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Brothers and Sisters of Mahabharata

The Mahabharata, one of the greatest epics of Hindu mythology, not only recounts tales of valour, destiny, and dharma but also reveals intricate relationships between siblings whose lives shaped the moral and political fabric of the narrative. The bonds between brothers and sisters in the epic are diverse: marked by affection, rivalry, loyalty, and sacrifice. These relationships, though complex, embody the human emotions that transcend divine lineage and royal blood.

Satyavati and Her Lineage

Satyavati and her brother Matsya were born from a miraculous union between a Cursed Nymph in the form of a fish, Adrika and the King Uparichara Vasu, whose semen the fish had consumed when it fell in the river. They were discovered by their adoptive father, King Dusharaj, the ruler of the fishermen, and thus came to be known as Matsya Santan, meaning “children of the fish.”

When the king found out about the twins, he claimed the male child as his heir and gave the girl, Satyavati, to the fisherman. This event left a lasting impression on her, fostering a deep-seated ambition and desire for royal status. Later, Satyavati married King Shantanu, the Emperor of Hastinapur, driven by her aspiration to become Raajmata, the mother of a future king. Her condition of marriage was simple: that her children would one day rule the Kuru Kingdom.

Her brother, meanwhile, was granted a small kingdom in the west, located in what is now Rajasthan, specifically between Alwar and Bharatpur. This territory became known as the Matsya Kingdom, with its capital at Viratnagari, ruled by the influential King Virat later on. The modern location of Viratnagari corresponds to Bairat in Rajasthan. King Virat, a descendant of Satyavati’s brother, was thereby related to the Pandavas, who sought his shelter during their exile. Although the precise degree of relation remains uncertain, he is believed to have been Satyavati’s grand-nephew.

If this lineage holds true, it would imply that Uttara (daughter of Virat) was actually Satyavati’s great-grandson’s descendant, making her a distant cousin to the Kuru princes. Despite the familial ties, the marriage between Abhimanyu and Uttara bonded them further. Satyavati herself, however, did not live to witness the war of Kurukshetra; she passed away at a hermitage shortly before the great conflict began.

Shantanu & Satyabati


Gandhari and Shakuni

Gandhari, the princess of the kingdom of Gandhara (modern-day Afghanistan), was the youngest sister among her brothers. She was forcefully wedded by Bhishma to the blind prince Dhritarashtra of Hastinapur. Her brother, Prince Shakuni of Gandhara, resided with her in Hastinapur against her wishes.

Gandhari in Kangra Painting

The tragic backstory of their family fueled a deep bitterness in Shakuni’s heart. Bhishma had destroyed their lineage as a threat to make sure Gandhari, who was bound to carry a hundred children, would be married to the blind prince, an act that drove Shakuni to avenge the injustice through cunning and deceit. His chosen instrument of revenge was his sister’s offspring, the Kauravas. Through them, he sowed seeds of discord within the Kuru dynasty, leading to the great war. Gandhari, unaware of the extent of her brother’s schemes, often found herself in emotional conflict with him, misinterpreting his vengeful actions as mere affection. Despite his vow to ruin the dynasty, Shakuni loved and cared for his sister deeply and often lamented her fallen fate due to her marriage.

Duhshala and Her Brothers

Duhshala was the only sister among the 105 Kauravas and Pandavas, the sole daughter of Dhritarashtra and Gandhari. Despite the enmity between her brothers and cousins, she was cherished and pampered by all. Duhshala was married to Jayadratha, the King of Sindhu, who was also a close friend of her eldest brother, Duryodhana.

Her marriage, however, was not a happy one. Jayadratha was a cruel and arrogant ruler whose misdeeds repeatedly placed him in conflict with the Pandavas. Yet, out of love for Duhshala, they spared his life on several occasions. During the war, when Jayadratha played a key role in the killing of Abhimanyu, Arjuna finally slew him. Despite her grief, Duhshala did not resent her cousins, understanding well her husband’s transgressions.

After Jayadratha’s death, their son became the ruler of Sindhu. Arjuna, once again, spared the young prince’s life in deference to his sister. Duhshala’s relatively minor presence in the grand narrative underscores the limited role women often occupied within the royal palaces of Hastinapur and Sindhu, despite their symbolic importance in maintaining family ties.

Subhadra and Her Brothers

Subhadra, the beloved sister of Balarama and Krishna, was born after her parents were freed from imprisonment by Krishna. Being much younger than her brothers, she was deeply cherished and protected in Dwaraka.

Her marriage was a subject of contention. Balarama, impressed by his student Duryodhana, intended to marry her to him. However, Subhadra harboured affection for their cousin Arjuna, whose mother Kunti and their father Vasudeva were first cousins. Recognising his sister’s wishes, Krishna supported her secret love and arranged for the lovers to elope and marry, defying the entire Yadava clan.

The most famous iconography of Subhadra among her brothers is at the Jagannath temple in Puri, Odisha.

Subhadra and Arjuna’s union produced the valiant warrior Abhimanyu. After the Pandavas were exiled, Subhadra returned to Dwaraka with her infant son. Balarama, setting aside his disapproval, received his sister warmly and trained his nephew in combat. She was later reunited with her husband and cousins at Abhimanyu’s marriage to Uttara. After the war, Subhadra cared for her grandson, Parikshit, the sole surviving heir of the Pandavas, following their departure to the Himalayas.

Draupadi and Dhrishtadyumna

Draupadi, the radiant Princess of Panchala, emerged alongside her brother Dhrishtadyumna from the sacrificial fire (Agni). Their father, King Drupada, favoured his son and heir but still maintained a relationship with both his children. Draupadi and Dhrishtadyumna shared a close bond founded on mutual respect and loyalty. Shikhandi, the biological daughter of Drupada, was, however, facing a more conflicted relationship with her siblings and father. She was closest to Draupadi and took part in the Battle of Kurukshetra to help Arjun defeat Bhisma.

Birth of Dhristadyumna


When Draupadi accompanied her husbands into exile, she entrusted her children to the care of her brother and her sister Shikhandi. Dhrishtadyumna grew into a formidable warrior and served as the commander of the Pandava army during the war. He was responsible for slaying Drona, a deed that angered Arjuna, though Draupadi staunchly defended her brother’s actions. Tragically, Dhrishtadyumna met his end at the hands of Ashwatthama after the war, dying alongside his nephews.

Uttara and Uttar

Uttara and Uttar, the twin children of King Virata and Queen Sudeshna of Viratnagari, embodied grace and valour. Uttara, known for her skill in dance and her strength of character, married Abhimanyu while still in her early teens. Her brother, Uttar, possessed boundless courage and ambition, aspiring to surpass all warriors of his age and bring glory to his father’s name.

Trained in both dance and archery by Arjuna, the twins shared a close bond. Uttar met a heroic but tragic fate at only fourteen, dying in the Kurukshetra War while defending Yudhishthira. Uttara’s profound grief over her brother’s death reveals the deep affection they held for each other. Uttara went on to nurture the future of the kingdom, her son Parikshit.

Uttar with Arjun

The Sibling Bond in the Epic

The Mahabharata portrays sibling relationships in forms both tender and tragic. Brothers and sisters were allies and adversaries, lovers and protectors, bound by ties that persisted even through war and death. These bonds reveal the moral and emotional complexity at the heart of the epic, where love, loyalty, and power intertwine to demonstrate the enduring influence of family across generations.



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