Skip to main content

Brothers and Sisters of Mahabharata

The Mahabharata, one of the greatest epics of Hindu mythology, not only recounts tales of valour, destiny, and dharma but also reveals intricate relationships between siblings whose lives shaped the moral and political fabric of the narrative. The bonds between brothers and sisters in the epic are diverse: marked by affection, rivalry, loyalty, and sacrifice. These relationships, though complex, embody the human emotions that transcend divine lineage and royal blood.

Satyavati and Her Lineage

Satyavati and her brother Matsya were born from a miraculous union between a Cursed Nymph in the form of a fish, Adrika and the King Uparichara Vasu, whose semen the fish had consumed when it fell in the river. They were discovered by their adoptive father, King Dusharaj, the ruler of the fishermen, and thus came to be known as Matsya Santan, meaning “children of the fish.”

When the king found out about the twins, he claimed the male child as his heir and gave the girl, Satyavati, to the fisherman. This event left a lasting impression on her, fostering a deep-seated ambition and desire for royal status. Later, Satyavati married King Shantanu, the Emperor of Hastinapur, driven by her aspiration to become Raajmata, the mother of a future king. Her condition of marriage was simple: that her children would one day rule the Kuru Kingdom.

Her brother, meanwhile, was granted a small kingdom in the west, located in what is now Rajasthan, specifically between Alwar and Bharatpur. This territory became known as the Matsya Kingdom, with its capital at Viratnagari, ruled by the influential King Virat later on. The modern location of Viratnagari corresponds to Bairat in Rajasthan. King Virat, a descendant of Satyavati’s brother, was thereby related to the Pandavas, who sought his shelter during their exile. Although the precise degree of relation remains uncertain, he is believed to have been Satyavati’s grand-nephew.

If this lineage holds true, it would imply that Uttara (daughter of Virat) was actually Satyavati’s great-grandson’s descendant, making her a distant cousin to the Kuru princes. Despite the familial ties, the marriage between Abhimanyu and Uttara bonded them further. Satyavati herself, however, did not live to witness the war of Kurukshetra; she passed away at a hermitage shortly before the great conflict began.

Shantanu & Satyabati


Gandhari and Shakuni

Gandhari, the princess of the kingdom of Gandhara (modern-day Afghanistan), was the youngest sister among her brothers. She was forcefully wedded by Bhishma to the blind prince Dhritarashtra of Hastinapur. Her brother, Prince Shakuni of Gandhara, resided with her in Hastinapur against her wishes.

Gandhari in Kangra Painting

The tragic backstory of their family fueled a deep bitterness in Shakuni’s heart. Bhishma had destroyed their lineage as a threat to make sure Gandhari, who was bound to carry a hundred children, would be married to the blind prince, an act that drove Shakuni to avenge the injustice through cunning and deceit. His chosen instrument of revenge was his sister’s offspring, the Kauravas. Through them, he sowed seeds of discord within the Kuru dynasty, leading to the great war. Gandhari, unaware of the extent of her brother’s schemes, often found herself in emotional conflict with him, misinterpreting his vengeful actions as mere affection. Despite his vow to ruin the dynasty, Shakuni loved and cared for his sister deeply and often lamented her fallen fate due to her marriage.

Duhshala and Her Brothers

Duhshala was the only sister among the 105 Kauravas and Pandavas, the sole daughter of Dhritarashtra and Gandhari. Despite the enmity between her brothers and cousins, she was cherished and pampered by all. Duhshala was married to Jayadratha, the King of Sindhu, who was also a close friend of her eldest brother, Duryodhana.

Her marriage, however, was not a happy one. Jayadratha was a cruel and arrogant ruler whose misdeeds repeatedly placed him in conflict with the Pandavas. Yet, out of love for Duhshala, they spared his life on several occasions. During the war, when Jayadratha played a key role in the killing of Abhimanyu, Arjuna finally slew him. Despite her grief, Duhshala did not resent her cousins, understanding well her husband’s transgressions.

After Jayadratha’s death, their son became the ruler of Sindhu. Arjuna, once again, spared the young prince’s life in deference to his sister. Duhshala’s relatively minor presence in the grand narrative underscores the limited role women often occupied within the royal palaces of Hastinapur and Sindhu, despite their symbolic importance in maintaining family ties.

Subhadra and Her Brothers

Subhadra, the beloved sister of Balarama and Krishna, was born after her parents were freed from imprisonment by Krishna. Being much younger than her brothers, she was deeply cherished and protected in Dwaraka.

Her marriage was a subject of contention. Balarama, impressed by his student Duryodhana, intended to marry her to him. However, Subhadra harboured affection for their cousin Arjuna, whose mother Kunti and their father Vasudeva were first cousins. Recognising his sister’s wishes, Krishna supported her secret love and arranged for the lovers to elope and marry, defying the entire Yadava clan.

The most famous iconography of Subhadra among her brothers is at the Jagannath temple in Puri, Odisha.

Subhadra and Arjuna’s union produced the valiant warrior Abhimanyu. After the Pandavas were exiled, Subhadra returned to Dwaraka with her infant son. Balarama, setting aside his disapproval, received his sister warmly and trained his nephew in combat. She was later reunited with her husband and cousins at Abhimanyu’s marriage to Uttara. After the war, Subhadra cared for her grandson, Parikshit, the sole surviving heir of the Pandavas, following their departure to the Himalayas.

Draupadi and Dhrishtadyumna

Draupadi, the radiant Princess of Panchala, emerged alongside her brother Dhrishtadyumna from the sacrificial fire (Agni). Their father, King Drupada, favoured his son and heir but still maintained a relationship with both his children. Draupadi and Dhrishtadyumna shared a close bond founded on mutual respect and loyalty. Shikhandi, the biological daughter of Drupada, was, however, facing a more conflicted relationship with her siblings and father. She was closest to Draupadi and took part in the Battle of Kurukshetra to help Arjun defeat Bhisma.

Birth of Dhristadyumna


When Draupadi accompanied her husbands into exile, she entrusted her children to the care of her brother and her sister Shikhandi. Dhrishtadyumna grew into a formidable warrior and served as the commander of the Pandava army during the war. He was responsible for slaying Drona, a deed that angered Arjuna, though Draupadi staunchly defended her brother’s actions. Tragically, Dhrishtadyumna met his end at the hands of Ashwatthama after the war, dying alongside his nephews.

Uttara and Uttar

Uttara and Uttar, the twin children of King Virata and Queen Sudeshna of Viratnagari, embodied grace and valour. Uttara, known for her skill in dance and her strength of character, married Abhimanyu while still in her early teens. Her brother, Uttar, possessed boundless courage and ambition, aspiring to surpass all warriors of his age and bring glory to his father’s name.

Trained in both dance and archery by Arjuna, the twins shared a close bond. Uttar met a heroic but tragic fate at only fourteen, dying in the Kurukshetra War while defending Yudhishthira. Uttara’s profound grief over her brother’s death reveals the deep affection they held for each other. Uttara went on to nurture the future of the kingdom, her son Parikshit.

Uttar with Arjun

The Sibling Bond in the Epic

The Mahabharata portrays sibling relationships in forms both tender and tragic. Brothers and sisters were allies and adversaries, lovers and protectors, bound by ties that persisted even through war and death. These bonds reveal the moral and emotional complexity at the heart of the epic, where love, loyalty, and power intertwine to demonstrate the enduring influence of family across generations.



Popular posts from this blog

Rakhi Tales

A Rakhi to the Enemy: The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long, and time was of the essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even R...

The Thirteenth Night

This is part of the "Uttara Series" You will find under the Mahabharata. The series is also available on Wattpad. The night of the Bhadra Amavasya saw a funeral pyre in the Pandavas' camp. Wails of the ladies filled the air as the young brave heart was turning into ashes. The ashes lit up a celebration in the Kauravas' camp. Duryodhan, Dushyasan, Shakuni, and Jayadrata all succeeded in their mission. Breaking the Pandavas' backbone, killing their favourite son. Karna joined in the celebrations reluctantly; he had released the boy from the pain. The face kept coming back to him. After all, he was his nephew. He shut his eyes in pain. The air tonight seemed cursed. The pyre burning made the teenage widow run towards it. She had no hope of living without him. Life was already tough; each day, he went to war with a smile on his face. She had already lost her brother. Now she had none to return home to her. "Stop!" His mother pleaded between the wails. "...

The Cortege That Shook The Raj: Kanailal Dutta

10th November, 1908 Around late morning, a procession of lacs made their way through the streets of Calcutta (Kolkata), India. Some were chanting “Vande Mataram”, others blew conch shells, and Ululation filled the air. Flowers were being showered from all directions, and garlands made their way through the crowd, being thrown at the procession in the middle. Bhagwat Gita and Ananda Math (Novel by Bamkim Chandra) were offered. No, this was no “ Sobha Jatra ” or celebration. There were no religious festivities either. That dawn, the Alipore Jail, which opened only two years back, witnessed the hanging of Kanailal Dutta, a twenty-year-old member of the “Jugantar Dol”, an anarchist group that was set up primarily by Aurobindo Ghosh (Later Rishi Aurobindo), his brother Barindra and their associates. Kanailal hailed from Chandannagore, and although he was not present in most of their meetings in Kolkata, he was still one of their early members from Chandannagore, then a French province. ...

Etched In Stone

This historical short story is a fictitious account of Ashoka, the Mauryan Emperor and his first wife Devi, who finds no place in Magadhan History. There is another fiction about her in the blog as well. This story stemmed from a merge of two ideas, one was to mention the cave inscription found in Saru Maru that mentions Asoka spending some days there with his lover (presumed to be Devi), the other idea of how if words did not immortalise a lot of battles and achievements, the names of many great men would be lost in time. The prince stood on the edge of the cliff, looking at the horizon. Dawn arrived as the birds started leaving their nests, wings fluttering, eager to discover the world. He looked up at them, the thought of once again going back to exploring the length and breadth of his state making him feel a little restless as he eyed his healing wounds. He was left to die; his enemies wished so. Yet by some miracle of fate, as if his purposes were yet to be fulfilled, here he was ...

Roopmati's Renewal

The entourage was too large and extravagant for a musician. Roopmati remembered that as a child, during festivities, she would ride on her father’s shoulder to see the entourages pass by the main streets of the town nearby. She had seen many a musician. None had such a huge entourage. Roopmati frowned a little, unsurely as she took her father’s leave. His warning rang in her ears. “Remember what you do, how you behave will all come back to me.” She nodded.  The chief queen was at a loss for words. She had never seen the Sultan himself step into the Mahal to check the chambers to be allotted to one of the girls who were coming in. She was not one of the girls. She was a musician. The queens were curious. What would her position be then? She could not be a concubine, and she was not a queen. A musician in the royal palace of the ladies? Had the Sultan lost his senses? Or did he have some other agenda? If he wanted someone, he had them. He was the Sultan. There was no way he was tryin...

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love. ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon t...

From Fire Altars to Forgotten Gods: The Chaotic Evolution of Hinduism

The Indian Subcontinent is a diverse mix of cultures, religions and traditions that make up its value system. The moment we discuss the early Indian subcontinent and its religions, long before Buddhism or Jainism came into existence or the Abrahamic religions were introduced on the western coasts by travellers and traders, long before any invasion proved any sign of forced conversion, a layman’s idea of the Indian Subcontinent is that of a single unified culture. Historically speaking, that is far from the truth. The Indian Subcontinent, since the evidence of early civilisation has been found in its river banks, like that in Bhirrana or Mehrgarh, dating back to around 6000 BCE, has never had one unifying belief through its geographic boundaries. The terms Hindu, Hindustan and many others come originally from attributed to primary sources of the Ancient West Asian civilisation. But our history starts much earlier than that. And where there is society and civilisation, there is bound to ...

Nawab E Bengal

  Background: Nawab Alivardi Khan was ruling Bengal at the peak of Nawabi rule, expanding his strong empire. He had successfully suppressed the Marathas and had given a strong message to the British East India Company’s rising influence at Calcutta. Highly aware of the British Colonial policies across the globe, Nawab Alivardi Khan was strict with his policies and stronghold over Murshidabad, the then capital of Bengal (including present-day Bihar, Jharkhand, West Bengal, Orissa, and Bangladesh).  He had two daughters and no sons. Amina Begum was the elder one, followed by Ghaseti Begum.  Amina had three sons with her husband and courtier, Ahmed Khan. The second son, Mirza Mohammad, fondly called Siraj-Ud-Daulah (light of the country)by his grandfather, was born in 1733C.E. He was his grandfather’s  favourite  because he was born while he won over the Marathas. Alivardi Khan never let the “fortune child” of the family out of his sight. Siraj grew up accompanying...

The Naga Princess

The Nagas (symbolically snakes) were a tribe who were well acquainted with life in forests and on rivers. They were said to be the ones who ruled the waters. Historically speaking, the Nagas lived in the northeastern parts of Aryavarta, close to Manipur, and extended their villages up to the land of Burma. The Naga tribe staying in the current state of Nagaland are proof of this. Now, this brings us to the story. The Naga Chief was Kauravya, who ruled the waters of the Ganges. His daughter was Ulupi. Some say she was a widow at a tender age, and some say she was unmarried. The Pandava prince Arjun was roaming around Aryavarta in exile, for he had broken a promise and entered his elder brother's intimate room with their Shared wife. The punishment was this. He roamed all the way from Indraprastha to the mystic lands of Manipur and Nagaland. Ulupi, like any other princess of that time, desired the handsome and brave prince of Hastinapur. On hearing of his arrival in their land, she w...

Bijolia: Her Home

Journey to Bijolia: Lost Kingdoms and Timeless Temples of Mewar Bijoliya translates to a stop between two cities. Nestled in Rajasthan’s Bhilwara district, Bijolia sits 55km from Bundi and 105km from Chittorgarh on the well-travelled Bundi-Chittorgarh road. Once part of Mewar, this seemingly sleepy town guards a rich and layered past: it was ruled from the 11th to the 13th century by the Punwars (or Parmar Rajputs) before falling under the Chauhan dynasty, who shifted the region’s capital to Bhilwara and constructed the imposing fort there. After a brief Chauhan rule, Bijolia was reclaimed by Rana Kumbha and became an integral part of the Mewar kingdom, with the Parmars serving as local Raos, representatives and stewards of the royal house. Despite its history and the famed Bijolia inscriptions (a treasure for historians), Bijolia has never found a seat on Rajasthan’s primary tourist circuit, especially if you’re venturing out by public transport or private car. While a handful of...