Skip to main content

Jodha Bai: A Fact Check on Mughal History

 

In popular culture


Jodha Bai, as we know her, is the title by which we refer more often to the Rajput wife of Emperor Jalaluddin Mohammad Akbar, the third Emperor of the Mughal (originally Timurid) dynasty who ruled between 1556 and 1605 A.D. She appears in various folklores of the popular "Akbar Birbal stories for Children '' as a queen, and these fictional tales on the wit of Birbal often are in fact our first introduction to both Akbar and Jodha Bai as children. These folktales have been taken up by various animators to be made into series. India's most popular platform of entertainment, besides its cricket, is Bollywood and Hindi cinema.


One of the most iconic movies ever made in the industry is "Mughal-e-Azam", which revolves around yet another fictitious tale of Prince Salim, later Jahangir, falling for a dancing girl from his father's harem, Anarkali. There, we see Prithviraj Kapoor in his iconic voice as Akbar, referring to his queen and Salim's mother as Jodha as well. Skip to Ashutosh Gowariker's most popular historical movie so far, the 2008 Hritik-Aishwarya starrer "Jodha Akbar" Yet again, the Rajput princess from Amer has been addressed as Jodha Bai. This movie inspired the later Zee TV drama called "Jodha Akbar" by the television star producer Ekta Kapoor, where yet again she has been portrayed as his love and the chief queen.



Who should be referred to as Jodha Bai?


The princesses who hail from Marwar, presently Jodhpur, Mehrangarh Fort or any other place belonging to the Marwar Rathore rulers were actually addressed as Jodha Bai or Jodh Bai. That can also include Merta Princesses, the most popular one being Meera Bai, who was married to Bhoj Raj, the heir apparent of Rana Sanga of Chittorgarh, Mewar.


Was Akbar's wife Jodha Bai?


Akbar married not one but many Rajput princesses under his alliance policy. He may have had princesses from Marwar in his harem as well. (Harem being where the women, including royals and their staff, stayed) But the princess of Amer, who is referred to as Jodha Bai, was not actually someone with that title. The title had, over time, been wrongly attributed to her. She is Harka Bai, born to Raja Bharmal of Amer and is also referred to as Heer Kanwar. Her date of birth remains unknown, as is the case with most Rajput women of her time, but her lineage is in no way related to the Rathores of Marwar. She came into Akbar's Harem after a marriage of Alliance between Amer and the Timurids. Akbar by then had two chief wives. His chief wife, cousin and consort, Rukaiya Sultana Begum, the daughter of his father's half-brother Hindal Mirza and Salima Sultana Begum, the daughter of his father's sister, who also happened to be a widow of his mentor Bairam Khan, who died in an attack. 


Harka Bai was prominent in establishing Akbar as a secular ruler and contributed to history by incorporating her Rajput culture and heritage into the Timurid legacy. She, along with other princesses who came from different Hindu states, made the Rajput Harem, which she in turn headed. She was not his Padshah Begum. She was the head of the Rajput Harem. Rukaiya remained Akbar's Padshah Begum throughout her life. The only reason Harka Bai finds more mention in Akbar's self-sponsored Biography by Abul Fazl, the Akbarnama, is that she had given birth to his first heir, Salim, after much difficulty in Akbar's life for an heir apparent. 


Upon Salim's birth, she was given the title of "Mariam Ur Zamani" or Mary of the Age. She lived well into her son's reign, had her own trading ships and business dealings and died in 1623 A.D. In Jahangir's own memorial, Tuzk E Jahangiri, he fondly remembers her by her title, Mariam Ur Zamani.




This scene from "Akbarnama" depicts the birth of Salim and Mariam Ur Zamani, who is shown on the bed, her complexion clearly more subcontinental than the Timurid ladies. This is perhaps the most detailed painting found of her alongside Hamida Banu Begum, Akbar's mother, who is seen (not in this part) in the painting wearing a Turkish hat. Salim was born in Sikri, a few miles from Agra, at the house of Salim Chisti, one of the descendants of the founder of the Chisti order of Sufism, Moinuddin Chisti, whose shrine is at Ajmer.


Was there any Jodha Bai?


The most popular princess in the Mughal(Timurid) Harem, who was probably originally referred to as Jodha Bai or Jodha Begum, could be Salim's wife, Manwati Kanwar, the second Rajput princess Salim married. She was the daughter of Raja Udai Singh Rathore, better known as Mota Raja and granddaughter of Rao Maldeo Rathore of Marwar (Jodhpur).

She is better known as the mother of Prince Khurram, the later emperor Shah Jahan.


The prince Khurram was handed over to Akbar's first wife, Rukaiya Begum, whom he fondly called "Shah Ammi." Manwati's official royal title was Jagat Gossain, and she was perhaps the closest contender to Nur Jahan to be Jahangir's consort. She died early, during the reign of Jahangir in 1619. She is remembered in his memoirs and has been clearly referred to as the Jodhpuri princess in various sources. Her residence was at the Jahangir Mahal of Agra Fort. 


Jagat Gossain



Fact check on popular culture:


A lot of our beliefs and knowledge actually come from popular media such as stories and movies, rather than facts. Here are a few popular facts that have been wrongly incorporated into our lives on the Mughals, as well as perhaps even in our history books. (I will add points here as I progress, so your inputs are welcome, with sources)


  1. The dynasty is called the Timurids. They hail from Timur the Lame, and their native place was Samarkand. The popular name Mughal was given to them by Europeans to reflect upon Babar's maternal side, hailing from Genghis Khan and the Mongols, who were often referred to as Barbaric. It was a futile attempt to make the dynasty look bad.

  2. The Baburnama is not original. The original accounts written by Babar were lost, and the recreated version has 8 different sources written over a long period in different versions post his death.

  3. The Humayun Nama, written by his half-sister Gulbadan Begum, under the patronage of Akbar, has been found in pieces. The rest of it remains missing.

  4. Jalaluddin Mohammad Akbar was one of the first rulers to speak up against child marriage and Sati. 

  5. Anarkali is fiction. The entire story had been written later by a poet. However, some say there was a dancer girl called Nadira whom Salim took an interest in, causing a rift between him and his father, in a futile attempt to get back at his father. Salim, later Jahangir, throughout his life, acknowledged his love for his later wife, Nur Jahan.

  6. Shah Jahan built the Taj Mahal on a property gifted by Raja Jagat Singh for his second official wife, Arjumand Banu Begum, Mumtaj Mahal, the mother of his children. He did not marry any of her relatives or her sister. His other chief Begums were Qandahari Begum (From Kandahar), Zainabadi Begum and Fatehpuri Begum.

  7. No outsiders were allowed into the inner zenanas of the Harem. Nor did they visit any princesses in person. Any attempt by Europeans claiming so is just bazaar gossip, including their theories of incest and affairs that pointed at the characters of the princesses, namely, Jahanara and Roshanara. Since these writers were sponsored by the courts of European kings, they cooked up these stories to please their patrons, mostly because they were intimidated by the power and freedom these princesses held

  8. Most think Aurangzeb was a cruel and unjust ruler. What they don't often know is that he was just like Shah Jahan. And ever since his mother's death, Shah Jahan was very partial toward his children. Dara got to sit on a golden throne after his defeat in Kandahar, while Aurangzeb was scrutinised over the smallest of details of whether he sent the emperor the good mangoes from his orchard or kept them for himself. (We will do that story some other time.)

  9. None of the wives belonging to any other religion was ever converted. The titles given to them were official honours and not a change of name. The mausoleums in their names were made in their honour, and they were not buried inside. The wives belonging to any other religion practised their own. Even Akbar or Jahangir followed certain rituals of Hinduism as well as Sufism. They were not devout Muslims, much like the later Prince Mohammad Dara Shikoh, son of Shah Jahan, who was perhaps the first one in the dynasty to officially embrace Sufism. 

  10. Most importantly, in conclusion, Jodha Bai was neither Akbar's first Rajput queen nor the mother of Salim. Akbar's Rajput queen was Harka Bai, and Salim's wife was Jodha Bai.


Bibliography:
  • Akbar Nama By Abul Fazl
  • Akbar The Great Mogul by Vincent Smith
  • Tuzk E Jahangiri
  • Shah Jahan Nama by Inayat Khan
  • Short History of Aurangzeb by Jadunath Sircar
  • Mughal Empire by R.C. Majumder
  • Medieval India by Satish Chandra
  • Empress by Ruby Lal
  • Daughters of the Sun by Ira Mukhoty
  • Mahal by Subhadra Sengupta
  • Royal Rajputs by Manoshi Bhattacharya
  • Domesticity and Power in the Early Mughal World by Ruby Lal

Popular posts from this blog

Rakhi Tales

A Rakhi to the Enemy: The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long, and time was of the essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even R...

The Thirteenth Night

This is part of the "Uttara Series" You will find under the Mahabharata. The series is also available on Wattpad. The night of the Bhadra Amavasya saw a funeral pyre in the Pandavas' camp. Wails of the ladies filled the air as the young brave heart was turning into ashes. The ashes lit up a celebration in the Kauravas' camp. Duryodhan, Dushyasan, Shakuni, and Jayadrata all succeeded in their mission. Breaking the Pandavas' backbone, killing their favourite son. Karna joined in the celebrations reluctantly; he had released the boy from the pain. The face kept coming back to him. After all, he was his nephew. He shut his eyes in pain. The air tonight seemed cursed. The pyre burning made the teenage widow run towards it. She had no hope of living without him. Life was already tough; each day, he went to war with a smile on his face. She had already lost her brother. Now she had none to return home to her. "Stop!" His mother pleaded between the wails. "...

Etched In Stone

This historical short story is a fictitious account of Ashoka, the Mauryan Emperor and his first wife Devi, who finds no place in Magadhan History. There is another fiction about her in the blog as well. This story stemmed from a merge of two ideas, one was to mention the cave inscription found in Saru Maru that mentions Asoka spending some days there with his lover (presumed to be Devi), the other idea of how if words did not immortalise a lot of battles and achievements, the names of many great men would be lost in time. The prince stood on the edge of the cliff, looking at the horizon. Dawn arrived as the birds started leaving their nests, wings fluttering, eager to discover the world. He looked up at them, the thought of once again going back to exploring the length and breadth of his state making him feel a little restless as he eyed his healing wounds. He was left to die; his enemies wished so. Yet by some miracle of fate, as if his purposes were yet to be fulfilled, here he was ...

Nawab E Bengal

  Background: Nawab Alivardi Khan was ruling Bengal at the peak of Nawabi rule, expanding his strong empire. He had successfully suppressed the Marathas and had given a strong message to the British East India Company’s rising influence at Calcutta. Highly aware of the British Colonial policies across the globe, Nawab Alivardi Khan was strict with his policies and stronghold over Murshidabad, the then capital of Bengal (including present-day Bihar, Jharkhand, West Bengal, Orissa, and Bangladesh).  He had two daughters and no sons. Amina Begum was the elder one, followed by Ghaseti Begum.  Amina had three sons with her husband and courtier, Ahmed Khan. The second son, Mirza Mohammad, fondly called Siraj-Ud-Daulah (light of the country)by his grandfather, was born in 1733C.E. He was his grandfather’s  favourite  because he was born while he won over the Marathas. Alivardi Khan never let the “fortune child” of the family out of his sight. Siraj grew up accompanying...

Roopmati's Renewal

The entourage was too large and extravagant for a musician. Roopmati remembered that as a child, during festivities, she would ride on her father’s shoulder to see the entourages pass by the main streets of the town nearby. She had seen many a musician. None had such a huge entourage. Roopmati frowned a little, unsurely as she took her father’s leave. His warning rang in her ears. “Remember what you do, how you behave will all come back to me.” She nodded.  The chief queen was at a loss for words. She had never seen the Sultan himself step into the Mahal to check the chambers to be allotted to one of the girls who were coming in. She was not one of the girls. She was a musician. The queens were curious. What would her position be then? She could not be a concubine, and she was not a queen. A musician in the royal palace of the ladies? Had the Sultan lost his senses? Or did he have some other agenda? If he wanted someone, he had them. He was the Sultan. There was no way he was tryin...

The Idea of Independence

Independence is not merely about a free country, a flag, a democracy or a monarchy as the power seat of a region. It is a feeling and a choice. Entitlement to one’s own opinion and rights. Often, a reason to reform. Independence is about individuality and mass. As we grow up, we often write essays on “My Inspiration.” The word inspiration is, in reality, deeper than we understand at that young age and is more often than not merged with our childhood ideas of an ideal man, an idol, or someone who helps us, namely, our own teachers or parents. Some of the students even mug up essays that tell the tales of the lives of Swami Vivekananda or Mahatma Gandhi. But it takes us years, or even perhaps a lifetime, to be mature enough to know and understand the true meaning of inspiration and idol. When we do, it is then that we choose ones that appeal to our morals, thoughts and souls. I remember Independence Day as a child. Every 15 th  of August used to be about our locality dressed up in a ...

Hada Queen's Sacrifice

What is folklore? They are history and bravery with a lack of proof, and are often lost in people's storytelling due to a lack of proper documentation. The ones who survive make the heroes and villains immortal. Here I have put forward two very popular Rajasthani folklores in a single representation. I have not read these in the current representative form, but have posted them as stories to make them more interesting and to put forward the spirit of the Kshatranis of Rajputana. Rao Ratan Singh of Salumber was the 13 th  Rawat of Salumber, a province that fell under Mewar’s state in the 1660s. His forefathers were the Chundawats who, once in the time of Mokal and Rana Kumbha, had given up their throne for the Sisodia dynasty and were known to serve them with their blood and soul. The Rao was married to a Hada Rajputani, also Rawats under the Mewar rule; the Hadas were not only loyal chieftains but popular princesses to be married to the rulers of Mewar, hailing from Bundi and surro...

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love. ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon t...

Bijolia: Her Home

Journey to Bijolia: Lost Kingdoms and Timeless Temples of Mewar Bijoliya translates to a stop between two cities. Nestled in Rajasthan’s Bhilwara district, Bijolia sits 55km from Bundi and 105km from Chittorgarh on the well-travelled Bundi-Chittorgarh road. Once part of Mewar, this seemingly sleepy town guards a rich and layered past: it was ruled from the 11th to the 13th century by the Punwars (or Parmar Rajputs) before falling under the Chauhan dynasty, who shifted the region’s capital to Bhilwara and constructed the imposing fort there. After a brief Chauhan rule, Bijolia was reclaimed by Rana Kumbha and became an integral part of the Mewar kingdom, with the Parmars serving as local Raos, representatives and stewards of the royal house. Despite its history and the famed Bijolia inscriptions (a treasure for historians), Bijolia has never found a seat on Rajasthan’s primary tourist circuit, especially if you’re venturing out by public transport or private car. While a handful of...

From Fire Altars to Forgotten Gods: The Chaotic Evolution of Hinduism

The Indian Subcontinent is a diverse mix of cultures, religions and traditions that make up its value system. The moment we discuss the early Indian subcontinent and its religions, long before Buddhism or Jainism came into existence or the Abrahamic religions were introduced on the western coasts by travellers and traders, long before any invasion proved any sign of forced conversion, a layman’s idea of the Indian Subcontinent is that of a single unified culture. Historically speaking, that is far from the truth. The Indian Subcontinent, since the evidence of early civilisation has been found in its river banks, like that in Bhirrana or Mehrgarh, dating back to around 6000 BCE, has never had one unifying belief through its geographic boundaries. The terms Hindu, Hindustan and many others come originally from attributed to primary sources of the Ancient West Asian civilisation. But our history starts much earlier than that. And where there is society and civilisation, there is bound to ...