Skip to main content

Chittorgarh: The Devoted Fort

Chittorgarh, renowned for its tales of sacrifice and valour, is also a remarkable testimony to secular harmony and religious heritage that flourished over centuries. Beyond battles and sieges, the fort and its surroundings are dotted with numerous temples, talabs (reservoirs), kunds (water tanks), and temple complexes; some intact, others abandoned or in ruins, each narrating stories of devotion, culture, and royal patronage.

The Legend of Meera Bai: Devotion and Defiance

One of the most inspiring figures linked to Chittorgarh’s spiritual legacy is Meera Bai, the saint poetess and princess of Merta. Married in 1513 AD at age 14 to Maharaj Kumar Bhoj Raj Singh Sisodiya, the eldest son of Rana Sanga, her story is one of profound devotion.

As a child, Meera Bai was deeply attached to the idol of Lord Krishna, whom she considered her true husband, an attachment sparked by a childhood curiosity and nurtured with daily conversations and care for the idol. This devotion distanced her from worldly matters early on. After losing her mother at age nine and being cared for by her grandfather, Rao Dudha of Jodhpur, family pressures sought to quell her spiritual fervour through marriage. Bhoj Raj, a lover of music and poetry and a protector of Meera’s faith, became her husband and strongest ally.

While Bhoj Raj encouraged Meera’s bhajans and encouraged her to attend midnight religious gatherings at the Kumbha Shyam Temple complex, tragedy struck in 1526 AD when he died in battle. Rana Sanga, honouring both Meera and his son, built the Krishna Temple, now famously known as the Meera Temple, where Meera spent her days in prayer with her companion Sakhi Lolita.

After Bhoj Raj’s death, internal court conflicts arose, particularly from Vikramaditya Rana Sanga’s younger son, who coveted Meera. To protect her, especially after Rana Sanga's death, Karnavati, Vikramaditya’s mother and Bhoj Raj’s stepmother, escorted Meera out of Chittor through the Suraj Pol. Meera left behind her beloved Girdhaar with Karnavati and journeyed to Merta, then Vrindavan, where she ultimately vanished, believed to have become one with Lord Krishna. Her unwavering devotion remains a timeless message of love and faith from Chittorgarh. The most popular saying in Chittor is that "Luck left Chittorgarh the day Meera Bai was asked to leave, and she had left her Girdhar behind." It is deemed true that not long after a lot many years since she left the fort, the fort was captured by Bahadur Shah in 1535, leading to the Jauhar led by Rani Karnawati.

The Kumbha Shyaam Temple: Architectural and Spiritual Jewel

The Kumbha Shyaam Temple holds a special place in Chittorgarh’s religious landscape. Originally dedicated to Lord Vishnu by Rana Kumbha, the temple later came to honour Krishna through Meera Bai’s profound influence on Vaishnavism. Its intricate carvings portray vivid stories from the Puranas, illustrating mythological narratives with delicate architectural finesse.

The temple was a favoured site where Chittorgarh’s queens performed their daily worship and continues to be a place of active devotion, with pilgrims and locals alike offering prayers.

The Talabs and Kunds: Ancient Reservoirs of History and Myth

Chittorgarh’s Talabs and Kunds, though no longer pristine, are integral to its historical fabric. Notable among them:

  • Mandakini Kund, Bhimlat Kund, and Surya Kund each carry centuries-old associations.

  • The Surya Talab was a royal bathing spot for kings.

  • The Mandakini Kund was venerated by queens.

  • The Vishnu Talab remains a popular site.

  • The Gaumukh Kund, the largest surviving reservoir, is named after the cow-head-shaped water inlet. Located near the Samadhiswara Shiva Temple, itself a site of ancient spiritual significance linked to Mahabharata legends and devotion of Bhim, Arjun, and Draupadi, this Kund is a testament to Chittorgarh’s mystical past.

The Samadhiswara Temple was reconstructed by Rana Kumbha after the devastation wrought by Alauddin Khilji’s siege nearly a century earlier.

Sacred Temples of Shiva and Devi

In addition to Vaishnavite sites, Chittorgarh is home to numerous temples dedicated to Lord Shiva and Devi Parvati. Among these, the Kalika Mata Temple and Amba Devi Temple stand out for their religious importance and architectural beauty, continuing to attract devotees and tourists.

The Impact of Invaders on Chittorgarh’s Religious Sites

Despite its spiritual richness, Chittorgarh’s temples did not remain untouched by history’s turmoil. Invaders, especially during the Mughal sieges, caused extensive damage. It is recorded that Akbar destroyed at least 56 temples during his conquest, all of which were originally constructed or patronised by the Sisodia royal family, attesting to both the scale and the cultural loss endured.

A Structure Near the Meera Temple

Adjacent to the Meera Temple, remnants of structures from Chittorgarh’s golden era remain, evoking the spiritual ambience that once flourished here. These ruins symbolise resilience amidst destruction, a poignant reminder of the fort’s layered past.

Visiting Chittorgarh offers much more than a glimpse of heroic sacrifices; it reveals a vibrant canvas of religious tolerance, royal patronage, and poetic devotion. From the sanctity of Meera Bai’s story to the delicate art of the Kumbha Shyam Temple and the tranquil waters of ancient Kunds, Chittorgarh invites travellers not only to witness history but also to connect deeply with the spiritual soul of Rajputana. Here are some of the photos I clicked.


This Chambhuja is dedicated to Rana Kumbha in front of the Kumbha Shyam Temple.

A structure near the Meera Temple






Architecture at the Meera Temple



Meera Bai's Original Girdhar




Pillars of the Kumbha Shyaam Temple


Vishnu Talab

Gaumukh Kund
Nandi at the Shiva temple

Samaddhiswara Temple




The temple was destroyed by Akbar.





Popular posts from this blog

From Fire Altars to Forgotten Gods: The Chaotic Evolution of Hinduism

The Indian Subcontinent is a diverse mix of cultures, religions and traditions that make up its value system. The moment we discuss the early Indian subcontinent and its religions, long before Buddhism or Jainism came into existence or the Abrahamic religions were introduced on the western coasts by travellers and traders, long before any invasion proved any sign of forced conversion, a layman’s idea of the Indian Subcontinent is that of a single unified culture. Historically speaking, that is far from the truth. The Indian Subcontinent, since the evidence of early civilisation has been found in its river banks, like that in Bhirrana or Mehrgarh, dating back to around 6000 BCE, has never had one unifying belief through its geographic boundaries. The terms Hindu, Hindustan and many others come originally from attributed to primary sources of the Ancient West Asian civilisation. But our history starts much earlier than that. And where there is society and civilisation, there is bound to ...

Etched In Stone

This historical short story is a fictitious account of Ashoka, the Mauryan Emperor and his first wife Devi, who finds no place in Magadhan History. There is another fiction about her in the blog as well. This story stemmed from a merge of two ideas, one was to mention the cave inscription found in Saru Maru that mentions Asoka spending some days there with his lover (presumed to be Devi), the other idea of how if words did not immortalise a lot of battles and achievements, the names of many great men would be lost in time. The prince stood on the edge of the cliff, looking at the horizon. Dawn arrived as the birds started leaving their nests, wings fluttering, eager to discover the world. He looked up at them, the thought of once again going back to exploring the length and breadth of his state making him feel a little restless as he eyed his healing wounds. He was left to die; his enemies wished so. Yet by some miracle of fate, as if his purposes were yet to be fulfilled, here he was ...

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love. ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon t...

The Kaali Effect

The shopping mall echoed with a noise. The buzz grew silent. Fear crept in. Until somebody shouted, " It's just a Balloon!" The buzz grew again, the shopping continued, the romantic couples continued their walks, and the food court filled up with the aroma of the orders... A few decades back, people used to laugh carefree at a balloon bursting or a tyre booming in the streets or in various crowded areas. Now, in the back of everyone's head, a loud noise always brings the same thoughts... Another year, another city, another crowded place, Several innocent lives. They don't spare religious places either. For the sake of mankind? Religion? Politics? Power? They only know. Who are they? Nobody knows. It is said that the demon Kaali, who ushered in KaliYug, decided to reside in a few things. Addiction, Wealth, Desire, and Anger are some such things he resides in. This is KaliYug, where an innocent child's balloon makes adults fear the extremes. What is dharma here?...

The Idea of Independence

Independence is not merely about a free country, a flag, a democracy or a monarchy as the power seat of a region. It is a feeling and a choice. Entitlement to one’s own opinion and rights. Often, a reason to reform. Independence is about individuality and mass. As we grow up, we often write essays on “My Inspiration.” The word inspiration is, in reality, deeper than we understand at that young age and is more often than not merged with our childhood ideas of an ideal man, an idol, or someone who helps us, namely, our own teachers or parents. Some of the students even mug up essays that tell the tales of the lives of Swami Vivekananda or Mahatma Gandhi. But it takes us years, or even perhaps a lifetime, to be mature enough to know and understand the true meaning of inspiration and idol. When we do, it is then that we choose ones that appeal to our morals, thoughts and souls. I remember Independence Day as a child. Every 15 th  of August used to be about our locality dressed up in a ...

Bijolia: Her Home

Journey to Bijolia: Lost Kingdoms and Timeless Temples of Mewar Bijoliya translates to a stop between two cities. Nestled in Rajasthan’s Bhilwara district, Bijolia sits 55km from Bundi and 105km from Chittorgarh on the well-travelled Bundi-Chittorgarh road. Once part of Mewar, this seemingly sleepy town guards a rich and layered past: it was ruled from the 11th to the 13th century by the Punwars (or Parmar Rajputs) before falling under the Chauhan dynasty, who shifted the region’s capital to Bhilwara and constructed the imposing fort there. After a brief Chauhan rule, Bijolia was reclaimed by Rana Kumbha and became an integral part of the Mewar kingdom, with the Parmars serving as local Raos, representatives and stewards of the royal house. Despite its history and the famed Bijolia inscriptions (a treasure for historians), Bijolia has never found a seat on Rajasthan’s primary tourist circuit, especially if you’re venturing out by public transport or private car. While a handful of...

Uttara's Hope

This is part of the "Uttara Series" You will find under the Mahabharata. The series is also available on Wattpad. She was clad in white attire. Her churamani and jewellery were all taken away. She sat numbly in front of his dead body for a whole day, pregnant with his heir, looking at his face as though he was asleep. He had told her more than once that this day could come and that she had to protect their heir. He feared her future without him. That one day turned the fifteen-year-old  Princess of Matsya  into an aged lady. She became quiet and aloof. Her only concern now was her baby. Her baby wiggled in her womb. She remembered him saying,    " I will always be with you." All she wanted now was a son like his father. But she knew all Hastinapur wanted was an heir to the throne. The war had ended five days after his death, and they were back in the palace of Hastinapur victorious. She, for the first time, entered her real in-laws' home, but without him. All sh...

Nawab E Bengal

  Background: Nawab Alivardi Khan was ruling Bengal at the peak of Nawabi rule, expanding his strong empire. He had successfully suppressed the Marathas and had given a strong message to the British East India Company’s rising influence at Calcutta. Highly aware of the British Colonial policies across the globe, Nawab Alivardi Khan was strict with his policies and stronghold over Murshidabad, the then capital of Bengal (including present-day Bihar, Jharkhand, West Bengal, Orissa, and Bangladesh).  He had two daughters and no sons. Amina Begum was the elder one, followed by Ghaseti Begum.  Amina had three sons with her husband and courtier, Ahmed Khan. The second son, Mirza Mohammad, fondly called Siraj-Ud-Daulah (light of the country)by his grandfather, was born in 1733C.E. He was his grandfather’s  favourite  because he was born while he won over the Marathas. Alivardi Khan never let the “fortune child” of the family out of his sight. Siraj grew up accompanying...

Immortals of India

We have all heard of the famous immortals of Hindu Mythology. Hanuman to Vyas Dev to Ashwathama. The  Immortals of Hindu mythology  are called  Chiranjibi,  meaning "one who lives forever". However, it is in Hinduism itself that it is mentioned that no mortal body can be immortal; they pass on after a certain time on earth. Even Brahma is not free from this cycle. His earthly body collapses. Then who are immortals? What does it mean? First, let's start with the Trinity, Brahma, Vishnu and Maheshwar. Brahma, the creator, resides in the minds of all creators. Scientists, Mothers, artists, everyone is a part of Brahma. He who creates. Brahma is immortal through every creation on earth. Vishnu is the protector and preserver. He resides in every mortal. They protect their families, their morals, and their cultures. All reflect the aspects of Vishnu. Hence is the common belief that Vishnu resides in all mortals. Hence, we touch our feet or Pranipat our elders to worship Vi...

Rakhi Tales

A Rakhi to the Enemy: The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long, and time was of the essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even R...