Skip to main content

Bundi: The Invinsible Fort

Exploring the Hidden Gem of Bundi: A Journey Through Time

After a long train ride from Kolkata to Jaipur, my adventure truly began with a cab ride to Bundi, a destination that may not feature on every traveller’s must-visit list but holds its own unique magic for lovers of history. If you arrive expecting glitzy hotels or polished resorts, be prepared for a different sort of experience: Bundi’s true charm lies in its old city, where every alley whispers the stories of Rajasthan’s past.

Where to Stay: Old City vs. New

Bundi is split between its bustling new town, offering modern comforts and larger hotels (albeit often far from the fort’s historic heart), and the atmospheric old city with narrow lanes, havelis, serene lakes, and ancient gates (pols). For history buffs or anyone longing to step back in time, the old city within the fort walls is the place to stay.

I checked into Haveli Katkoun, a beautifully restored family mansion where heritage meets modern hospitality. The rear rooms and rooftop terrace offer breathtaking views of Bundi’s iconic fort, while the front faces an old royal talab (lake) now attached to a heritage hotel run by the Bundi royals. What made my stay exceptional was the home-cooked Rajasthani food, lovingly made by the family themselves, a true introduction to local flavours!

Narrow lanes crisscross the old city. Autos are the best way to get around, and you’ll share the streets with cows, bulls, stray pigs, and clever monkeys (a word of advice: tuck away your snacks, lest you attract some cheeky visitors).

The Fort of Folktales: Taragarh

Our sightseeing began with the mighty Taragarh Fort, looming over the city. Legend has it that Raṇa Kumbhakarna Singh of Mewar was so taken with the fort’s design that he tried to build a similar "Nakal Bundi Garh" (Fake Bundi Fort) in his own domain, though history has forgotten which of his 56 forts this became. Reaching the Taragarh is no small feat; a steep, winding path leads to the main Hathi Pol, purposefully built to repel invaders on horseback and elephants, a defence that succeeded, as Bundi Fort was never breached.

The fort unfolds through its Soldier Quarters, city walls, and the imposing Hathi Pol. Within, there’s the Vinayak Temple, a courtyard garden, and separate wings, the single-story courthouse, the grand Rani Mahal with three floors, and the airy Badal Mahal. The courtroom still displays its marble throne, while elaborately decorated pillars and jharokhas grant sweeping city views. Look out for the Phool Mahal and its walls resplendent with depictions of the ten avatars of Vishnu, and the signature Bundi blue hues that illuminate many interiors.

A highlight here is the Chitrasal or Chitrashala, a gallery of murals and portraits commissioned by Rao Raja Chhatrasal Hada and his descendants, celebrating Bundi's unique school of miniature paintings. Sadly, photography is strictly forbidden to preserve these masterpieces. Despite its grandeur, the fort does show signs of neglect, and local guides may not always get their facts right—so it’s best to read up before exploring.

Architectural Marvels Beyond the Fort

  • Rani Ji Ki Bawri: Located in the new city, this spectacular stepwell was built for a queen’s daily rituals, with deep steps leading down to clear (now dry) waters. Carved pillars depict the divine Parijat tree and myriad forms of Shiva and Vishnu, a testament to Bundi’s reverence for water architecture.

  • Sukh Mahal: This summer palace, built by later rulers, once overlooked a sparkling lake, now, unfortunately, used for drainage and in poor condition. The Sukh Mahal also houses the Government Museum (closed Thursdays and Sundays), where you’ll find relics from the Indus Valley and medieval Rajasthani arms, though no photography is allowed.

  • 84 Pillar Chatri (Cenotaph): On Bundi’s outskirts, en route to Bijolia, stands this stunning cenotaph dedicated to Lord Shiva. It features exquisite paintings of Shiva, Parvati, and various avatars of Vishnu on its walls and houses a resplendent idol within.

The City’s Living Heritage

Old Bundi is alive with vibrant havelis converted into cosy hotels, bustling handloom and antique shops (with sky-high prices for tourists), and the gentle chaos of everyday life played out under the fort’s imposing gaze. Practical travel tips? Each monument charges a separate entry fee for Indians, foreigners, and cameras are not charged. Children under five enter free. Opening hours run from 10AM to 5:30PM, so plan your day accordingly. Weather-wise, mid-November days are hot and evenings cool. Sunrises arrive late (around 7AM) and sunsets early (by 6:15PM), which shapes your daily itinerary.

Leaving Bundi

Our tour wrapped with an early morning cab ride through the beautiful tunnel to Bijolia and Menal, passing Baasi (home to Kunwar Shakti Singh after his rift with Udai Singh). A border wall deep in the Aravallis still marks where the ancient kingdoms of Mewar and Bundi once met.

Bundi may not be graced with international crowds, but it rewards its visitors with serenity, authentic hospitality, and a sense of timelessness, leaving you with stories you’ll carry long after you depart.

View from the room of the Fort.

Hotel Room At Bundi
Streets of Old Bundi


The Bundi Fort is popularly known as the Taragarh Fort. The main feature of this fort was the steep road that led up to the fort, the steepest you will find. You have to literally trek your way up to the main Hathi pol of the palace. The fort was built as such to prevent easy attack by enemies on horses and elephants. And it might have worked, as Bundi Fort was not attacked in any way.

The Soldier quarters of Taragarh

The steep road leading up to the fort

City Walls of Bundi

The Hathi Pol, at a distance, again notices the steep roads.

The Hathi Pol, Main Door, Taragarh


The most famous Bundi Chitrasal is not to be missed in the premises of the Chattra Mahal, built by Rao Raja Chhatrasal Hada, who lost his life fighting for Dara's side in the battle of Samugarh. The rest of the expansions were done by his grandson, Aniruddh Singh Hada, after a brief rule of Rao Raja Bhim Singh under Aurangzeb's patronage.

Ganpati Sthal at the entrance

Courtroom

Throne

Corridors

View from a Jharokha

Phool Mahal Walls

Elephant Pillars

Water pot in Badal Mahal
Foot Light System


Lord Shiva at the Bawri

Pillars depicting the Parijat tree


The step well

Pillars of the Bawri





84 Pillared Cenotaph called Chatri

Shiva Idol inside

Paintings on the outer walls depict stories from the Shiva Purana and Vishnu's Avatars. This one is Lord Shiva and Parvati.



Popular posts from this blog

Bijolia: Her Home

Journey to Bijolia: Lost Kingdoms and Timeless Temples of Mewar Bijoliya translates to a stop between two cities. Nestled in Rajasthan’s Bhilwara district, Bijolia sits 55km from Bundi and 105km from Chittorgarh on the well-travelled Bundi-Chittorgarh road. Once part of Mewar, this seemingly sleepy town guards a rich and layered past: it was ruled from the 11th to the 13th century by the Punwars (or Parmar Rajputs) before falling under the Chauhan dynasty, who shifted the region’s capital to Bhilwara and constructed the imposing fort there. After a brief Chauhan rule, Bijolia was reclaimed by Rana Kumbha and became an integral part of the Mewar kingdom, with the Parmers serving as local Raos, representatives and stewards of the royal house. Despite its history and the famed Bijolia inscriptions (a treasure for historians), Bijolia has never found a seat on Rajasthan’s primary tourist circuit, especially if you’re venturing out by public transport or private car. While a handful of...

Maharana Pratap: The Sun of Mewar

Many of you have read my fan fiction as well as historical representations of the life and times of Maharana Pratap Singh of Mewar. I provided small details of his life in many articles. But never have I ever made a separate historical post on him. It is very difficult to put together his life without the help of folklore because historical evidence is scarce. This one was requested, and hence here it goes. Needless to say, this one is very special. This is a blend of history and folklore. Leave your love.  ❤️ Background and Birth: The year was 1540. Mewar was under a cloud of uncertainty. Banbir, their ruler for four years now, was a very incompetent ruler who always spent his time in luxury, drinking and dancing with girls. The crown prince Udai Singh was rumoured to have been killed by him. Chittorgarh was in darkness. Around March 1540, Mewar once again saw hope as some trusted generals, along with Kunwar Udai Singh, attacked Chittorgarh, taking Banbir by surprise. He was soon ...

The Emperor's First Wife

  Ruqaiya Sultana Begum  was born to Babur's second surviving son, Hindal Mirza, and his wife, Sultanam Begum, in 1542 C.E., merely a few months after Hamida Banu gave birth to the heir Jalaluddin Mohammad Akbar. She was well-versed in Persian, Urdu and Arabic and was attracted to poetry and music. Being a proud descendant of the Timurid clan, most of Rukaiya's childhood was spent in Kabul, near the Bagh E Babur, built by Babur himself. From early childhood, she had seen the struggle of her family to regain their lost power in Hind. In 1551 C.E., just after her father died young at a battle for Humayun, leaving her and her mother in the harem of the emperor, it was Hamida Banu who wanted the marriage of Rukaiya to her first cousin, Akbar. Theirs was the first in-house marriage of the Mughals, soon to be followed by many more in the generations to come. At the mere age of nine, she had married the crown prince, and when Humayun won back Lahore, she was fifteen. At the mere age ...

A Journey Called PrAja

Love is a relationship based on trust and understanding.  It is also a bond that is made up there. People often ask, "Why them?" I end up telling them some folklore. I end up telling them about how she actually was his shadow in the forests, in bad times. Because love passes all its tests in the worst times when you don't give up on each other. So, here's to My Pratap and His Ajabdeh! Ps. This is about the show Bharat Ka Veer Putra Maharana Pratap on Sony by Contilloe Starring Faisal Khan, Roshni Walia, Sharad Malhotra and Rachana Parulkar. This is NOT their real story. The show aired from 2013 to 2015. Ajabdeh, the simple, strong yet gentle samantputri, was starstruck seeing the down-to-earth Kunwar Pratap, the crown prince of Mewar. She was clueless that he held the key to her heart, her lost mala that destiny had chosen him for.  Na na na na na Chan Chan Chan Chan na na na na! A comedy of errors followed, as she threw the pail of water on him, fumbled at his presen...

Nawab E Bengal

  Background: Nawab Alivardi Khan was ruling Bengal at the peak of Nawabi rule, expanding his strong empire. He had successfully suppressed the Marathas and had given a strong message to the British East India Company’s rising influence at Calcutta. Highly aware of the British Colonial policies across the globe, Nawab Alivardi Khan was strict with his policies and stronghold over Murshidabad, the then capital of Bengal (including present-day Bihar, Jharkhand, West Bengal, Orissa, and Bangladesh).  He had two daughters and no sons. Amina Begum was the elder one, followed by Ghaseti Begum. Amina had three sons with her husband and courtier, Ahmed Khan. The second son, Mirza Mohammad, fondly called Siraj-Ud-Daulah (light of the country)by his grandfather, was born in 1733C.E. He was his grandfather’s  favourite  because he was born while he won over the Marathas. Alivardi Khan never let the “fortune child” of the family out of his sight. Siraj grew up accompanying his g...

Chittorgarh: The First Jauhar

The concept of Jauhar holds a profound place in Rajputana history. It is a ritual where Rajput women willingly choose death by jumping into a fire altar, invoking the gods, and embracing honour rather than living under the humiliation of enemy conquest. Unlike Sati, Jauhar was never forced or compulsory; it was considered the most honourable death a Rajputani could choose when their men lost battles and the enemy laid siege. The Historical Setting: Jauhar Gate and Chittorgarh Fort Chittorgarh Fort once housed the palace of Rana Ratan Singh near the famed Vijay Stambh and his Jal Mahal at the fort’s main gate. When Alauddin Khilji invaded Chittor, much of this was destroyed. However, later ruler Rana Kumbha rebuilt the Jal Mahal and re-established the Jauhar Sthal to honour Queen Padmavati (also known as Padmini). Ratan Singh, who ruled Mewar during Khilji’s reign as Sultan of Delhi, was known to be a peace-loving monarch who enjoyed music and poetry. One of his court poets, Ragha...

Maa Durga: Weapons and Iconography

  Mythology: Origin story & Chandi Path The Srimat Devi Bhagawatam , also known as the Devi Puran, a sub-Purana attributed to Shiva Mahapurana, depicts the story of the “birth” and achievement of Devi Durga. The word Durga and related terms appear in the Vedic literature, such as in the Rigveda hymns 4.28, 5.34, 8.27, 8.47, 8.93 and 10.127, and in sections 10.1 and 12.4 of the Atharvaveda. A deity named Durge appears in section 10.1. 7 of the Taittiriya Aranyaka . But the most famous depiction detailed in mythology about the goddess comes from thirteen chapters of the Devi Mahatmya of the Markandeya Purana . It is also famously known as the Chandi Path, which is mainly referred to by the Bengalis for Durga Pujo.  Though the Chandi Path starts from Madhu and Kaitava’s birth from Vishnu’s sleeping body and finally being slain, we will focus on the story of Durga. Parvati’s association with this particular form of iconography comes from the story of Shumbha and Nishumbha, t...

Chittorgarh: The Devoted Fort

Chittorgarh, renowned for its tales of sacrifice and valour, is also a remarkable testimony to secular harmony and religious heritage that flourished over centuries. Beyond battles and sieges, the fort and its surroundings are dotted with numerous temples, talabs (reservoirs), kunds (water tanks), and temple complexes;  some intact, others abandoned or in ruins, each narrating stories of devotion, culture, and royal patronage. The Legend of Meera Bai: Devotion and Defiance One of the most inspiring figures linked to Chittorgarh’s spiritual legacy is Meera Bai , the saint poetess and princess of Merta. Married in 1513 AD at age 14 to Maharaj Kumar  Bhoj Raj Singh Sisodiya , the eldest son of Rana Sanga, her story is one of profound devotion. As a child, Meera Bai was deeply attached to the idol of Lord Krishna, whom she considered her true husband, an attachment sparked by a childhood curiosity and nurtured with daily conversations and care for the idol. This devotion dista...

The Buddhist Empress of India

Many historians believe that although Devi was the first wife of Asoka, his Buddhist queen, Asandhimitra, was not the same person. However, some also theorise based on Buddhist and Jain stories that they were in fact the same person, and the reason for that is that they don't seem to appear in the timeline together. Devi disappears when Asandhimitra arrives at the scene rather abruptly to do her charitable work. Hence, I personally believe they were one and the same. This story, however, is a retelling of folklore and not history. Please do not consider this piece of fiction as history. The whole village of Vidisha Nagari was buzzing with activity. Every home was being cleaned, and cooking preparations were on. The youngest prince of Magadha was coming to a halt the night at their village on his way to Ujjain. Great unrest was reported at Ujjain, and the youngest prince, as the general of this region, was being sent by the emperor to solve the issue. The villagers were scared as th...

The Rebel Saint: Retracing the Stories of Meera Bai

This is a folklore retelling of the life of Meera Bai. Little is known about her historically, except that she was a devotee of Lord Krishna and the granddaughter of Rao Dudha of Marwar. Since Rana Sanga was an ally of the king, she was married to the crown prince of Mewar, Bhoj Raj, who unfortunately died in one of the many battles Mewar fought with Babur. After that, her journey from Mewar to Merta to Vrindavan and Dwarka can be traced only with folklore. Historically, her mention is only found twice, once in the chronology of Merta, where her father Ratan Singh, the youngest son of the king, is mentioned as having a daughter married to Kunwar Bhoj Raj and another time when the temple for her Lord was commissioned by Rana Sanga, for the private use and worship of his firstborn's widow. The Palace at Merta The Palace at Merta The palace at Merta was alive with festive preparations. Rao Dudha, the fourth son of Jodha Rao, the founder of Jodhpur, was returning from war with his sons...