontinental History, is incomplete without speaking of the women who left a mark in their own significant ways. The first woman who comes to mind is perhaps the only woman Sultan to rule Delhi, Raziya (Razia). It’s been over a year since I had been trying to read and understand the mystery of  Raziya Bint Iltutmish . Attributed as the only Woman Muslim Monarch of India, she is a name of many assumptions, imagination and speculations. The few books that have been written on her or the historical accounts of the Slave Dynasty mentioning her have always been about the turbulence of the government and the various rebels and uprisings that took place among the prominent chiefs of Iltutmish, who wanted to rise in power. No documentation or portrayal is found about her look, character or early days from her contemporary times. The only relevant historical book I found solely on her was by Dr Karunapada Dutta, while she finds a chapter in Heroines by Ira Mukhoty or Th...

The Warrior and Princess

Dasharatha was very protective of his sons. He had got them after almost a lifetime of waiting and yajnas, so they were his lifeline. Ram, the eldest, won hearts with his humble, generous ways. Bharata, the second, was his favourite queen's brave son, and Laxman and Shatrughan were the twins to the lesser queen, who followed their brothers like shadows. They were a peaceful, happy family. Sage Vasistha was their Kulaguru, teaching them the Vedic hymns and the righteous ways of life. The Princes grew up in the luxurious, protected premises of the palace. The King of Mithila, too, was childless. Mother Earth granted him a daughter. Sita grew up learning and curious, followed by the king's second daughter, Urmila and their cousins Mandavi and Shrutakirti. They grew up knowing the natural ways of life, and their father took them to learn from men to know more about man and his natural instincts. The princesses were curious and always questioning the traditions, and the Princes lear...

Mewar: Origin of Guhilots

Origin: Lord Rama had two sons,  Labh  and  Kush . The Ranas of Mewar are descendants of the former. Labh had built his capital at  Lah-Kot (Lahore) , and the branch from which the Mewar blue blood arrives resided there until  Kanaksen  (Often traced as the founder)moved to  Dwarika, Saurashtra.  "Sen" was used as a title term for many decades by this Suryavanshi clan until it later changed to "Dit" or "Aditya", names of the Sun. Aditya was changed to Guhilot permanently after the expulsion from Saurashtra when they settled in the  Ahar  valleys (Aravallis). The  Sisodia  clan sprang from a Prince of Chittoor who had killed a hard chase hare (sissoo in local dialect). The branch often used " Ranawat ", meaning "Royal Blood", as a title, but over time, Sisodia emerged as the retained branch name. Kanaksen wrestled dominance of the Parmar race and founded  Birnagar  in AD 144. Four generations hence,  Vijay Sen ...

Bhangarh: Legend of a Ghost Town

The Legend: The city of Bhangarh was made of spectacular structures and wonderful architecture. The Prince of Amber,  Madho Singh, was gifted this city by his Uncle  Bhagwan Das, who was the ruler of Amber. The fort was originally built by Bhagwan Das in 1573A.D. during the rule of Akbar. Madho Singh was a cousin of Empress Mariam Ur Zamani (Harka Bai) and a courtier of his Brother-in-law, Akbar. Madho Singh moved into this spectacular city with his family. The fort of Bhangarh was just ahead of Pratap Garh and Ajab Garh, and its large gate was guarded by the Lord Hanuman Dev Temple. The year was 1613AD; Jahangir was the Emperor of the subcontinent. Madho Singh's family and lineage stayed back in the city of 200 households. The Princess of Bhangarh, Ratnavati, was a mesmerising beauty. Such was her beauty that upon entering her late teens, marriage proposals flooded from all over Rajputana. Young, competent, and brave Princes and Kings of several kingdoms wanted her hand in ma...

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love. ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon t...

Asuras are not Demons

Demons in the Abrahamic religions are not the same as Asuras of Hinduism. Originally deities of Iranian origin, they were seen in the tribal context as no different from Devas, but as counterparts to maintain balance. In early epics and Puranas, asura meant a chosen leader of great capacity. Only later, perhaps due to the Iranian link, their image declined. It was with the Brahmanas that the sharp divide appeared: devas as divine, asuras as evil. Puranic myths demonised them mainly to assert the superiority and immortality of devas, while asuras were cast as symbols of the "other." Since Tribes still worshipped them and embraced their power of negativity, being important to balance, they soon became synonymous with tribes, which was not the case mythologically. There are instances of Bali or Ravana being Kshatriya or Brahmin Asuras and competent kings. Indian demonology itself is vast and layered, shaped by surviving tribes, each with unique myths. Celestial, aerial, and terr...

The Immortal Revolutionary

One Individual may die for an idea, but that idea will, after his death, incarnate itself in a thousand lives. Men, money, and materials cannot by themselves bring victory or freedom. We must have the motive power that will inspire us to do brave deeds and heroic exploits.  ~ Subhash Chandra Bose  Subhash Chandra Bose, born on 23rd January 1897 in Cuttack, Orissa, was the son of a famous Advocate, Sri Janakinath Bose and Prabhavati Devi. Ever since his school days, Subhas had witnessed the national freedom movement closely because his elder brother Sarat Chandra Bose was closely associated with the movement in Bengal. After having an urge to find answers to many questions in life, perhaps drawn to the life and work of Swami Vivekananda, Subhas, along with two friends, went across the length and breadth of India. Bose, in his own words, expressed that he was unable to find a single guide or "Guru" to answer his questions. The Vedanta ideology that inspired Bose to ask question...