A Journey To Discover Life

This historical short story is a fictitious account of Ashoka, the Mauryan Emperor and his first wife Devi, who finds no place in Magadhan History. There is another fiction about her in the blog as well. This story stemmed from a merge of two ideas, one was to mention the cave inscription found in Saru Maru that mentions Asoka spending some days there with his lover (presumed to be Devi), the other idea of how if words did not immortalise a lot of battles and achievements, the names of many great men would be lost in time. The prince stood on the edge of the cliff, looking at the horizon. Dawn arrived as the birds started leaving their nests, wings fluttering, eager to discover the world. He looked up at them, the thought of once again going back to exploring the length and breadth of his state making him feel a little restless as he eyed his healing wounds. He was left to die; his enemies wished so. Yet by some miracle of fate, as if his purposes were yet to be fulfilled, here he was ...

Demons in the Abrahamic religion are not the same as Asuras of Hinduism. Originally deities of Iranian origin, they were seen in the tribal context as no different from Devas but as counterparts to maintain balance. In early epics and Puranas, asura meant a chosen leader of great capacity. Only later, perhaps due to the Iranian link, their image declined. It was with the Brahmanas that the sharp divide appeared: devas as divine, asuras as evil. Puranic myths demonised them mainly to assert the superiority and immortality of devas, while asuras were cast as symbols of the "other." Since Tribes still worshipped them and embraced their power of negativity, being important to balance, they soon became synonymous with tribes, which was not the case mythologically. There are instances of Bali or Ravana being Kshatriya or Brahmin Asuras and competent kings. Indian demonology itself is vast and layered, shaped by surviving tribes, each with unique myths. Celestial, aerial, and terres...

A Rakhi to the Enemy: The year was 1535 CE. The Rajmata of Mewar, widow of Rana Sanga, was in a dilemma. On one hand was an attack from Bahadur Shah of Gujarat as a threat to her capital, Chittorgarh, and the throne of her beloved teenage son Vikramaditya. On the other hand, there was the son of her husband's archenemy, Humayun, who could be of some help. Rani Karnavati wrote a letter to Humayun, who was in the east at that time. Along with it, she sent a Rakhi, a thread of brotherhood, asking him, as a sister, for protection against the enemy. But the road was too long, and time was of the essence. Humayun arrived at Chittorgarh, in response to her letter, keeping his end of the bargain but a little late. Rani Karnavati had already performed the Jauhar. They never met. Humayun established Rana Vikramaditya on the throne of Mewar, as he had promised as a brother, and returned to his post. Two dynasties, political rivals and sworn enemies, from Sanga-Babur to Pratap-Akbar and even R...

In the vast tapestry of Hindu mythology, Neelkanth Sasti holds a significant place as a day that honours Lord Shiva’s act of supreme compassion and courage. According to the Puranas, this day commemorates the pivotal moment during the Samudra Manthan, the cosmic churning of the ocean, when the deadly poison Halahal emerged. Halahal, described as the collective essence of all the universe’s negativity and toxicity, began to spread destruction among both Devas and Asuras. Its effects were so perilous that even the gods could not approach it, symbolising the universal truth that adversity and suffering make no distinction between divine or mortal beings. With the balance of creation at risk and the churning brought to a standstill, Mahadev Lord Shiva, the Destroyer and Transformer within the Hindu Trinity, was invoked for help. In an act of unparalleled self-sacrifice, he consumed the Halahal to protect all existence from annihilation. However, the potency of the poison was such that it t...

Maharaja Krishna Chandra was an influential king in Nadia, Bengal, who formed his capital at Krishnanagar. During the preparation of the Battle of Plassey that sealed the deal for British Colonisation in Bengal in 1757, Krishna Chandra was under the Mughals of Delhi, who did not support Bengal Subah Nawab Siraj Ud Daulah in his attack against the British in Calcutta. As a result, he too was vocal against Siraj and supported the British. Siraj ordered for him to be imprisoned for not paying his due taxes to the Nawab, and he found freedom only after Robert Clive and Mir Jafar ousted Siraj by betraying him. Once Krishna Chandra was back in his state, the Mughal emperor, who was now reduced to a puppet of the British, by suggestion of Robert Clive, gifted the king a token of appreciation for his support, a cannon, which the Raja named the Garuda Cannon. What was so special about the cannon? This is the only cannon found in any museum with an inscription in Bengali scripture. Most cannons ...

  Upon the scenes of Malwa’s plains Reva meanders in ripples and waves. She witnesses stories only she could tell Of Love, revenge, lust and pain. The Reva blesses the land with her fertility and nurturing. She also stands witness to the thousands of stories, known and unknown, told and untold on its banks. Here is a tale that Reva tells hundreds of years later as she meanders still through the land that was once called Malwa.  Hunting had, from time immemorial, been the pursuit of entertainment for many royals. The luxury of hunting for pleasure was only reserved for the rich and powerful, and the king, often accompanied by his friends, would visit the forestlands on the bank of the Reva for the sighting of deer, boars and if they were lucky enough, then even tigers. His ears were alert enough to observe the rustling of leaves in the winter afternoon or the call of a barking deer nearby. The chirping birds witnessed the hunting party galloping through the forest, trying to st...

The entourage was too large and extravagant for a musician. Roopmati remembered that as a child, during festivities, she would ride on her father’s shoulder to see the entourages pass by the main streets of the town nearby. She had seen many a musician. None had such a huge entourage. Roopmati frowned a little, unsurely as she took her father’s leave. His warning rang in her ears. “Remember what you do, how you behave will all come back to me.” She nodded.  The chief queen was at a loss for words. She had never seen the Sultan himself step into the Mahal to check the chambers to be allotted to one of the girls who were coming in. She was not one of the girls. She was a musician. The queens were curious. What would her position be then? She could not be a concubine, and she was not a queen. A musician in the royal palace of the ladies? Had the Sultan lost his senses? Or did he have some other agenda? If he wanted someone, he had them. He was the Sultan. There was no way he was tryin...

A week was enough for the master to be pleased enough with the new student to tell the Sultan that she was ready for her first performance. The Sultan was extremely pleased and rewarded him with a gold chain. As the master bowed to leave, the guards announced the arrival of the chief queen. Sultan Baz Bahadur sat upright. She was his first bride, a childhood alliance his father had forced upon him when he did not even know what marriage implied. Now he only saw her face when she had complaints about the inner palace and its inhabitants. Honestly, he expected her to be there since Roopmati arrived. His queen did not like changes, especially if those changes were threatening to her position. The Chief Queen arrived with her maids, dismissed them at the threshold and came up to her husband to bow and greet him. “What brings you here?” Baz Bahadur asked, with a lingering smile on his lips. The queen could hear the hint of taunt in his voice. She forced a smile. Her marriage to this reckles...