Skip to main content

Epic Love

Shiva - Sati/Parvati: 

The Destroyer of the Trinity, the supreme God of Gods, was a loner, vagabond, refusing to settle down and be tied down by earthly relationships. Enters Sati, the daughter of Prajapati Daksha of Kankhal. At such a young age, her love moves everyone except her father. The reluctant Shiva had to answer her calls, and for the first time, somebody wanted to marry him as a boon. What followed was wrath between Shiva and Daksha, a clash of egos that ended the soft maiden Sati's life. She chose death after overhearing her father insult her husband. Shiva's sorrow turned to the angry tandav that destroyed the world. He roamed around as a vagabond again, this time with a broken heart! 
A few years passed by in her memory as he roamed the land of Aryavarta, making a Linga at every Sati Peeth beside her. In that way, this time, he will always be there by her side to protect her.

Enters Parvati, the daughter of Parvat Raj. She was believed to be Sati reborn by everyone except Shiva. Denial was the best defence for his heart. He put Parvati on a difficult test to impress him enough to accept her. He had made up his mind that this time he won't make the same mistake of falling in love. But she was Adi Shakti herself. At sixteen, the maiden Gauri performed difficult penance as Uma and won his heart. They married grandly, and she took over his abode to make it home. Sati always remained in his memories, but Parvati gave him a perfect married life. Their respect for each other even made their smallest of clashes and quarrels perfect. To calm an angry Kali, he stepped up and lay on her path. No ego came between their love, as they became proud parents of Kartika, Ashoka Sundari and Ganesh. Together, they made the Earth safer and guided each other through the destruction of evil. She was the power behind his destruction. Today, in India, unmarried women seek a husband like Shiva, and newly married couples seek Parvati's blessings. 




Narayan and Laxmi:
Lord Vishnu is the Preserver of the Trinity of Gods. He took the Kurma avatar to churn the ocean of milk, to help the Devas and Asuras regain what they had lost. Out came Laxmi, the goddess of wealth and prosperity, Daughter of Samudra Dev. She saw the handsome Vishnu mesmerise the Asuras as Mohini, and she asked him to marry her. She is the wealth behind his kingly ways. Although in God forms, they have no issue, yet they are sometimes believed to be the first married couple of the Gods and can never be worshipped without each other. In their different Avatars on earth, they are sometimes mother and son, siblings, friends or couples. They together help to preserve the earth.



Ram and Sita:
Ram was the prince of Ayodhya, the perfect man. Sita was the daughter of Janaka, the Princess of Mithila. He was a warrior, and she was his home. They met at the Yagna of Maharshi Vishwamitra when he was around sixteen, and she was barely close to her teenage years. Their views of the world were different, they crossed paths, yet Ram and Sita learnt the meaning of life. Before they could consummate their marriage, disaster struck. They left for exile, promising to stay away from each other, but being responsible as husband and wife. He promised her his life. That she will always be his only wife and queen. He became Maryada Purushottam. No king at that time was as loyal to one wife as him. He trusted her enough that she was chaste; she trusted him enough that he would come for her. He knew the questions that could arise from his people. They pined and cried for each other in fond memories. They stayed away from each other most of their life, taken away by fate or driven away by society, yet they remained truthful and loyal to each other. He could not stop her from going; he was the king first, then the husband, and his trust in her chastity had no proof for his people. 

She stayed away, suffering in silence, knowing what he was going through, and she lived through their children, Labh and Kush, the only signs of their brief marital bliss. He could not stop her when she left forever; he sat silent, a strand of her hair in his hand, of all that remained of her. He taught Labh and Kush all they needed to know to rule the kingdom and left them to unite with his wife by jumping into the Sarayu. Their perfectness made them the reincarnation of Narayan and Laxmi. They put their responsibilities ahead of their love and suffered in silence. 

Today, Ram and Sita are worshipped in temples all over India. They are the epitome of love for the Indians. 

Laxman and Urmila :
The brother of Ram married the sister of Sita, and their marital bliss too was short-lived because of the doom that came upon Ayodhya. Laxman wanted to follow his brother to the forest, and Urmila wanted to follow him. But he made her stay back in the Palace to look after their old mothers. She waited 14 Years to see him and prayed for his safety as the news of the Battle arrived at Ayodhya. C prayed to the goddess Maya to grant her his part of sleep for fourteen years so that he could stay awake and guard his brother in the night. Upon being back from the forest, they were blessed with twins as Laxman moved his capital to present-day Lucknow. They stayed together through thick and thin, even as the relationship between their respective siblings broke. 
Kama and Rati:
Kama was the son of Brahma, the God of Love, somewhat of the Indian Cupid with his arrow of flowers. His wife was Rati. As Kama was turned to ashes by Shiva's third eye, Rati prayed to god for mercy. Kama was forced to be reborn on earth as a human, and Rati happily followed him.

Draupadi-Arjun-Subhadra:
If love triangles are a thing that adds spice to movies now, then this one is surely the most famous triangle. Draupadi gave her heart to the young man who won her in the swayamvar. She had heard of Arjun, the greatest warrior and chose him over Karna, his half-brother. He was a charmer who gave his heart to his friend's sister and his own cousin, Subhadra. Subhadra had loved him ever since she knew him, and they eloped happily away from the vain Suyodhan, who wanted to marry her. But they were welcomed by an angry Draupadi. Arjun had given up on all his vows to his first wife. Her sole authority was gone, and he shared her with his brother. Draupadi's call in distress was always to her other husband, Bheem; Arjun never defended her at any point in his life. Arjun's firstborn was also Subhadra's son Abhimanyu. Although they stayed together, Draupadi and Subhadra's relationship was always a cold war because of Arjun. Draupadi followed the brothers to death as Subhadra stayed behind to mentor her grandson and new king Parikshit in Hastinapur.

Krishna-Radha/ Rukmini:
The God who taught love was Krishna. He was the flirtatious Gopal who played the flute and danced with the Gopis, stealing their clothes and their butter. His love for Radha was a teenage romance full of passion and deep meaning, beyond the social barriers of the land. She was older, married in some versions and yet in a mad trance at his name. She danced to his flute, and no matter how many gopis he met, every night at the gardens beside the Yamuna, Krishna met Radha, played his flute and made haste for her. His separation from her was yet again due to his responsibilities towards his people, and he told her to wait for him. Radha waited for years in vain for news from him. Making his capital Dwarka, he was sure she was waiting for him back home. But she could take the pain no longer and committed suicide. Radha's death devastated him. He stopped playing his flute and dancing. He played the flute only because Radha danced to it. Krishna returned to Dwarka as a staunch politician.

Rukmini was a princess of Videhi and the sister of Krishna's enemy Rukmi. When Rukmi wanted her to marry the sinner Sishupala, she wrote a letter to Krishna urging him to make her his. Krishna responded as they eloped to get married. She made him vow not to kill her kin to marry her, and he kept her word. She was his chief consort from his many marriages, and her devotion to him is expressed in many tales. She gave him his first son and supported him throughout her life. Once, when his wife was set to weigh him against their valuable clothes and jewellery, she chose a Tulsi leaf to be equal to him, such was her devotion. 

Abhimanyu and Uttara:
My favourite epic couple, Abhimanyu, was the warrior son of Arjun and Uttara, the daughter of King Virat. They got married just before the outbreak of the great Kurukshetra war when he was sixteen, and she was around fourteen. Their only child, Parikshit, was still unborn when Abhimanyu was brutally killed by his uncles. Uttara lived all her life bringing up her child like his father. In their short span of marital life, so great was their love that Uttara wanted to die in his pyre. When stopped by Krishna for her child, she asked for a boon of rebirth as his wife, to commit Sati. The great Rani Sati Temple in Rajasthan stands as a witness to the fulfilment of her promise.



Popular posts from this blog

From Fire Altars to Forgotten Gods: The Chaotic Evolution of Hinduism

The Indian Subcontinent is a diverse mix of cultures, religions and traditions that make up its value system. The moment we discuss the early Indian subcontinent and its religions, long before Buddhism or Jainism came into existence or the Abrahamic religions were introduced on the western coasts by travellers and traders, long before any invasion proved any sign of forced conversion, a layman’s idea of the Indian Subcontinent is that of a single unified culture. Historically speaking, that is far from the truth. The Indian Subcontinent, since the evidence of early civilisation has been found in its river banks, like that in Bhirrana or Mehrgarh, dating back to around 6000 BCE, has never had one unifying belief through its geographic boundaries. The terms Hindu, Hindustan and many others come originally from attributed to primary sources of the Ancient West Asian civilisation. But our history starts much earlier than that. And where there is society and civilisation, there is bound to ...

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love. ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon t...

The Idea of Independence

Independence is not merely about a free country, a flag, a democracy or a monarchy as the power seat of a region. It is a feeling and a choice. Entitlement to one’s own opinion and rights. Often, a reason to reform. Independence is about individuality and mass. As we grow up, we often write essays on “My Inspiration.” The word inspiration is, in reality, deeper than we understand at that young age and is more often than not merged with our childhood ideas of an ideal man, an idol, or someone who helps us, namely, our own teachers or parents. Some of the students even mug up essays that tell the tales of the lives of Swami Vivekananda or Mahatma Gandhi. But it takes us years, or even perhaps a lifetime, to be mature enough to know and understand the true meaning of inspiration and idol. When we do, it is then that we choose ones that appeal to our morals, thoughts and souls. I remember Independence Day as a child. Every 15 th  of August used to be about our locality dressed up in a ...

Uttara's Hope

This is part of the "Uttara Series" You will find under the Mahabharata. The series is also available on Wattpad. She was clad in white attire. Her churamani and jewellery were all taken away. She sat numbly in front of his dead body for a whole day, pregnant with his heir, looking at his face as though he was asleep. He had told her more than once that this day could come and that she had to protect their heir. He feared her future without him. That one day turned the fifteen-year-old  Princess of Matsya  into an aged lady. She became quiet and aloof. Her only concern now was her baby. Her baby wiggled in her womb. She remembered him saying,    " I will always be with you." All she wanted now was a son like his father. But she knew all Hastinapur wanted was an heir to the throne. The war had ended five days after his death, and they were back in the palace of Hastinapur victorious. She, for the first time, entered her real in-laws' home, but without him. All sh...

Sisodiya: Kings, Queens and Princes (1538 - 1597)

I am back with another History post, this time it is on the wives and sons of Rana Udai Singh II of Mewar, his son and heir Maharana Pratap and Rana Amar Singh. This is a continuation of the Sisodia Family History I posted some time back. The information has been taken from Annals of Mewar by James Todd, Maharana Pratap by B.N. Rana, and Maharana Pratap by Rima Hooja.  Udai Singh II  was the son of Ranisa Karnawati and Rana Sangram Singh. He was born on 4th August 1 522, at Chittorgarh and died on 28th February 1 572 at Gogunda . He was the Ruler of the Sisodia Dynasty. He is believed to have  56 sons and 2 5 wives, apart from the many insignificant queens in his Rani Mahal. Here is a list of his main queens and their sons. Maharani Jaivanta Bai Songara of Jalore  was his chief queen and consort. Her son is Maharana Pratap. He was married to her before he went to war with Banbir, as her father, Akshayraj Rao, was a friend and ally of his father, Rana Sanga.  Saj...

The Kaali Effect

The shopping mall echoed with a noise. The buzz grew silent. Fear crept in. Until somebody shouted, " It's just a Balloon!" The buzz grew again, the shopping continued, the romantic couples continued their walks, and the food court filled up with the aroma of the orders... A few decades back, people used to laugh carefree at a balloon bursting or a tyre booming in the streets or in various crowded areas. Now, in the back of everyone's head, a loud noise always brings the same thoughts... Another year, another city, another crowded place, Several innocent lives. They don't spare religious places either. For the sake of mankind? Religion? Politics? Power? They only know. Who are they? Nobody knows. It is said that the demon Kaali, who ushered in KaliYug, decided to reside in a few things. Addiction, Wealth, Desire, and Anger are some such things he resides in. This is KaliYug, where an innocent child's balloon makes adults fear the extremes. What is dharma here?...

Rakhi Tales

A Rakhi to the Enemy: The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long, and time was of the essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even R...

The Warrior Prince

This is part of the "Uttara Series" You will find under the  Mahabharata . The series is also available on Wattpad. The Prince was born in Dwarka. He grew up at his Uncle's place, learning the art of weapons from him. He proved a worthy heir to the warrior prince. Wherever he went, he was praised for his archery skills. People said he inherited it from his father, the son of Indra. He also learned to use the Mace and Sword. When he was fifteen, news arrived that his father's exile was over, and he had decided to marry his son to the princess of Matsya. His mother was pleased. The grand wedding followed the preparations for the battle. What excited him most was meeting his father, uncles, Rajmaata Panchali and his cousins for the first time. The young prince spent a few months in the Matsya capital of Viratnagar with his new bride. A few months later... at Kurukshetra... The Battlefield was getting ready. It was the Twelfth Night of the battle, waiting for the Thirteen...

The Garuda Cannon of Krishna Chandra

Maharaja Krishna Chandra was an influential king in Nadia, Bengal, who formed his capital at Krishnanagar. During the preparation of the Battle of Plassey that sealed the deal for British Colonisation in Bengal in 1757, Krishna Chandra was under the Mughals of Delhi, who did not support Bengal Subah Nawab Siraj Ud Daulah in his attack against the British in Calcutta. As a result, he too was vocal against Siraj and supported the British. Siraj ordered for him to be imprisoned for not paying his due taxes to the Nawab, and he found freedom only after Robert Clive and Mir Jafar ousted Siraj by betraying him. Once Krishna Chandra was back in his state, the Mughal emperor, who was now reduced to a puppet of the British, by suggestion of Robert Clive, gifted the king a token of appreciation for his support, a cannon, which the Raja named the Garuda Cannon. What was so special about the cannon? This is the only cannon found in any museum with an inscription in Bengali scripture. Most cannons ...